Nobody knows his name. The literary and political legacy of James Baldwin is going through a revival through works like Raoul Peck’s Academy Award-nominated documentary, I Am Not Your Negro, and director Barry Jenkins’ film adaptation of If Beale Street Could Talk. Add to this, the newest issue of The Common Reader: A Journal of the Essay, published by Washington University in St. Louis, and its eleven essays that further explore the lasting work and meaning of the author. High points of the issue, titled James Baldwin & American Democracy, include Cecil Brown’s piece, “With James Baldwin at the Welcome Table,’’ in […]
Contributor: Paul Wilner
“Ms. Lonelyhearts”
by Paul Wilner
The phone calls me to attention. An old friend, dead. 89. She had a “good run,’’ as they say, it was for the best, whatever that means. Trumped, quickly, replaced with wincing news that another’s son killed himself, jumped off a bridge too far. Words fail, repeatedly. Searching for emoticons in lieu of emotions. Stir and mix the customary repetitive political jabber, echoing indignation. Where is love? Is it in the stars above? I sink below, mired in timeless sorrow, time beyond time. Multiple failures, fumbles, fright. Who to “speak’’ to? God is dead, or so it’s reliably said. We […]
Q&A with Peter Orner: ‘Maggie Brown & Others’ and Real Life as Fiction
by Paul Wilner
In an age of instant reactions and hair-trigger controversy, Peter Orner is a writer who slows things down, living up to Susan Sontag’s admonition that “the writer’s first job is not to have opinions but to tell the truth…and refuse to be an accomplice of lies and misinformation.’’ Born in Chicago, he graduated from the University of Michigan and the University of Iowa Writer’s Workshop. A former professor and department chair at San Francisco State University, he is now a Professor of English and Creative Writing at Dartmouth. Orner’s eclectic body of work includes the novels The Second Coming of […]
“You Know” by Paul Wilner
by Paul Wilner
“I don’t know,’’ my father used to say when I offered the conversational tic, an adolescent affectation. He liked to put people on the spot. When they said they loved reading he’d ask, “What was the last book you read?’’ Uncomfortable silences ensued, he rather enjoyed it. Or if we were sitting around at dinner and referred to him in third person, the matriarchal duet, my mom and sister emotionally outweighing the two of us. I had divided loyalties at best, anyway. “Who’s he?’’ my dad would say, countering the implied lack of respect, deference. He wasn’t a martinet, or […]
‘Floyd Harbor’ by Joel Mowdy: Harbor Lights, Suburban Sights, and Mean Streets
by Paul Wilner
The inhabitants of Joel Mowdy’s Long Island spend their days and nights far from the affluent Hamptons, let alone Fitzgerald’s East Egg. Floyd Harbor (256 pages; Catapult Press), Mowdy’s debut collection of twelve interlinked stories, pays pitiless homage to youths trapped in dead-end jobs, killing time with video games and petty crime, blotting out the boredom with cheap liquor and designer drugs. Oh yeah, it’s not really a “harbor,’’ as the narrator of a story titled “Stacked Mattresses’’ explains. “There were all kinds of cars in the diner parking lot. From this vantage point, I also had a view of […]
‘A Wonderful Stroke of Luck’ by Ann Beattie: Familiar Themes, New Territory
by Paul Wilner
No good deed goes unpunished. Ann Beattie’s 21st work of fiction, A Wonderful Stroke Of Luck (288 pages; Viking), has been taking a beating in some quarters, notably the New York Times (for, among other capital sins, spelling Spalding Gray’s name incorrectly). She’s been laboring under the mantle as a voice of her g-g-generation ever since her first novel, Chilly Scenes of Winter, in 1976. It’s a jacket she hates, understandably, but it was refreshing at the time to find fiction about people and places (although usually not politics) of the ‘60s that didn’t read like it was written by Richard […]
Interview with Erik Tarloff: Hollywood Endings
