Draw a Bigger Circle: Q&A with Joyce Jenkins

by Meryl Natchez

To anyone in touch with the Bay Area literary scene, the publication Poetry Flash is part of the furniture—comfortable, essential, taken for granted. Its small office on Fourth Street in Berkeley is crammed with books, journals, and broadsides—a crush of continually incoming poetry, reviews, and fiction managed by Joyce Jenkins. She is the force behind this literary nexus, and  has been dedicated to the Bay Area poetry world since the early ’70s, working daily to serve that community and advocate for the arts in general. This interview describes her history with Poetry Flash and how the non-profit organization has grown […]

Continue Reading

Q&A with Daniel Handler: ‘Bottle Grove’ and a Changing San Francisco

by Oscar Villalon

In Daniel Handler’s seventh novel, Bottle Grove (227 pages; Bloomsbury), which was published in the fall, San Francisco gets both a kiss on the cheek and a flick to the ear. For those who have lived in the city for two or more decades, the novel has a magnetism perhaps unfelt by others who’ve only known the place in its most recent incarnation—as that of a giant Lego set, one pulled apart and restacked according to the heedless whims of the tech industry. Handler, a longtime San Franciscan, evokes the city in its beloved pre-boom familiarity, but because he’s telling […]

Continue Reading

Q&A with Heather Christle: ‘The Crying Book’ and a Nourishment from Sharing

by

Over the course of The Crying Book (208 pages; Catapult Press), Heather Christle examines the phenomenon of crying from every possible angle: social, cultural, biological, and historical. She asks the tough questions, ones that science still can’t answer: Why do we cry? And what does it mean to cry? Christle’s inquiry is rigorously researched, but it is also deeply personal. While she was writing The Crying Book, she was doing a lot of crying herself, grappling with depression, mourning the passing of a dear friend, and preparing to become a mother. The scope of The Crying Book is surprisingly vast—we […]

Continue Reading

Q&A with Seth Borgen: ‘If I Die in Ohio’ and Some Extraordinarily Unremarkable True Thing

by

The stories in Seth Borgen’s collection If I Die in Ohio (160 pages; New American Press), winner of the New American Fiction Prize, are like bars where I have learned more about people and about writing than anywhere else, except perhaps from books. And like those bars, they are places where people who would never have crossed paths come together—a retired, well-known architect and a young high school dropout, for example; a slacker, stoner, atheist and a Mormon. The characters do not seek each other out, but once they do, something happens. Nothing huge or life-changing but something that helps […]

Continue Reading

‘A Special Kind of Freedom in Failure: A Conversation with Jim Gavin,’ ZYZZYVA No. 116

by Oscar Villalon

Jim Gavin’s fiction has appeared in The New Yorker, The Paris Review, Zoetrope, Esquire, Slice, The Mississippi Review, and ZYZZYVA. Based in Los Angeles, he is also the creator of the critically-acclaimed television series Lodge 49, now in its second season. You can watch Lodge 49 on AMC every Monday night at 10pm. Issue 116 features a Q&A with Gavin, an excerpt from which appears below: OSCAR VILLALON: As a prose writer, as somebody who conceives of narrative through the written word, how did you go about recalibrating your sense of telling a story for a visual medium? JIM GAVIN: I have a dumb […]

Continue Reading

ZYZZYVA Interview Series: Meron Hadero

by ZYZZYVA Staff

Meron Hadero is an Ethiopian-American born in Addis Ababa who came to the U.S. in her childhood via East and West Germany. Her short stories appear in Best American Short Stories, Selected Shorts on NPR/PRI, McSweeney’s Quarterly Concern, ZYZZYVA, The Iowa Review, The Missouri Review, and other journals. Her writing has also been published in The New York Times Book Review, the anthology The Displaced: Refugee Writers on Refugee Lives, and others. Her work has been supported by the International Institute at the University of Michigan, the Elizabeth George Foundation, and Artist Trust. Hadero has held fellowships at the World […]

