Tag: nonfiction

Q&A with Editor Natalie Eve Garrett: “The Lonely Stories” & Making Peace with a Solitary Life

by Sophia Carr

Posted on by Zack Ravas

Has there ever been a more appropriate time for a chronicle of writers’ individual experiences with the state of being alone than now, in the midst of an isolating and prolonged global pandemic? The Lonely Stories (240 pages; Catupult), edited by Natalie Eve Garrett, gathers essays from a diverse set of acclaimed authors—including Jhumpa Lahiri, Anthony Doerr, Lena Dunham, Maggie Shipstead, and Lev Grossman—and examines everything from struggles with personal demons such as addiction, failed marriages, and the loneliness of being an immigrant facing racial discrimination to  the sense of liberation and creative stimulation that a solitary existence can provide—particularly […]

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Signed with an XO: Q&A with ‘XO’ Author Sara Rauch

by Christine Sneed

Posted on by Zack Ravas

Most readers (all?) live for the books that compel them to ignore worldly distractions in order to reach the final page with as little delay as possible. I had that experience recently when I read Sara Rauch’s new memoir, XO (172 pages; Autofocus Books), which chronicles the author’s inexorable trajectory from a monogamous relationship with a female partner to a dizzying, disorienting affair with a heterosexual man whom she met as a student at her West Coast MFA program. He was an established, much-published writer. He was also married and one of the program’s faculty. Years ago, I read a […]

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‘Czesław Miłosz: A California Life’ by Cynthia L. Haven: The West Coast’s Mythic Allure

by Peter Schlachte

Posted on by Zack Ravas

Czesław Miłosz: A California Life (256 pages; Heyday) is as much as portrait of a place as it is of a person. Cynthia L. Haven’s biography of the 1980 Nobel winner and towering voice in 20th century literature explores Miłosz’s work not distilled through the lens of his upbringing in Lithuania nor his formative years in Poland, but through his later life, residing on Grizzly Peak in Berkeley and teaching Slavic languages and literatures at UC Berkeley. From the opening pages, Haven writes beautifully of California’s history and landscape. Here she is describing California’s famously balmy weather: “At first, the […]

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The Fixers

by Troy Jollimore

Posted on by Zack Ravas

Joel and Ethan Coen’s 1996 film, Fargo, begins with the following statement: “This is a true story. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred.”

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‘Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California’ by Matthew Specktor: Blood Sports

by Paul Wilner

Posted on by Zack Ravas

As the Beat poet Lew Welch pithily put it, “More people know you than you know. Fame.” Welch was someone who knew whereof he spoke. He disappeared from his friend Gary Snyder’s house into a nearby mountain range in May 1971, leaving behind a cryptic farewell note that read, in part: “I had great visions but could never bring them together with reality. I used it all up. It’s gone.’’ Matthew Specktor explores the pulls—and perils—of chasing success in Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California (300 pages; Tin House), an eloquent account of […]

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‘To Write as If Already Dead’ by Kate Zambreno: The Body of the Author

by Alana Frances Baer

Posted on by Zack Ravas

Roland Barthes’ 1967 essay “The Death of the Author” saw a challenge, two years later, with Michel Foucault’s lecture “What Is an Author?” Kate Zambreno abbreviates the distinction between these two works: “Barthes wants to kill the author, Foucault wants the author to take on the appearance of a dead man.” Zambreno’s two-part book, To Write as If Already Dead (158 pages; Columbia University Press), meditates on its title throughout, circumscribing death in its consideration of the author as a living and breathing body, flesh behind words. Zambreno is the author of the novel Drifts and a 2021 Guggenheim Fellow […]

