‘Track Changes’ by Sayed Kashua: A Loss that Reverberates

by Alicia Long

Sayed Kashua’s fourth novel, Track Changes (240 pages; Grove Press; translated by Mitch Ginsburg), is a haunting exploration of the unplaceable loss that reverberates through one man’s memory. Saeed, an Arab-Israeli man hailing from the small Palestinian village of Tira, has long maintained a passion for writing, and he develops a career of ghost-authoring other people’s life stories. As he learns to craft memoirs, drawing out stories and observations from taped interviews with his subjects, he finds that his true power lies in editing. At first, he transcribes the stories precisely as they are relayed to him, but he comes […]

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‘The Town’ by Shaun Prescott: A Legacy of Erasure

by Zack Ravas

The Town (249 pages; FSG), the first novel by Shaun Prescott, takes place in New South Wales, a region of Prescott’s native Australia that was once home to the Wiradjuri people. The United Kingdom’s colonial campaign in the region erupted into war by 1824, which led to famine among the Wiradjuri, as well as to the destruction of many of their sacred sites. With this legacy of erasure in place, The Town takes a look at life on the fringes of contemporary New South Wales as our unnamed narrator visits the titular town, an isolated smattering of petrol stations, fast […]

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‘Dead Heat’ by Benedek Totth: A Record from the Abyss

by Zack Ravas

In the Nineties, it wasn’t uncommon for a shocking film like Larry Clark’s 1995 Kids to be marketed as “The Movie Every Parent in America Should See”—the implication being, it’s occasionally worthwhile or even necessary for parents to subject themselves to outré youth movies so as to keep abreast of what their children may or may be doing outside of adult supervision. It’s difficult to make the same case, to parents or anyone, for Benedek Totth’s first novel, Dead Heat (251 pages; Biblioasis; translated by Ildikó Noémi Nagy). The book, which concerns a quartet of teenage boys in an unnamed […]

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‘We, the Survivors’ by Tash Aw: A Grim Portrait of Life Under Late Capitalism

by Zack Ravas

The latest novel by Man Booker long-listed author Tash Aw offers a grim portrait of contemporary Asia under late capitalism. We, the Survivors (336 pages; FSG) traces the life of Ah Hock, a Malaysian-born citizen of Chinese heritage living a quiet life of solitude on the other side of a murder sentence. Ah Hock relays his story to a young journalist looking to shed light on the circumstances that led to Ah Hock’s violent crime, a crime he himself doesn’t quite understand. The murder is ultimately connected to Ah Hock’s former career as second-in-command at a local fish farm, as […]

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‘Black Card’ by Chris L. Terry: A Satirical Look at Racial Identity in America

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Chris L. Terry’s new satirical and funny novel, Black Card (272 pages; Counterpoint), challenges ideas about race and identity as it follows its unnamed mixed-race narrator as he navigates the complex world of the punk rock scene in the American South, trying to understand where and how he can fit in—or if he can ever fit in. Structured episodically, Terry’s novel manages to address specific and thematically relevant incidents of the narrator’s life minus an overwhelming page count. “I was finally black again,” the novel begins, in 1997. “I sat on my bed, waiting for proof. Gray smoke oozed under […]

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Q&A with Susan Steinberg: ‘Machine’ and an Automatic Tension

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You can accuse the narrator of Susan Steinberg’s Machine (149 pages; Graywolf) of many things, but failing to hold the reader’s attention isn’t one of them. Steinberg’s first novel after a series of story collections, Machine chronicles a dread-filled summer on a nameless shore following the suspicious drowning of a teenage girl. Our narrator, a former friend of the deceased, grapples with guilt, teenage boredom, and her own privileged family’s struggles. “This is a story about desperation,” she states, “you could also say acceleration; but in this story, they’re the same.” The novel unfolds in haunting and poetic style, with […]

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‘Stubborn Archivist’ by Yara Rodrigues Fowler: The Preciousness of a Moment

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The task of organizing one’s life experiences into a comprehensible narrative is a universal one—why else do so many of us go to therapy? Through our internal dialogue we create stories, or perhaps allow ourselves to live according to the stories that best help us cope. This is a work of inclusion and omission, of unearthing and rearranging: But there were good times There were good times. Come on. Be honest with yourself. Yeah the sex had been good sometimes… And she had loved him… And there were other things. But she’s a stubborn archivist. Yara Rodrigues Fowler’s first novel, […]

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‘Stay and Fight’ by Madeline ffitch: Living Off the Land

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Building family in the face of capitalist-driven environmental collapse might look something like Madeline ffitch’s first novel, Stay and Fight (304 pages; FSG), at once indulging fantasies of reclusive living outside the gaze of the State, while simultaneously narrating the impossibility of such an existence. This is not to say Stay and Fight denies the prospect of, or human capacity for, crafting alternative, distinctly non-traditional ways of surviving. On the contrary, ffitch’s characters sustain themselves, maintain a home, and even raise a child, all miles outside the comforts and confines of urban or otherwise familiar civilization. And yet, even in […]

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‘The Wind That Lays Waste’ by Selva Almada: A Long and Humid Afternoon

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A devoted man of God and his sullen teenage daughter are on the road to a church in a remote village when their car breaks down. They soon find themselves at the mercy of a grizzled mechanic who has sworn off religion and runs a garage alongside his wide-eyed son. Though the setting may be Argentina, the setup for Selva Almada’s latest novel, The Wind That Lays Waste (124 pages; Graywolf Press; translated by Chris Andrews), feels as though it could be plucked from the pages of revered Southern author Flannery O’Connor. But while Almada shares some of O’Connor’s subject […]

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‘Lanny’ by Max Porter: A Farewell to Childhood Innocence

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In came the sound of a song, warm on his creaturely breath, and he snuggled up against me, climbing up on my lap, wrapping himself up around my neck. So begins Lanny (216 pages; Graywolf Press), the latest novel by Max Porter, author of Grief Is the Thing with Feathers. Lanny takes place in a village outside of London, where there lives a being known as Dead Papa Toothwort—a formerly mythic figure among the townspeople, now reduced to a popular Halloween costume and a warning for schoolchildren. After napping for an indeterminate amount of time, Dead Papa Toothwort wakes at dusk […]

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‘The Paper Wasp’ by Lauren Acampora: Truer Than Life

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It’s easy to conceive of the world of celebrity as a modern day pantheon, populated by figures as remote and untouchable as the gods. But how often we forget that those who fill the pages of Us Weekly are, in fact, people, too –– with family, old flames, and, yes, former classmates tucked away in their distant pasts. As Lauren Acampora’s first novel, A Paper Wasp (289 pages; Grove Press), opens, Abby travels to her ten-year high school reunion in Western Michigan in hopes of making contact with Elise, a former childhood companion now on her way to Hollywood stardom. […]

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‘Open Me’ by Lisa Locascio: Self-Discovery in a Foreign Land

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Open Me (275 pages; Grove Press), Lisa Locascio’s first novel just re-issued in paperback, is a politically charged and erotic story that fearlessly tackles race, xenophobia, and female sexuality. Immersed in the mind and body of a young woman living abroad in Denmark, the novel seethes with passionate descriptions of both sex and emotions. It shamelessly details something often hidden and rarely discussed—female sexuality in its rawest form. The narrator, Roxana Olsen, is an 18-year-old American girl spending her summer in Denmark — a summer meant to have seen her studying abroad in Paris with her best friend. However, a […]

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