Reckoning With Seeing What We Want to See: Walter Kirn’s ‘Blood Will Out’

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In 1998, author Walter Kirn (Thumbsucker, Up in the Air) agreed to drive a crippled Gordon setter from Montana to New York and deliver the dog to Clark Rockefeller. Kirn’s new memoir, Blood Will Out (Liveright, 272 pages) details his fifteen-year friendship with a man he long thought to be a Rockefeller, but turned out to be a wanted murderer. After the delivery of the dog, Kirn and Rockefeller maintain a long-distance friendship, with Kirn making one additional visit to the East Coast in 2002. But when Clark kidnaps his own daughter in 2008, Kirn, along with the rest of […]

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Finding the Answer, in Nature or Elsewhere, Isn’t Easy: Farnoosh Fathi’s ‘Great Guns’

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Great Guns (Canarium Books, 73 pages), the first poetry collection from California native Farnoosh Fathi, is a bold example of the sonic power of verse, and its simultaneous capacity for creating images with philosophical questions at their core. Nature is the basis for many of the poems in Fathi’s collection. She amplifies the natural world, populating her poems with snails, butterflies, and birds, animals so small that they have different color registries, different views of the world. By changing the perspective with which the world is viewed, she’s instructing the reader to examine how large and beautiful the world is, […]

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The Pain Hidden Behind Tenants’s Walls: Amy Grace Loyd’s ‘The Affairs of Others’

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“American life asks us to engage in an act of triumphant recovery at all times or get out of the way,” notes Celia Cassill, the protagonist and narrator of Amy Grace Loyd’s first novel, The Affairs of Others (Picador, 272 pages). Celia has been all too happy “to get out of the way.” Since becoming a young widow, she has been hiding herself, her past, and her fears in plain sight as the landlady of a Brooklyn brownstone. When an upstairs tenant is confronted with heartbreak, he pleads with Celia to allow him a sub-letter while he escapes to France. […]

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Restless in the Wilds of Eastern Idaho: David Kranes’s ‘The Legend’s Daughter’

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From rainbow trout jumping in the Salmon River to watering holes on the edge of McCall Lake, each of the ten stories in author and playwright David Kranes’s The Legend’s Daughter (Torrey House Press, 172 pages) transports the reader to the wilderness of Eastern Idaho. While Kranes renders a common setting in each story, the collection is not simply a detailed portrait of Idaho, but an examination of the lives of restless people seeking to escape from their lives and find peace. In “The Man Who Might Have Been My Father,” a fifth-grader and his mother strike out on a […]

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Mythical and Spiritual, Direct and Concrete: The Storytelling Prowess of Sjón

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Three novels from acclaimed Icelandic author Sjón are now available in the United States. Translated by Victoria Cribb, each book offers a vastly different story, beginning with simple and intense prose, which unfolds into a dense examination of a character’s thoughts. In The Blue Fox (Farrar, Straus and Giroux, 128 pages), first published in 2004, Sjón offers two separate narratives. The first describes the initial hunt for a blue fox through the heavy snow of an Icelandic winter in 1883. Halting right before the hunter attempts to kill the fox, the story shifts to the days just preceding the hunt. […]

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Easy Rawlins Searches the Sunset Strip: Walter Mosley’s ‘Little Green’

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Little Green (Doubleday, 304 Pages), the new crime thriller from Walter Mosley, is the eleventh installment in the Easy Rawlins series, which kicked off with 1990’s Devil in a Blue Dress. Easy is now older and edgier, navigating the reader through a layered mystery set against a racially tense Los Angeles in 1967. The story opens with Easy recovering from a near-fatal car accident. Enlivened with a voodoo concoction called Gator’s Blood, the private eye gets right back to work, helping his stalwart friend Mouse find Evander “Little Green” Noon, a young man who went missing after dropping acid on […]

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The Question of Existence: Gary Amdahl’s ‘The Intimidator Still Lives in Our Hearts’