by Paul Wilner
Berkeley novelist Erik Tarloff is a polymath. Growing up in Los Angeles, he was steeped in the motion picture industry (his father, Frank Tarloff, was a screenwriter), but he has also been deeply involved in politics, including stints as a speechwriter for Bill and Hillary Clinton and former Labor Secretary Robert Reich, among others. He has satirized the Washington political scene in his acclaimed 1998 novel, Face-Time, about a speech-writer whose girlfriend is sleeping with the President, and taken a fictional look at the complicated political and personal dynamics of ‘60s Berkeley in All Our Yesterdays. He is also the […]
Some Notes on Salinger
by Paul Wilner
“If you really want to hear about it…” 1. He’s not really talking to you, it’s a ruse. Nor is he someone you want to chat with on the phone. Trust me on this. But don’t let it hurt your feelings. Like most of us, he’s talking to himself. It’s performance art, a term that contains its own contradiction. He (or his characters, whichever you prefer) is trying very hard not to go crazy. Holden Caulfield: “I kept walking and walking up Fifth Avenue, without any tie on or anything. Then all of a sudden, something very spooky started happening. […]
Getting Out of The Way of the Light: Q&A with ‘Son of Amity’ author Peter Nathaniel Malae
by Paul Wilner
We live in a strange, weird country (obviously). We don’t see, or want to see, what’s directly in front of us. Why bother when we have phones? Oregon author Peter Nathaniel Malae has been chronicling the untold stories of class and race, and familiar, timeless tales of family and heartache, since the publication of his first novel in 2010, What We Are, which depicts a young Samoan-American drifting through conflicts about immigration, identity and meaning. (As his protagonist muses, “I can find beauty in the gutter, as long as it’s empty of another heartbeat.’’) The former Steinbeck and MacDowell Colony fellow made […]
Flight Patterns: Q&A with ‘Amelia Earhart’ Author Larry Beckett
by Paul Wilner
Polymath poet Larry Beckett is flying high in Amelia Earhart (72 pages; Finishing Line Press), his latest addition to a cycle of epic tributes to the likes of P.T. Barnum, Paul Bunyan, and now Earhart, and with an upcoming volume on Wyatt Earp to round off a rubric on the “American Cycle.’’ The Portland writer is still best known for his collaborations with the late Tim Buckley, including the oft-covered classic “Song to the Siren,’’ but the long-ago death of his boyhood friend has not stopped him from cultivating his muse with fresh imaginings of seemingly unlikely subjects. Here, he […]
‘Just Us’ by Paul Wilner
by Paul Wilner
The Rape Guy approaches the podium, with practiced confidence, Jimmy Stewart smiles. He knows the ropes, been through this drill before. He lives around the corner from my brother-in-law, who says he doesn’t know him but his wife is “delightful.’’ I’m delighted. Aren’t you? Who wouldn’t be? Just a drunken grope and grab, lurch and lock, his Irish Catholic pal always ready to turn up the noise, set the stage. Dominis vobiscum, the Latin Mass is still the best. Closeted libido, directed who knows where, Three in the room. Three’s a crowd, three’s company. Company man. It’s all good. Ask […]
Seeing Anything Clearly in This Time and Place: Zachary Lazar’s ‘Vengeance’
by Paul Wilner
Published earlier this year to respectful notices, Zachary Lazar’s painstakingly crafted novel Vengeance (272 pages; Catapult) takes on the complicated issues of race, the socially constructed questions of guilt or innocence in late stage capitalism, cultural appropriation and redemption. “What ‘Vengeance’ really attempts to unravel is the problem of injustice, although it is not a protest novel,’’ Katy Waldman noted in The New Yorker. Prison reform has been in the air—just ask Kim Kardashian—but news cycles come and go. Regardless, Vengeance merits a more sustained look. The novel was inspired by the author’s visit to Angola, a Louisiana State Penitentiary (and former […]