Tag Archives: memoir

Q&A with Brandon Shimoda: ‘The Grave on the Wall’ and Writing with Ghosts

How to capture a life, how to represent it, is a difficult if necessary question to address in writing. Brandon Shimoda’s The Grave on the Wall (222 pages; City Lights Books) relentlessly contends with this concern as it recounts the story of Midori Shimoda, the author’s grandfather, within the entangled histories of immigration, Japanese incarceration during World War II, mourning, and memory. The book is also an examination of writing itself, the mechanism available for, and sometimes burdened with, conveying these stories; with relaying and reimagining them, opening them to visitation. A chronicle of the living and the dead and the places …Continue reading

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‘People I’ve Met From the Internet’ by Stephen van Dyck: Delight in the Details

Stephen van Dyck’s People I’ve Met From the Internet (151 pages; Ricochet Editions) is the ultimate memoir for the Information Age: a series of extraordinarily personal vignettes derived from a data spreadsheet. The book spans 11 years and takes place in multiple states, mostly roaming the arid space between Albuquerque, New Mexico, and Los Angeles, California. It reads like a grand road trip in the age of dial-up Internet. The book’s earliest pages take the form of a table divided into columns like “REAL NAME,” “SCREEN NAME AT THE TIME WE MET,” and “X=TIMES MET OR DAYS SPENT.” When starting …Continue reading

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‘Kathleen Hale Is a Crazy Stalker’ by Kathleen Hale: Embracing the Inner Animal

Kathleen Hale’s essay collection, Kathleen Hale Is A Crazy Stalker (174 pages; Grove Press), presents a fascinating reflection on the sexual assault that shaped part of Hale’s life, as well as on humanity’s rapacity, Internet trolling, and mental illness. Although the collection of six non-fiction essays grapples with heavy topics, Hale’s self-deprecating humor helps to build and release tension, showcasing the irresistible charm of her writing. In the book’s titular essay, Hale recounts the time she once visited a negative Good Reads reviewer’s house in an effort to make amends. The story takes multiple turns as Hale discovers the negative …Continue reading

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‘The Light Years’ by Chris Rush: The Turbulent Sublime

Chris Rush’s memoir, The Light Years (368 pages; FSG), opens during the Summer of Love. In the suburbs of New Jersey, Rush is the sweet yet strange middle child in a family of seven kids. As a boy, he is obsessed with making paper flowers by hand, maintains an enchantment for a pink satin cape described as a “fashion miracle,” and turns the family’s psychedelic basement into his bedroom. To him, his parents are “the most fabulous –– and most happy,” and he is content to play the part of the devout Catholic son. However, at twelve-years-old, Rush’s world is …Continue reading

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‘Little Boy’ by Lawrence Ferlinghetti: Life as an Endless Novel

“And so do I return to the monologue of my life seen as an endless novel.” Lawrence Ferlinghetti’s Little Boy (179 pages; Doubleday) is aptly self-identified as “unapologetically unclassifiable” on its jacket copy, and the poet Billy Collins called it a “torrent of consciousness” in his own review. Both descriptions are fitting for the short but powerful work by the now 100-year-old Ferlinghetti. Little Boy begins as a rather fast-paced novel, narrated in the third person, based on Ferlinghetti’s childhood. It tells the story of Little Boy, who was raised by his Aunt Emily, later was moved to an orphanage, and …Continue reading

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Sisterhood Becomes Powerful: ‘The Only Girl’ by Robin Green

Journalist turned award-winning Sopranos screenwriter Robin Green adds a new credit to her illustrious career with the memoir, The Only Girl: My Life and Times on the Masthead of Rolling Stone (304 pages; Little, Brown and Company). In the book, she recalls how she became “paid, published, and praised” as a writer for the iconic music magazine Rolling Stone. Starting from her time studying English at Brown, where she was the editor of Brown’s literary journal and the Brown Daily Herald (and was the only girl to do so), Green hoped to land a job in the publishing industry. At 22, she moved to Manhattan and began secretarial work. …Continue reading

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Don’t miss our Creative Nonfiction Workshop with ‘The Golden Road’ author Caille Millner on November 3rd!

