A Poetics of Survival: On Richard Siken’s ‘Crush’ and ‘I Do Know Some Things’

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Cover of Richard Siken's I Do Know Some Things

Richard Siken can’t help but love you. Supported by the scaffolding of the camera and the director’s chair, Crush, the author’s 2005 collection—selected by Louise Glück for the 2004 Yale Series of Younger Poets prize, the recipient of a Lambda Literary Award and a Thom Gunn Award, and a finalist for a National Book Critics Circle Award—demands your complicity. The speaker builds set after set and commands your presence within it: We’re shooting the scene where I swallow your heart and you make me Spit it up again. I swallow your heart and it crawls right out of my mouth. (“Dirty […]

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An Ordinary Kind of Romance: ‘New Paltz, New Paltz’ by Mike Powell

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The cover of Mike Powell's New Palz, New Palz

One day, Ben takes his lunch break at the museum across the street from his office. He asks a woman at the ticket desk about free admission; he’s been informed that the magazine he works for is a corporate sponsor. The woman counters with the museum’s universal “pay what you can” policy, in response to which Ben quickly and needlessly clarifies, “do you mean ‘pay what you want’?”. Ben is the hero of Mike Powell’s farcically ordinary novella, New Paltz, New Paltz (126 pages; Double Negative), and pointing out such meaningless discrepancies is one of his characteristic tasks. Ben, a […]

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Choosing Each Other: Q&A with Jemimah Wei

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When Jemimah Wei and I met as Stegner Fellows in fiction at Stanford in 2023, we became instant friends. And during our time there, I got to workshop what would become her first novel, The Original Daughter (368 pages; Doubleday), a story about betrayal and complicated relationships that won my heart from the start. There’s something magical about watching what was once a Word document become a beautiful, finished book. (The novel’s official publication date is today!) Part coming of age, part coming apart, this book, set in Singapore, charts the course of two unforgettable characters, Gen and Arin, from […]

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Our New T-Shirts & Totes

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Celebrate ZYZZYVA while looking stylish, too! The cream T-shirt comes in all sizes, features a ribbed neck, and is made from 100 percent USA cotton. Manufactured by Los Angeles Apparel, with the design printed by San Francisco’s Babylon Burning, this T-shirt is about as California as it gets. Order here. People have loved our red-and-blue totes, but now you have your choice of two color schemes to choose from. Our new offering is a black canvas tote with cream lettering—at once bold and elegant. Order here. And if you’d like to get either of these items along with a subscription, […]

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The (Re)Discovery of Peter Carr

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On October 28, an exhibition titled “Peter Carr: Artist for Survival” opened at the Cerritos College Art Gallery in Norwalk, California. The show, which runs through December 13, is “the first comprehensive art historical retrospective of the poet, activist, and fascinating outsider artist,” according to the gallery. The following is by the show’s co-curator and ZYZZYVA contributor Andrew Tonkovich. The editor of the Santa Monica Review, Tonkovich was entrusted with Carr’s archive of “large-scale paintings, frenetic drawings, and homemade political posters, as well as his own personal notebooks, intimate sketches and studies, self-published books, and other biographically-significant ephemera” following Carr’s […]

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Feeling Through the Open Space: ‘Bashō: The Complete Haiku of Matsuo Bashō’

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If you are the author of a country’s two most beloved poems, you have officially made it. And if that country happens to be Japan—where poetry is a fundamental part of the nation’s fabric—you’ve made it twice over. You’re like Shakespeare and The Stones. This is the case for Matsuo Bashō, whose influence within Japan (and beyond) is so great, it is impossible to map. Bashō (1644-1694) is more contemporary than many people imagine. He was born the same year Descartes penned Cogito ergo sum, and several years after the death of Shakespeare. Thus, Bashō, at least chronologically, is a […]

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Home as the Uncanny: Q&A with Laura van den Berg

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Laura van den Berg’s eerie latest novel, State of Paradise (224 pages; Farrar, Straus, & Giroux), resembles her other five acclaimed books—most notably an intense short story in I Hold a Wolf by the Ears and her first novel, Find Me, which was set during an epidemic that impacts memory—but deeply forges a path into original, glimmering territory. The book asks, What is real? And what if there are many realities and many ways of getting to them? For seamlessly meshing speculative and autobiographical elements, State of Paradise has been called “speculative autofiction.” (Van den Berg’s story collection Isle of […]

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