As a novelist, Adam Mansbach had been doing all right. His Angry Black White Boy (Broadway) was named a best book of 2005 by the San Francisco Chronicle, and The End of the Jews (Spiegel & Grau) won a 2008 California Book Award. And although Mansbach now considers it among the fond embarrassments of his youth, even his 2002 debut, Shackling Water (Anchor), was good enough for Library Journal to liken him to James Baldwin. So it seemed like the last thing Mansbach needed to do was swerve into new literary territory, particularly the limited realm of children’s books which […]
Category: Interviews
Interviews with current and past contributors, as well as other writers, poets, and artists
Documenting Life Amid the ‘Dragon’s Jaws’: Q&A with Thomas Alleman
by Lucy Schiller
From 1985 to 1988, photographer Thomas Alleman worked in a jimmy-rigged laundryroom-cum-darkroom to document the life, passion, and spirit of one of the most prominent and historic gay neighborhoods in the world—San Francisco’s Castro District—in the face of AIDS. His latest show, “Dancing in the Dragon’s Jaws: Gay San Francisco, 1985-1988,” runs at the Jewett Gallery in the San Francisco Main Library from December 1 though February 10. His photographs—stirring, necessary, and often deeply joyous—depict a brave set of San Franciscans propelled by a spirit that was unable to “be extinguished by something as dispassionate as a plague.” We spoke […]
Death and Jealousy: Q&A with Strindberg Translator Paul Walsh
by Marianne Moore
On the occasion of the centennial of Swedish writer August Strindberg’s death, San Francisco’s Cutting Ball Theater will be performing all five of Strindberg’s Chamber Plays (Storm, Burned House, The Pelican, The Ghost Sonata, The Black Glove) in repertory from October 12 to November 18. The production will feature new translations of the Chamber Plays by Paul Walsh, professor of Dramaturgy and Dramatic Criticism at the Yale School of Drama. ZYZZYVA talks with Walsh, whose new translations are available from Exit Press, about the Strindberg Cycle and Strindberg’s significance to the arts. ZYZZYVA: How did you become a scholar and […]
Big in Japan: Q&A with Ted Goossen and Motoyuki Shibata of “Monkey Business”
by Oscar Villalon
Published annually, the nascent literary journal Monkey Business connects an English-reading public—whose familiarity with modern Japanese literature may be limited to Haruki Murakami, Yukio Mishima, and Keiji Nakazawa—to a wide range of contemporary if not as well known Japanese writers. The journal, supported by the Nippon Foundation and A Public Space, is the international offshoot of the same-name publication started in Tokyo in 2008. The second issue was published earlier this year, and just like the first volume, it is a delight. Translations of major authors and rising talents share space with work from established U.S. writers (Stuart Dybek, Rebecca Brown, […]
Writing from on the Road: A Q&A with Sister Spit’s Michelle Tea
by Sandra Song
Both sentimental and side-splittingly funny, Sister Spit: Writings, Rants & Reminiscence from the Road (Sister Spit/City Lights), is a collection of stories coming out this month from Michelle Tea’s legendary feminist performance art collective, which performs around the country with a featured group of talented feminist writers, beat-boxers and trapeze artists alike. Told through a series of essays, drawings and diaries from various caravan contributors, Sister Spit is a sharp, sassy take on the tour experience. Reading it feels like taking a road trip with your best friends at their brightest, sans the backseat bickering and rest stop bathroom breaks. […]
A Frank Investigation of Her Family: Q&A with Paula Priamos
by Will Callan
In her recent memoir, The Shyster’s Daughter (Etruscan Press; 250 pages), which was excerpted in ZYZZYVA 91, Paula Priamos investigates the death of her lawyer father and paints an unapologetic portrait of her family, with characters both perverse and loving. Priamos peers into the motivations of her family members with a rare and enticing frankness that distinguishes her work from that of other memoirists. Beyond the title, Priamos hints at the type of story she’s about to tell in the first page with a description of her father, who’s phoning her. She can easily imagine him being “somewhere far sleazier” […]