Apply for our Creative Nonfiction Workshop on November 3rd and experience a craft-intensive masterclass with Caille Millner, followed by conversation with ZYZZYVA’s editors. Millner is an essayist and author of the acclaimed memoir The Golden Road: Notes on my Gentrification as well as a columnist for the San Francisco Chronicle. Don’t delay – the deadline to apply is approaching! A ZYZZYVA Workshop is an opportunity you don’t want to pass up. Here’s what some past Workshop attendees have to say: “Everything was great, from the location to the [instructor] to the other writers in the room. I enjoyed our post-Workshop …Continue reading

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Making Anguish Luminous: ‘Crux: A Cross-Border Memoir’ by Jean Guerrero

Jean Guerrero’s first memory is of her father opening the window of a plane and running his hand through a cloud, while giving her courage to do the same. She vividly remembers how airy and empty the cloud felt. In Crux: A Cross-Border Memoir (320 pages; One World), Guerrero reveals there are still many things she doesn’t know about her father. She doesn’t know when, exactly, he began showing symptoms of paranoid schizophrenia. She doesn’t know if his conviction that the CIA was stalking him was entirely delusional, rooted in truth, or indicative of shamanic powers. “What I do know …Continue reading

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ZYZZYVA Interview Series: Glen David Gold

Glen David Gold is the author of the bestselling novels Sunnyside and Carter Beats the Devil. His essays, memoir, journalism and short fiction have appeared in McSweeney’s, Playboy, Tin House, Wired, the New York Times Sunday Magazine, the Guardian UK, and London Independent. His most recent book is his memoir, I Will Be Complete (Knopf), portions of which first appeared in ZYZZYVA No. 100 and No. 108. In late June, Gold discussed his new book with Managing Editor Oscar Villalon at City Lights Bookstore in San Francisco.

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A Balance Between Cultures: ‘How to Write an Autobiographical Novel’ by Alexander Chee

In his first nonfiction collection, award-winning novelist, poet, and journalist Alexander Chee offers a reflective look at his life in How to Write an Autobiographical Novel (288 pages; Mariner Books). From his time in Mexico learning high school-level Spanish to his undergrad days at Wesleyan, and later the Iowa Writer’s Workshop, as well as his AIDs activism in San Francisco, the book is a well-orchestrated chronicle of a life well-lived. Growing up as a Korean American, Chee often struggled with his identity and felt awkward in public, as when his long hair caused him to be mistaken as a girl, …Continue reading

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What We’re Reading this Women’s History Month

March represents Women’s History Month and, as such, we thought we would share a brief overview of some of the women we’ve been reading as of late, which includes a group of authors operating within a myriad of genres and hailing from a number of locales. We hope this collection serves as just a small sampling of the dynamic work being done by women in literature and non-fiction today. Laura Cogan, Editor: “No one knew the real story but me,” declares one of Joan Silber’s exquisitely drawn characters near the end of Improvement. It is both a brag and a burden this character bears—and a …Continue reading

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Truth in a Glass: ‘The Wine Lover’s Daughter’ by Anne Fadiman

In The Wine Lover’s Daughter: A Memoir (272 pages; FSG), Anne Fadiman, the author of Ex Libris, At Large and Small: Familiar Essays, and, most notably, her prize winning work of nonfiction, The Spirit Catches You and You Fall Down, writes about her famous father, Clifton, or Kip, Fadiman. She centers her memoir, her first book in ten years, around her father’s love of wine, a love affair that begins on his first trip to Paris with an inexpensive bottle of white Graves. Although Kip Fadiman’s love of wine was sincere—he found pleasure in the taste and complexities of wine, …Continue reading

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