Continue Reading

Q&A with Cristina García: ‘Here in Berlin’ and Writing in Cuban

by

Fidel died three years ago. Obama is no longer President. Their absence from the American political landscape and Trump’s divisive posturing has given rise to the old Cold War rhetoric between Washington and Havana, bringing into question where U.S.-Cuba relations might be headed. These tensions challenge us to inquire where the literary response may be for those writers who live in the hyphen between “Cuban” and “American.” A telling answer can be found in Cristina Garcia’s arresting fiction. Over the last twenty years her work has steadily moved away from Cuba-centric fiction to explorations going beyond the political and sentimental […]

Continue Reading

Q&A with Brandon Shimoda: ‘The Grave on the Wall’ and Writing with Ghosts

by

How to capture a life, how to represent it, is a difficult if necessary question to address in writing. Brandon Shimoda’s The Grave on the Wall (222 pages; City Lights Books) relentlessly contends with this concern as it recounts the story of Midori Shimoda, the author’s grandfather, within the entangled histories of immigration, Japanese incarceration during World War II, mourning, and memory. The book is also an examination of writing itself, the mechanism available for, and sometimes burdened with, conveying these stories; with relaying and reimagining them, opening them to visitation. A chronicle of the living and the dead and the places […]

Continue Reading

ZYZZYVA Interview Series: Peter Orner

by Oscar Villalon

Chicago-born Peter Orner is a Professor of English and Creative Writing at Dartmouth College. Peter is the author of two novels published by Little, Brown: The Second Coming of Mavala Shikongo (2006) and Love and Shame and Love (2010), and two story collections also published by Little, Brown: Esther Stories (2001, 2013 with new foreword by Marilynne Robinson) and Last Car Over the Sagamore Bridge (2013). His essay collection/memoir, Am I Alone Here?: Notes on Reading to Live and Living to Read (Catapult, 2016) was a finalist for the National Book Critics Circle Award. His work has been translated into French, […]

Continue Reading

Q&A with Susan Steinberg: ‘Machine’ and an Automatic Tension

by

You can accuse the narrator of Susan Steinberg’s Machine (149 pages; Graywolf) of many things, but failing to hold the reader’s attention isn’t one of them. Steinberg’s first novel after a series of story collections, Machine chronicles a dread-filled summer on a nameless shore following the suspicious drowning of a teenage girl. Our narrator, a former friend of the deceased, grapples with guilt, teenage boredom, and her own privileged family’s struggles. “This is a story about desperation,” she states, “you could also say acceleration; but in this story, they’re the same.” The novel unfolds in haunting and poetic style, with […]

Continue Reading

Q&A with Homeless: ‘This Hasn’t Been a Very Magical Journey So Far’ and a Vague Reality

by

This Hasn’t Been a Very Magical Journey So Far (257 pages; Expat Press) is a difficult novel to categorize. It isn’t often that a crushing romantic tragedy unfurls in a universe so absurd. The book’s biting dialogue, irrational laws of physics, and buddy-comedy dynamic recall Douglas Adams’s Hitchhiker’s Guide to the Galaxy. Beneath the story’s self-deprecating charm, however, lies a relationship that, in both its gentle initiation and passionate conclusion, raises questions about caring for one another and caring for oneself at the crossroads of love and mental illness. This Hasn’t Been a Very Magical Journey So Far is the […]

Continue Reading

Q&A with Peter Orner: ‘Maggie Brown & Others’ and Real Life as Fiction

by

In an age of instant reactions and hair-trigger controversy, Peter Orner is a writer who slows things down, living up to Susan Sontag’s admonition that “the writer’s first job is not to have opinions but to tell the truth…and refuse to be an accomplice of lies and misinformation.’’ Born in Chicago, he graduated from the University of Michigan and the University of Iowa Writer’s Workshop. A former professor and department chair at San Francisco State University, he is now a Professor of English and Creative Writing at Dartmouth. Orner’s eclectic body of work includes the novels The Second Coming of […]

Continue Reading