From Iguala to Los Angeles, the Making of a Writer: Q&A with Reyna Grande
by Julie Foster
Each year thousands of children are left behind as their parents cross the border into the United States looking for work. Often these children set out on journeys of their own in hopes of finding their parents. These terrifying treks, and their devastating effects on families, have been chronicled by others. In 2006, journalist Sonia Nazario wrote a spellbinding account of a young boy’s trek from Honduras to the United States in Enrique’s Journey: The Story of A Boy’s Dangerous Odyssey to Reunite With His Mother. In 2009, the documentary film Which Way Home captured the plight of two young […]
A Sexual Greed, Profound and Shallow: Q&A With Chloe Caldwell
by Antonia Crane
There’s a matter-of-factness about Chloe Caldwell’s sexually uninhibited, confessional essays, Legs Get Led Astray (Future Tense Books). “I am the type of person who will give anything to anyone I feel I could love, ” Caldwell writes at one point. Caldwell is young—her work reflects that—but that is not to say the writing is immaterial or inchoate. It’s what I would call a greedy, ugly kind of “young,” the kind that makes you wonder if we are most alive, in a monstrous way, when we’re being hideous and awful. We spoke to her over Facebook about her frank and voracious […]
The Messiness of Love, Family, and Identity: Q&A with Lysley Tenorio
by Larissa Archer
The people of Lysley Tenorio’s story collection, Monstress (Ecco), are straddlers. Most obviously, they straddle cultures. Filipino immigrants in America pine for their native land or wish, often hopelessly, to assimilate indistinguishably into the culture of their adopted home. Life in the Philippines seems just as conflicted; the West’s exported culture muscles out the endeavors of Filipinos, with the Beatles and Hollywood dominating the collective imagination there just as much as they do here. But Tenorio’s characters also seem to straddle the high and low. He imbues them with profound (but never cheaply sentimental) longings, and with refinement of feeling […]
Poetry Karaoke, the Russian River, and Murder: Q&A with Bart Schneider
by Oscar Villalon
In his new book, Nameless Dame (Soft Skull Press; 296 pages), novelist and poet Bart Schneider picks up where he left off in The Man in the Blizzard, his 2008 crime novel about pothead Minnesota private eye Augie Boyer and police Detective Bobby Sabbatini. In his bouncy if violent, weed- and verse-filled sequel, Schneider brings Augie back to his roots in the Bay Area (roots Schneider shares with the narrator), taking him on a visit to Sabbatini and his family in the bucolic splendor (and weirdness) that is western Sonoma County, with its redneck pot farmers and hippie searchers, to […]
The Thousand-Plus-Mile Journey to Sugar: Q&A with Cheryl Strayed
by Antonia Crane
Wild: From Lost to Found on the Pacific Crest Trail is Cheryl Strayed’s brave and beautiful memoir about the author embarking as a young woman on a journey she’s underprepared for, doing so at a time in her life when she needed to move mountains—or at least, move among them—to feel complete again. When Strayed’s mother dies unexpectedly, she grieves hard and becomes feral. The phrase “walk it off” comes to mind as Strayed follows through on the heroic impulse to hike 1,100 miles alone. It sounds miserable. It sounds impossible. In her youthful stubbornness, she doesn’t know she can’t […]
Studies in Sinister Toys and Figurines: Q&A With Michael Brennan
by Larissa Archer
If you’ve dined at any number of swanky Bay Area establishments, you might have unwittingly enjoyed your meal in a restaurant designed by one of the few people who is as well known and well respected for his fine art as for his commercial work. Michael Brennan has designed the interiors of such San Francisco hotspots as Farallon, Zero Zero, Fleur de Lys, and Bruno’s, and Alameda’s Miss Pearl’s Jam House, as well as Revival in Berkeley. He’s painted murals for many more places, too, including the Cliff House (also in San Francisco). ZYZZYVA’s Winter ’11 issue features images of […]