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ZYZZYVA Events
May 4, 2019Bay Area Book Festival
Location: Outdoor Fair, Martin Luther King Jr. Civic Park, Berkeley
Description: Come visit our booth featuring new and select back issues, hoodies, T-shirts, and totes. More info here: https://bit.ly/2v0bedC
May 9, 2019The Art Issue Celebration, San Francisco
Location: 7 p.m., City Lights Bookstore, 261 Columbus Ave., San Francisco
Description: Featuring contributors Cate Lycurgus, Dean Rader, Jordan Cantor, Rusty Morrison, and Mira Rosenthal; hosted by Managing Editor Oscar Villalon. Free. More info here: https://bit.ly/2D6VZ7k
May 16, 2019The Art Issue Celebration, East Bay
Location: 6 p.m., Traywick Contemporary, 895 Colusa Ave, Berkeley
Description: Featuring contributors Heather Altfeld, Dan Alter, Toni Martin, Troy Jollimore, and Diana Guerrero-Macia. Emceed by Managing Editor Oscar Villalon. Free.
May 30, 2019In Conversation with Kathleen Alcott
Location: 7:30 p.m., The Bindery, 1727 Haight St, San Francisco
Description: Alcott, author of the novels "Infinite Home" and "The Dangers of Proximal Alphabets," discusses her new book, "America Was Hard to Find" (Ecco), with Managing Editor Oscar Villalon. https://bit.ly/2IEY2Ty
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Tag Archives: Poetry
‘Midnight, Talking about our Exes’ by Ada Limón: National Poetry Month
April represents National Poetry Month, intended as a way to spread awareness and appreciation of poetry in the United States. To celebrate, each week we will be taking a look back at ZYZZYVA’s recent and distant past to share some choice selections. For our third installment, we present “Midnight, Talking about our Exes” by Ada Limón from ZYZZYVA No. 94: The sun is still down and maybe even downer. Two owls, one white and one large-eared, dive into a nothingness that is a field, night-beast in the swoop-down, (the way we all have to make a living). Let’s be owls tonight, stay …Continue reading
‘Bright Stain’ by Francesca Bell: A Universe of Pain
Francesca Bell’s first book of poetry, Bright Stain (104 pages; Red Hen Press), reflects a dark universe in which sexual pleasure and pain are intricately linked. There are bright moments of delight, but few without an aftertaste. This debut collection is impressive for it’s distinctive voice and pungent imagery. Many of the poems deal with the jolts of adolescent sexual awakening, its heat and surprise and terror, and Bell is not afraid of putting both her vulnerability and hunger on display: By fourteen, I had transformed, body gone from tight-fisted to extravagant… No blouse would button over my excess. Nothing …Continue reading
‘My Madness is My Love Toward Mankind’ by Devon Walker-Figueroa: National Poetry Month
April represents National Poetry Month, intended as a way to spread awareness and appreciation of poetry in the United States. To celebrate, each weeek we will be taking a look back at ZYZZYVA’s recent and distant past to share some choice selections. For our second installment, we present “My Madness is My Love Toward Mankind” by Devon Walker-Figueroa from ZYZZYVA No. 112: For Nijinsky People are mistakes and I do not want to commit any. Opinions are in me. God is in me. More than anything, immobility is an invented thing. I have two ends and they are both on fire. Because …Continue reading
‘Astray’ by John Sibley Williams: National Poetry Month
April represents National Poetry Month, intended as a way to spread awareness and appreciation of poetry in the United States. To celebrate, each week we will be taking a look back at ZYZZYVA’s recent and distant past to share some choice selections. To begin the month, we present John Sibley Williams’ poem “Astray” from ZYZZYVA No. 112:A neighborhood gone missing. Only the torn electrical tape that held it together remains of the cul-de-sac where most of us learned to drive in circles. No bedroom windows left for songbirds to strike each morning or streets made of tin foil or walls of …Continue reading
‘Fire Season’ by Patrick Coleman: Intergenerational Interpretations
We poets often pride ourselves on exploiting the many interpretations that figurative language affords us, and so we may shy away from visuals for fear they will detract from this ability to embody multiple meanings without sacrificing substance that we think separates “real” poetry from most prose. And though we may write poems inspired by visual art, we rarely include images of these works in books. Not so with Patrick Coleman’s Fire Season (102 pages; Tupelo Press). Initially, I expected the images paired with poems in the book to be too on the nose and/or to give away too much. …Continue reading
