Tag: Los Angeles

L.A. stories: ‘Boom Times for the End of the World,’ by Scott Timberg

by Marius Sosnowski

Posted on by John McMurtrie

Value is everything. You can tell a lot about a society by what it values. In America, things that move tenaciously with the bravura of a cha-ching—like buildings, prescription pills, and personal data—are big business, practically a national pastime. But what about the arts? The arts are trickier. Art is messy, it’s too human, and by virtue of provoking thought and reflection, too ambiguous (although the market for fine art makes capital use of ambiguity). How do you judge art? What’s it worth? What does it mean? Where’s it from? Who cares? Scott Timberg, former arts reporter for the Los […]

Continue Reading

Q&A with Lou Mathews: ‘Shaky Town’ and the Way It Was

by Oscar Villalon

Posted on by Zack Ravas

One of the best books of fiction to have come out in recent memory is award-winning author Lou Mathew’s novel in stories, Shaky Town (246 pages; Tiger Van Books). Published nearly a year ago, it is one of those rare works that carries an assuring integrity, showing evidence of a writer who understands the bafflement that is the human condition and has the capacity to articulate inchoate sadness and hurt and anger. In Mathews’ case, it is the thoughts and travails of working-class Los Angeles that interest him. Many of his characters are lower middle-class Mexican Americans, a community to […]

Continue Reading

‘Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California’ by Matthew Specktor: Blood Sports

by Paul Wilner

Posted on by Zack Ravas

As the Beat poet Lew Welch pithily put it, “More people know you than you know. Fame.” Welch was someone who knew whereof he spoke. He disappeared from his friend Gary Snyder’s house into a nearby mountain range in May 1971, leaving behind a cryptic farewell note that read, in part: “I had great visions but could never bring them together with reality. I used it all up. It’s gone.’’ Matthew Specktor explores the pulls—and perils—of chasing success in Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California (300 pages; Tin House), an eloquent account of […]

Continue Reading

‘A Student of History’ by Nina Revoyr: A Term Among High Society

by

Posted on by Zack Ravas

In Los Angeles, there exists a rarified social echelon known as the Street People. These are not, as their moniker might suggest, the many who find themselves without shelter (much like San Francisco, L.A. is currently dealing with a staggering increase in its homeless population). Rather, the name refers to the wealthy landowners and developers who saw prominent streets named after them: the Crenshaws, the Chandlers, the Van Nuys. The descendants of these 20th century tycoons move in a world of power and privilege, the kind that isn’t even whispered about in the society pages. It is into this hermetically […]

Continue Reading

Our Cultural DNA: ‘The Library Book’ by Susan Orlean

by

Posted on by Zack Ravas

In 1986, a fire at the Los Angeles Central Library raged so fiercely, firefighters noted the strong potential for a flashover –– when a fire spreads rapidly across a gap due to extreme heat. “Flashover” is similar to the effect one experiences reading Susan Orlean’s The Library Book (336 pages; Simon & Schuster). It’s difficult to pull away from the story when her incisive research skills and masterful writing work in symbiosis: The Library Book is not just a sweeping narrative recounting the 1986 Los Angeles Central Library fire, but also an in-depth look at the personal, civic, and global impact […]

Continue Reading

ZYZZYVA Interview Series: Glen David Gold

by Oscar Villalon

Posted on by me

Glen David Gold is the author of the bestselling novels Sunnyside and Carter Beats the Devil. His essays, memoir, journalism and short fiction have appeared in McSweeney’s, Playboy, Tin House, Wired, the New York Times Sunday Magazine, the Guardian UK, and London Independent. His most recent book is his memoir, I Will Be Complete (Knopf), portions of which first appeared in ZYZZYVA No. 100 and No. 108. In late June, Gold discussed his new book with Managing Editor Oscar Villalon at City Lights Bookstore in San Francisco. […]

