A black, autistic mathematician, Wala Kitu is not James Bond—but he is the hero of Percival Everett’s anti-Bond, Bond novel, Dr. No (262 pages; Graywolf Press). The book, now a National Book Critics Circle award finalist, is very much a spy thriller—filled with sports cars, hench-people, secret submarines, and hidden shark traps—even though Everett radically subverts the classic 007 formula. Wala’s love interest is another autistic mathematician, Eigen Victor, a specialist in topology with a tendency to state the obvious. And the nefarious super-villain is John Sill, a self-made Black billionaire whose sole purpose is to destroy America, to exact […]
Tag: Graywolf Press
‘Sleeping Alone’ by Ru Freeman: Snippets of Life
by Megan V. Luebberman
Sleeping Alone (202 pages; Graywolf Press), author Ru Freeman’s newest book, leads readers on a journey into the lives of a variety of unique individuals. In this collection of eleven short stories, Freeman utilizes a different point of view in each to tell of struggles with identity, loss, love, and more. Along the way, she reveals how thinking deeply about our own lives, contemplating our choices, and trying to make meaning of it all is simply a part of being human. The conflict in some stories involves familial relations, such as “The Wake,” which relates how an eccentric mother’s antics […]
‘Customs’ by Solmaz Sharif: The Complicity of Speech
by Ray Levy Uyeda
Solmaz Sharif’s second collection of poetry, Customs (104 pages; Graywolf Press), interrogates the English language and its role in shaping America. English was the language used to write the U.S. Constitution, enslave kidnapped West Africans, and free enslaved African Americans; it’s the language used to go to war and used to achieve liberation. Customs inspects language itself as a device for colonization and country-making, which in this land is the same. The collection, split into three sections, begins with a poem called “America.” Eighteen lines composed of 12 sentences, each sentence three words long, the poem appears almost like a […]
Q&A with Kaveh Akbar: ‘Pilgrim Bell’ and Learning Out of Order
by Ray Levy Uyeda
In his new book of poetry, Pilgrim Bell (Graywolf Press; 80 Pages), Kaveh Akbar plays with the spiritual, familial, and corporeal. The poems meditate on the places of our origins; the land from which we came, the people through which we arrived, and the languages we spoke among and after those places and people. Kaveh is the winner of a 2017 and 2018 Pushcart Prize and is the Poetry Editor at The Nation. ZYZZYVA spoke to Kaveh, whose poems appeared in Issue 107, to discuss the book, God, and miracles. ZYZZYVA: The first and the second to last poem of […]
‘Bring Me the Head of Quentin Tarantino’ by Julián Herbert: The Inevitability of Influence
by David Emmanuel
It’s no surprise that Julián Herbert’s story collection, Bring Me the Head of Quentin Tarantino (167 pages; Graywolf Press), features a cast of questionable characters, gory violence, and punchy dialogue—all are hallmarks of the eponymous screenwriter’s films. Within the collection, the profane becomes sacred and the sacred is made profane: a Mexican official throws up on Mother Teresa, a photographer films “gonzo-porno-AIDS movies,” and a journalism professor masquerades as author M. L. Estefania. As diverse as the lives and professions of these characters are, they are all Mexican men who are seeking a better life by traveling outside the bounds […]
‘That Was Now, This Is Then’ by Vijay Seshadri: Irreverent Experiments with the Form
by Corinne Leong
Time seems to have become an alien concept in recent months. In this sense, That Was Now, This Is Then (Graywolf Press; 80 pages), the new collection by Pulitzer Prize-winning poet Vijay Seshadri, offers an uncanny relevance. It would be difficult to offer a faithful summary of the collection as even in its brevity, the book covers a stunning number of topics: from bereavement and the detriments of modernity to Hegel and robocalls. The poems strikes a rare balance of humor, poignancy, and intellectualism. Seshadri crafts a poetic narrative that obliterates any linear conceptions of time and human experience, armed with […]
‘Barn 8’ by Deb Olin Unferth: A Comically Extreme Heist
by Zack Ravas
The premise of Deb Olin Unferth’s latest novel, Barn 8 (252 pages; Graywolf Press), involves the heist of a comically extreme number of chickens—yet to label the novel a mere comedy would be tantamount to calling Kurt Vonnegut a “humor writer.” Sure, the book is funny, quite funny, but it is much more. Unferth is tackling, with great wit and technical skill, topics as pressing as Big Agriculture, the humane treatment of animals, and the impossibility of maintaining ideological purity in any social movement. The reality is that Americans love eggs: free range or not, we will eat as many […]
‘Suicide Woods’ by Benjamin Percy: A Horror that’s Close to Home
by Zack Ravas
Benjamin Percy is a writer who understands that, in the twenty-first century, the scariest thing to many readers is not the supernatural or threats from beyond the grave, but something altogether closer to home: real estate. His latest release, Suicide Woods (192 pages; Graywolf Press), collects a variety of stories culled from the last decade of Percy’s career. The book covers a number of subjects and genres, including the uncanny, from “The Dummy’s” tale of a wrestling practice dummy that may or may not be imbued with life, to the titular story’s account of a group of depressed individuals who […]
‘Space Invaders’ by Nona Fernández: Mutations of Reality
by Lindsey Pannor
To replicate child-like bewilderment rather than to simply retell it is an enviable feat—one that Nona Fernández masters in Space Invaders (88 pages; Graywolf Press; translated by Natasha Wimmer). Bordering on autofiction, the short novel calls upon Fernández’s childhood in Chilé in the ’80s during the turmoil surrounding dictator Pinochet’s unseating, and looks at how those times pervade the lives of the fifth-graders who center the story, and manifest in unexpected and devastating ways. The young community faces police brutality and various other traumas, culminating in the disappearance of Estrella—a well-loved peer who vanishes without explanation. The story is primarily […]
‘In the Dream House’ by Carmen Maria Machado: No Mere Confessional
by Sophia Stewart
Carmen Maria Machado’s new book, In the Dream House (264 pages; Graywolf Press), begins with a statement of intention. Machado, the author of the acclaimed story collection Her Body and Other Parties, tells us she has written a memoir to add her story of queer domestic violence to the catalog of contemporary literature: “I enter into the archive that domestic abuse between partners who share a gender identity is both possible and not uncommon,” she writes, “and that it can look something like this.” Depictions of intimate partner violence between women have been largely left out of our collective culture, […]
‘Love and I’ by Fanny Howe: A Meander through a Singular Mind
by Sophia Stewart
Fanny Howe prefers to be alone—perhaps that’s what makes her such a perceptive poet. In her latest collection, Love and I (80 pages; Graywolf Press), the fruits of Howe’s solitude are on full display. Howe is introspective, curious, and content when she is by herself. Many of the poems in Love and I celebrate the comforts of being alone: I’ll sit at the window Where it’s safe to say no. Won’t go out, won’t work For a living, will study the clouds Becoming snow. That’s not to say Howe doesn’t grapple with the aches of loneliness as well: “Someone help […]
‘The Wind That Lays Waste’ by Selva Almada: A Long and Humid Afternoon
by Zack Ravas
A devoted man of God and his sullen teenage daughter are on the road to a church in a remote village when their car breaks down. They soon find themselves at the mercy of a grizzled mechanic who has sworn off religion and runs a garage alongside his wide-eyed son. Though the setting may be Argentina, the setup for Selva Almada’s latest novel, The Wind That Lays Waste (124 pages; Graywolf Press; translated by Chris Andrews), feels as though it could be plucked from the pages of revered Southern author Flannery O’Connor. But while Almada shares some of O’Connor’s subject […]