Interview with Rae Gouirand: Words Loosen and Diffuse
In Glass Is Glass Water Is Water, one of the first full-length books to be published by Spork Press, Rae Gouirand (whose poetry book Open Winter won the Bellday Prize) explores relationships, intimacy, the body, and the tension inherent in wanting to be understood without having to be explicit. Gouirands’ poems push against linear, heteronormative ways of reading and often challenge prescribed forms. Gouirand, whose poems were published in ZYZZYVA No. 102, recently spoke to us about how her work speaks to present-day concerns, such as the MeToo movement, and delved more deeply into her craft. ZYZZYVA: One of the reasons I was drawn …Continue reading
“Summer at the Baltic Sea, 1958” by Kelly Cressio-Moeller, ZYZZYVA No. 110, Fall Issue
Kelly Cressio-Moeller is an associate editor at Glass Lyre Press. Her work has previously appeared in ZYZZYVA No. 101. Her poem “Summer at the Baltic Sea, 1958” from ZYZZYVA No. 110 is presented in its entirety below: The sepia-toned man & woman sit together in a Strandkorb an arched canopy pushed back their heads turned toward each other eyes smiling she wears a strapless swimsuit her body leaning forward arms mid-motion as if brushing away sand he wears a striped beach robe one hand wrapped around his raised knee on the footrest the other holding the side of his neck considering her …Continue reading
Interview with Kristen Tracy: Interspecies Conflict
One of two epigraphs for Kristen Tracy’s debut collection of poetry, Half-Hazard (94 pages; Graywolf Press), advises that, “when a bear attacks, the victim who fights back is likely to fare better than the one who plays dead.” Although this is useful information to have in case of a rogue bear attack, it’s not as helpful when considering how to read the stunning assortment of poems included in the book. Readers might be better served if, rather than attempting to fight the sweeping flow of Tracy’s fantastic lines and vivid imagery, they “play dead” and allow it to wash over …Continue reading
‘Invisible Relations’ by Jenny Xie, ZYZZYVA No. 111, Winter Issue
Jenny Xie is the author of the poetry collection Nowhere to Arrive (Northwestern University Press). Her latest collection, Eye Level (Graywolf Press), won the 2017 Walt Whitman Award, and is currently a finalist for the 2018 Pen Open Book Award. Her poem below, titled “Invisible Relations,” appears in ZYZZYVA No. 111. There are no simple stories, because language forces distances. The days gummy and without drink. And a question stammers in the mind for weeks, one key aquiver on the piano. In the course of a day, your head will point in all the cardinal directions. It is good to wake …Continue reading
‘Landscape with Doe Eating Where She Does Not Belong’ by Daniel Neff, ZYZZYVA No. 113, Fall Issue
Daniel Neff’s poetry has appeared in Ninth Letter and Pittsburgh Poetry Review, among other publications. He is the winner of the Academy of American Poets Prize. His poem “Landscape with Doe Eating Where She Does Not Belong” is appears in ZYZZYVA No. 113. You can read the poem in its entirety below: 1. A garden is a landfill without the garbage. Garbage is consciousness without the humans. If there are no humans and no consciousness, where are we? The premise is flawed: gardens and landfills both have garbage, but a difference in definition of terms. My garden is a landfill and yet the …Continue reading
Poets Not (Always) Disimproving: ‘We Begin in Gladness’ by Craig Morgan Teicher
We rarely have the opportunity to observe a poet’s writing process, even though we may occasionally see earlier drafts that serve as evidence of it. But Craig Morgan Teicher gives us the next best thing: his new book examines poets’ creative processes over the courses of their careers. Part guidebook for emerging poets and part homage to a wide range of major poets, Teicher’s We Begin in Gladness: How Poets Progress (164 pages; Graywolf) is one of the most enjoyable books about poetry I have encountered. His obvious love of poetry infuses the book with the “grace, certainty, power, and …Continue reading
New, Unique, and Alive: ‘Like’ by A.E. Stallings
Reading A.E. Stallings’ new book of poetry, Like (137 pages; FSG), my first impression was a furious delight at the way she invigorates the old forms and makes them sing. No one else I know can breathe such life into rhyme, can elevate the mundane to the mythic, the prosaic to the transcendent. The diction is often deliciously at odds with the form—contemporary slang set off against the myth of Pandora, for example: He’d said she was a punishment from Zeus, And that virginity made for a sour dowry Depreciating as soon as you drove it off the lot. The …Continue reading
