Namwali Serpell’s The Old Drift (566 pages; Hogarth/Penguin Random House) is nothing short of a feat. The novel, which unfolds over several generations, is an alchemy of Zambian history, Afrofuturism, science, and fantasy. It is a triumphant and tragic retelling of the country’s birth and a sage forecast of what the future might hold for Zambia. Featuring a cast of memorable characters, Serpell’s narrative follows the lives of several generations of indigenous Africans, as well as Brits, Italians, and Indians—some colonists, some immigrants—who eventually become citizens of Zambia. Wittingly and unwittingly, many of Serpell’s characters contribute to Zambia’s technological and […]
Contributor: Annah Omune Sidigu
‘Fire Season’ by Patrick Coleman: Intergenerational Interpretations
by Annah Omune Sidigu
We poets often pride ourselves on exploiting the many interpretations that figurative language affords us, and so we may shy away from visuals for fear they will detract from this ability to embody multiple meanings without sacrificing substance that we think separates “real” poetry from most prose. And though we may write poems inspired by visual art, we rarely include images of these works in books. Not so with Patrick Coleman’s Fire Season (102 pages; Tupelo Press). Initially, I expected the images paired with poems in the book to be too on the nose and/or to give away too much. […]
Interview with Rae Gouirand: Words Loosen and Diffuse
by Annah Omune Sidigu
In Glass Is Glass Water Is Water, one of the first full-length books to be published by Spork Press, Rae Gouirand (whose poetry book Open Winter won the Bellday Prize) explores relationships, intimacy, the body, and the tension inherent in wanting to be understood without having to be explicit. Gouirands’ poems push against linear, heteronormative ways of reading and often challenge prescribed forms. Gouirand, whose poems were published in ZYZZYVA No. 102, recently spoke to us about how her work speaks to present-day concerns, such as the MeToo movement, and delved more deeply into her craft. ZYZZYVA: One of the reasons I was drawn […]
Against Forgetting: ‘The Barefoot Woman’ by Scholastique Mukasonga
by Annah Omune Sidigu
As a one-and-a-half-generation immigrant, I harbor a fair amount of nostalgia for a country I barely know—my native land of Kenya. Reading Scholastique Mukasonga’s memoir, The Barefoot Woman (146 pages; Archipelago Books; translated by Jordan Stump), heightened those feelings of nostalgia like nothing else even though the stories she tells are set in Nyamata, Rwanda. I suspect most Africans who read this book will have a similar response. Each chapter of the book contains a story or stories about Mukasonga’s family and their community of Tutsi refugees. We encounter them living in the aftermath of colonization and gradually embracing “progress,” […]
Poets Not (Always) Disimproving: ‘We Begin in Gladness’ by Craig Morgan Teicher
by Annah Omune Sidigu
We rarely have the opportunity to observe a poet’s writing process, even though we may occasionally see earlier drafts that serve as evidence of it. But Craig Morgan Teicher gives us the next best thing: his new book examines poets’ creative processes over the courses of their careers. Part guidebook for emerging poets and part homage to a wide range of major poets, Teicher’s We Begin in Gladness: How Poets Progress (164 pages; Graywolf) is one of the most enjoyable books about poetry I have encountered. His obvious love of poetry infuses the book with the “grace, certainty, power, and […]
Walking a Loose Rope: ‘Sidebend World’ by Charles Harper Webb
by Annah Omune Sidigu
Charles Harper Webb’s Sidebend World (78 pages; University of Pittsburgh Press) contains some genuinely lovely and worthwhile poems. At his best, Webb is funny and self-effacingly honest, delivering poems that are intimate and warm. Unfortunately, other poems in the book often border on careless—that is, they rely on weak associations or seem half-halfheartedly crafted. Worse, however, some poems contain stereotypical portrayals of others and humor that some will likely find offensive. First, let’s consider the positive aspects of Sidebend World. My favorite poem in the book, “Turtle Hunt,” is one that I could return to time and time again. The […]
Relevant and Relatable: ‘American Journal: Fifty Poems for Our Time’ by Tracy K. Smith
by Annah Omune Sidigu
American Journal: Fifty Poems for Our Time (120 pages; Graywolf) delivers on its promise of introducing readers to some of our most important contemporary American poets, both well-known and emerging. Moreover, the writers featured in it are a reflection of the diversity of the United States, which is what one would hope for in a collection curated by the current U. S. poet laureate, Tracy K. Smith. In addition to featuring a racially diverse group of writers, there are poems by old and young, female and male, and straight and gay poets (although queerness is not a theme that is […]
Queering Language: ‘Feeld’ by Jos Charles
by Annah Omune Sidigu
A few days ago, I woke up half-dreaming in the made-up language of Jos Charles’s feeld (64 pages; Milkweed Editions), which is to say I landed softly. feeld –– which is currently longlisted for the 2018 National Book Award in poetry –– challenges the reader to engage with a singular, complex voice (“Chaucerian English [translated] into the digital twenty-first century,” as Fady Joudah notes on the book’s jacket), but one that is also accessible and refined. Throughout the book, which contains sixty short poems, it is evident Charles is a poet who values breath and space. Both aurally and visually, the […]