‘Instructions for a Funeral’ by David Means: A Location of Deeper Grace

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David Means’ latest collection, Instructions for a Funeral (208 pages; FSG), further secures his position as a standout writer of short fiction. Featuring Means’ customary idiosyncratic style, with sentences that span halfway down the page—or more—the book’s prose takes you on a trek, one that demands complete attention from the reader, but repays that attention. Through his dense, carefully crafted sentences, Means transports us through time and place, interweaving action with his characters’ inner ruminations and flashbacks, and in the process touching on the most tender and enigmatic parts of existence. In a section titled “Confessions,” the author discusses what […]

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‘Bright Stain’ by Francesca Bell: A Universe of Pain

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Francesca Bell’s first book of poetry, Bright Stain (104 pages; Red Hen Press), reflects a dark universe in which sexual pleasure and pain are intricately linked. There are bright moments of delight, but few without an aftertaste. This debut collection is impressive for it’s distinctive voice and pungent imagery. Many of the poems deal with the jolts of adolescent sexual awakening, its heat and surprise and terror, and Bell is not afraid of putting both her vulnerability and hunger on display: By fourteen, I had transformed, body gone from tight-fisted to extravagant… No blouse would button over my excess. Nothing […]

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‘Little Boy’ by Lawrence Ferlinghetti: Life as an Endless Novel

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“And so do I return to the monologue of my life seen as an endless novel.” Lawrence Ferlinghetti’s Little Boy (179 pages; Doubleday) is aptly self-identified as “unapologetically unclassifiable” on its jacket copy, and the poet Billy Collins called it a “torrent of consciousness” in his own review. Both descriptions are fitting for the short but powerful work by the now 100-year-old Ferlinghetti. Little Boy begins as a rather fast-paced novel, narrated in the third person, based on Ferlinghetti’s childhood. It tells the story of Little Boy, who was raised by his Aunt Emily, later was moved to an orphanage, and […]

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‘The Altruists’ by Andrew Ridker: The Good Life

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Andrew Ridker’s first novel, The Altruists (308 pages; Viking), follows a middle-class family, the Alters, as they struggle with the impact of unexpected wealth. Ridker is merciless in skewering each member of the family, and nearly every aspect of modern culture, from campus identity politics and the queer dating scene to poorly planned foreign aid missions. The novel’s wickedly dark sense of humor combines with a complex plot to create a compelling debut. The story centers around Arthur Alter, a rapidly aging, untenured professor at a middling St. Louis university who is close to defaulting on the mortgage for his […]

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‘Fire Season’ by Patrick Coleman: Intergenerational Interpretations

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We poets often pride ourselves on exploiting the many interpretations that figurative language affords us, and so we may shy away from visuals for fear they will detract from this ability to embody multiple meanings without sacrificing substance that we think separates “real” poetry from most prose. And though we may write poems inspired by visual art, we rarely include images of these works in books. Not so with Patrick Coleman’s Fire Season (102 pages; Tupelo Press). Initially, I expected the images paired with poems in the book to be too on the nose and/or to give away too much. […]

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‘The Collected Schizophrenias’ by Esmé Weijun Wang: A Map into Rarely Charted Waters

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Esmé Weijun Wang’s The Collected Schizophrenias (202 pages; Graywolf Press) consists of twelve essays addressing the technical definitions, medical prognosis, and personal challenges of schizophrenia. In the first essay, Wang discloses her own diagnosis to the reader: during her time as an undergraduate at Yale, she was diagnosed with schizoaffective disorder (bipolar type), which she describes as an illness that combines certain behavioral markers of schizophrenia and bipolar disorder. She makes it clear the schizophrenias (of which there are a few types) are both complex and vast in how they are perceived and experienced. Wang manages to discuss such a […]

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‘Gingerbread’ by Helen Oyeyemi: Ever-Shifting Nature

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Helen Oyeyemi’s latest novel Gingerbread (258 pages; Riverhead), revolves around the fictional country of Druhástrana, an “alleged nation state of indeterminable geographic location” that may or may not exist, depending on who you ask. Druhá Strana roughly translates from Slovak to “the other side” or “the flipside,” a fitting name for a nation that bears more resemblance to a half-remembered fever dream than any currently existing country. Gingerbread mirrors the ever-shifting nature of Druhástrana in many ways, with its circular and occasionally conflicting narratives leaving the reader frantically performing mental gymnastics in order to keep up. The novel focuses on […]

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‘Territory of Light’ by Yuko Tsushima: A New Life in Tokyo

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Yuko Tsushima’s Territory of Light (183 pages, FSG; translated by Geraldine Harcourt) begins when the husband of the narrator, Mrs. Fujino, leaves her. After months of apartment hunting, she moves with her two year-old daughter into a new building. The apartment is abundant with light most hours of the day, but it fails to illuminate their lives the way she hoped it would. The novel consists of twelve brief chapters, each one a vignette of life in Tokyo with an inquisitive and sometimes unruly daughter. (The narrative was originally published in Japan in twelve installments, between 1978 and 1979.) At […]

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‘Mothers’ by Chris Power: The Fragility of Connection

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The characters in Mothers (287 pages; FSG), the debut story collection by London writer Chris Power, occupy tenuous positions in their personal lives. Many of the ten stories here hone in on the bitter resentments and petty debates that arise when a romantic relationship has barely formed or, alternately, reached its breaking point. In “The Crossing,” protagonist Ann comes to regret her backpacking weekend with recent lover Jim: Several times, in the weeks since she had met him, Ana had thought Jim was telling her what she had wanted to hear. Even before she agreed to this weekend away the […]

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‘Rag’ by Maryse Meijer: Refusing to Flinch

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In Maryse Meijer’s new collection, Rag (144 pages; FSG), the final and eponymous story is written from the point of view of a rag stuffed down a woman’s throat, slowly killing her. Reading Rag feels a bit like this, as the fourteen unsettling stories leave you gasping for air. With terse, dark prose, Meijer has created a cohesive set of stories which seem to delight in exploring taboos and destroying expectations. These stories are unsettlingly honest, with the most twisted inner thoughts of each principal character laid bare for the reader. Rag is at its strongest when delving into the […]

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Sarah Moss’s ‘Ghost Wall’: Sacrificed to History

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In Sarah Moss’s novel, Ghost Wall (130 pages; FSG), seventeen-year-old Silvie embarks on a trip to rural northeastern England with her family and a university archaeology class. Silvie’s father, Bill, earns a living as a bus driver, but his true passion is for the history of the Iron Age and its “bog people,” the ancient Britons who were sacrificed in this region centuries ago. Over the course of the two-week trip, the small group attempts to reenact the lifestyle of 1000 B.C., wearing scratchy tunics and hunting and foraging for their meals. For Bill, the trip is a chance to […]

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Young and Out of Control: ‘Last Night in Nuuk’ by Niviaq Korneliussen

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Niviaq Korneliussen’s first novel, Last Night in Nuuk (288 pages; Grove Press), is first and foremost a character study. (In an immediate indicator that the book is primarily driven by its multiple protagonists, it opens with a literal “Cast of Characters.”) Korneliussen, who is from Greenland, explores in distinct sections the perspectives of five different people and in the process shows us what it means to be young and queer in her homeland. The characters are all handled tenderly and with obvious care, and each stream of consciousness narrative can stand alone but fit neatly into this larger work. Living […]

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