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The Intimidator Still Lives in Our Hearts (Artistically Declined Press, 295 pages), the new book from author Gary Amdahl (Visigoths, I Am Death), is a collection of stories that features a startling range of settings and characters (a writer, a bookstore employee, a philosopher, and a gambler, to name a handful). But each story is connected through the philosophical questions Amdahl’s dense, sweeping prose addresses, a trait of serious-mindedness not found in many modern story collections. Of the book’s nine stories, several feature a first-person narrator, including “Breezeway.” In that piece, the narrator reflects on the breezeway between the garage […]

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Self-Doubt, Rage, Compassion in Measured, Perfected Poems: Jason Bayani’s ‘Amulet’

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Amulet (Write Bloody Books, 89 pages), the first poetry collection from East Bay Area native Jason Bayani, is a blistering examination of American life, as seen through the lens of a poet struggling to define himself. The poems are lyrical yet direct, with a clear voice that evokes humor while scuffling with questions of racism and artistic identity. Bayani, who’s Filipino American, doesn’t shy from the blunt racism he’s experienced. In “Playgrounds and Other Things,” he writes: “And the old lady leaning into the wood / at the corner of Sutter and Stockton: / I heard her tell it like […]

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The Hairline Fractures of Relationships: Gregory Spatz’s ‘Half as Happy’

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Half as Happy (Engine Books, 186 pages), the new story collection from novelist Gregory Spatz (Inukshuk, Fiddler’s Dream, No One But Us), examines faltering relationships and the unhappy people struggling to hold them together. The collection’s eight stories are remarkably honest, driven by moments both funny and painful that uncover deep rifts in the lives of Spatz’s characters. In “No Kind of Music,” Patrick is drawn to the symphony after his wife leaves him for a younger, one-legged man. Most of the excitement remaining in Patrick’s life is centered on his eclectic neighbors, an elderly couple raising their rebellious daughter’s […]

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A Cult Built Out of Anguish and Desolation: Fiona Maazel’s ‘Woke Up Lonely’

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Woke Up Lonely (Graywolf Press, 336 pages), the new novel from author Fiona Maazel (Last Last Chance), is an imaginative thriller about a cult leader and the ex-wife in charge of spying on him. By balancing humorous adventures with an indictment of our modern world, in which solitude reigns despite all the new methods of communication, Maazel delivers a wild read teeming with emotion. Thurlow Dan is the founder of the Helix, a cult based on the principle that lonely people need someone with whom they can share their feelings. At the start of the novel, the Helix has grown […]

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Amid a Failing City, a Marriage in Jeopardy: Patrick McGrath’s ‘Constance’

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Patrick McGrath’s new novel, Constance (Bloomsbury, 229 pages), is a chilling tale of family destruction set against the backdrop of a crumbling New York City. Set in the 1960s, Constance follows the marriage of two people as long-hidden secrets threaten to break up them apart. Sidney Klein, a single father and poetry professor, meets Constance Schuyler at a book party and is immediately swept up by the much younger woman’s “air of angry untouchablility.” During their courtship, he learns she was solely raised (along with her younger sister, Iris) by her father on the banks of the Hudson River. After […]

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Finding the Right Note for Admired Works of Poetry: Q&A with Michael Zapruder

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Michael Zapruder’s recent album/poetry anthology Pink Thunder (Black Ocean, 64 pages, 22 audio tracks) combines the poetry of twenty-three poets—including Gillian Conoley, Dorothea Lasky, Mary Ruefle, and D.A. Powell—with Zapruder’s music to create songs that do not alter the original form of the poems. We talked with Zapruder via email about the process of putting poems to music, and collecting them for an album. ZYZZYVA: Pink Thunder is an ambitious experiment mixing poetry with music. Can you explain how you came up with the idea for this record? Michael Zapruder: I wanted to make songs from poems—without changing the poems—to see […]

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