Continue Reading

Breaking the Cycle: ‘Fight No More: Stories’ by Lydia Millet

by

Posted on by editor

In “Libertines,” the opening story of Lydia Millet’s Fight No More: Stories (211 pages; W. W. Norton), the reader is introduced to a paranoid real estate agent, who becomes convinced that a prospective buyer is an African dictator. At one point, this supposed dictator (who is, in fact, a musician) randomly attempts to commit suicide by falling into the property’s pool. So yes—it’s an intriguing, albeit slightly discombobulating start for Millet’s first story collection since Love in Infant Monkeys, which was a finalist for the Pulitzer Prize This sense of the bizarre and frequently surreal pervades the entire book: in […]

Continue Reading

Babylon Burning: ‘High Life’ by Matthew Stokoe

by

Posted on by editor

When Matthew Stokoe’s gritty noir High Life (380 pages; matthewstokoe.com) was published by noted indie Akashic Books in 2002, the book, which received very little coverage, managed to attract a fan base, thanks partly to Stokoe’s fearless depictions of upper-crust society at its worst. His novel eventually went out of print, but now that the rights to High Life are back with Stokoe, he has self-published his own edition of his hard-to-find book. In High Life, Stokoe takes readers on a nocturnal tour of the seediest parts of late ‘90s Los Angeles, while gleefully subverting noir’s most ingrained tropes: there’s […]

Continue Reading

Endless Fascination: Q&A with ‘L.A. Man’ Author Joe Donnelly

by

Posted on by editor

You can’t accuse Joe Donnelly of taking it easy. In a decades-spanning career, the Los Angeles writer has profiled the “who’s who” of Hollywood—from America’s sweetheart Drew Barrymore to iconoclast filmmaker Werner Herzog—in the pages of publications like L.A. Weekly, where he served as deputy editor for a number of years. During that time, his short stories have earned him an O. Henry Prize (“Bonus Baby,” from ZYZZYVA No. 103) and have been adapted into short films. Donnelly also co-founded and co-edited Slake, a short-lived but highly acclaimed journal that gathered journalism, fiction, poetry, and art, all with a distinctly […]

Continue Reading

L.A. Story: ‘Cake Time’ by Siel Ju

by

Posted on by editor

In 1985, Lorrie Moore announced her arrival on the literary scene with “How to be the Other Woman,” the provocative opening salvo that began her first story collection, Self-Help; she has since gone on to become one of the most revered voices in literary fiction. For writer Siel Ju (who appeared in ZYZZYVA No. 81) to start her novel-in-stories Cake Time (192 pages; Red Hen Press) with the similarly titled, and similarly told-in-second-person story “How Not to Have an Abortion” is a bold move, to say the least. Yet Siel Ju’s voice rings clear as her own, thanks in part […]

Continue Reading

Our World Without Any Memory of Itself: ‘NK3’ by Michael Tolkin

by

Posted on by editor

Michael Tolkin’s 1988 novel, The Player, remains a note-perfect send-up of late Eighties Hollywood excess, a paranoid neo-noir told from the point-of-view of the murderer himself—a creatively and morally bankrupt Hollywood executive. Now the acclaimed author, screenwriter, and director returns with NK3 (300 pages; Grove), his first novel in more than a decade. Tolkin has long specialized in satire so shrewd and well-observed that it barely registers as satire; NK3, in which a memory-erasing biological weapon creates a power vacuum for the working classes to seize control from the rich and elite, couldn’t have arrived at a more apropos time. […]

Continue Reading

An Era, and Its People, Shaped by a Plague: ‘Christodora’ by Tim Murphy

by

Posted on by me

Tim Murphy’s latest novel, Christodora (432 pages; Grove Press), arrives in the middle of a cultural yearning for the seedier, more affordable, which is to say “idealized” Manhattan of yesteryear. Novels like Garth Risk Hallberg’s City on Fire and television shows like Netflix’s The Get Down have embraced nostalgia for the cultural ferment of New York City in the ’70s and ’80s, its sense of an expansive and generative squalor. Superficially, Christodora bears this same stamp. Titled after a run-down East Village apartment complex two of Murphy’s protagonists buy for dirt cheap, the novel lovingly renders New York at its […]

Continue Reading