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‘Crying in H Mart’ by Michelle Zauner: If Belief Were Real

by Ray Levy Uyeda

Posted on by Zack Ravas

The chorus of “In Heaven,” the first track on Michelle Zauner’s first album as Japanese Breakfast, goes: Oh do you believe in heaven? / Like you believed in me / Oh it could be such heaven / If you believed it was real. The “you” and the “me” could be anyone, the “heaven” could be any utopia. But as revealed in Zauner’s memoir, Crying in H Mart (239 pages; Knopf), these lyrics were drafted in the aftermath of her mother’s death from pancreatic cancer and formed at a time when she was reckoning with her identity while caring for her […]

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‘Somebody’s Daughter’ by Ashley C. Ford: Together Amidst the Flames

by Oriana Christ

Posted on by Zack Ravas

From a young age, author Ashley C. Ford was taught that family is all you have and all you need, and for this reason you should love them and hold onto them, no matter what. In her memoir, Somebody’s Daughter (210 pages; Flatiron Books), Ford grapples with this maxim as she grows up with a single mother prone to violent fits of rage, and an absent father who has been incarcerated for as long as she can remember. Her childhood, which makes up about half of the book, is spent believing that she is fundamentally bad inside, while fearing her […]

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‘Low Country’ by J. Nicole Jones: Lost Dreams, Anger, and Ghosts

by Ray Levy Uyeda

Posted on by Zack Ravas

In every family there is an archivist. Someone to keep track of lost things, tales of victory and heartbreak, someone who can recall nearly-forgotten names. In author J. Nicole Jones’ family, that person was her grandmother, a woman who could fluidly weave a tale of home—Horry County, South Carolina. With her memoir, Low Country (230 pages; Catapult), Jones has succeeded in the role of family archivist, imploring us to see that the story of the Jones family is the story of South Carolina, and the story of J. Nicole Jones is the story of the women who preceded her. Low […]

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Q&A WITH MEGAN CULHANE GALBRAITH: ‘THE GUILD OF THE INFANT SAVIOUR’ AND DIORAMAS OF A CHILDHOOD

by K.L. Browne

Posted on by Zack Ravas

In Megan Culhane Galbraith’s hybrid memoir, The Guild of the Infant Saviour: An Adopted Child’s Memory Book (288 pages; Mad Creek Books), she investigates our desire for belonging with generosity and an eye for hidden truths. Galbraith was adopted as a baby in the late 1960s, and through a dual lens of subject and observer, she considers this tumultuous period of sexual freedoms for women and its consequences. The book’s unique form bridges the private and historical. Galbraith looks at programs for women and infants that echo an unconscious disregard; Catholic charities claimed to save unwed mothers, a domestic economy […]

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‘Why Didn’t You Just Do What You Were Told?’ by Jenny Diski: Seeing, Being, Naming

by Alana Frances Baer

Posted on by Zack Ravas

Jenny Diski’s posthumous collection, Why Didn’t You Just Do What You Were Told? (448 pages; Bloomsbury), consists of thirty-three essays, selected from the over two hundred the prolific British author wrote for the London Review of Books up until her death in 2016 at 68. Opening with a lighthearted account of a breakup and concluding with a humble meditation on her cancer diagnosis, the book synopsizes the inertia of life. Between those bookend essays are others that tend toward a topic-oriented approach that awards agency to her subject, rather than herself. Writing about Friedrich Nietzsche and his sister Elisabeth, Diski discerns […]

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Q&A with Joshua Mohr: ‘Model Citizen’ and Pointing Out the Frictions

by Kyubin Kim

Posted on by Zack Ravas

Model Citizen (336 pages; Farrar, Straus and Giroux) is Joshua Mohr’s memoir on addiction, sobriety, and fatherhood. It’s a brutally sincere addition to his repertoire that includes the previous memoir Sirens and five novels. Told in a series of non-chronological vignettes, Model Citizens begins with Mohr’s jagged path to recovery in episodes of self-destruction and regret. We’re pulled so viscerally into San Francisco bars where one drink turns into a blacked-out night that we feel like the gears in Mohr’s brain, trying to make sense of how we got here. We also experience the anguish of recovery and relapse, drawn […]

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