Tag Archives: Haruki Murakami

ZYZZYVA Recommends March 2019: What to Read, Watch, & Listen to

Posted on March 22, 2019 by Zack Ravas

Before we head off to Portland for AWP ’19, we thought we would share what ZYZZYVA recommends this month—a roundup of the works we’ve been reading, watching, and listening to: Katie O’Neill, Intern: The abundance of streaming services available online have largely killed any urge I have to watch live TV. Outdated advertisement breaks combined with the difficulty of committing to a set time make it more effort than it’s generally worth to catch a program as it airs. But, every Wednesday night at 9pm I can be found in front of my TV tuned in to SYFY to catch …Continue reading →

Posted in What We're Reading | Tagged burning, debra granik, free solo, goodbye, Haruki Murakami, leave no trace, Lee Chang-dong, lev grossman, rachel khong, syfy, the magicians, vitamin | Leave a comment

The Fire of Work, and the Concerns of Literature: Q&A with John Freeman

Posted on December 12, 2013 by editor

I’ve known author and former Granta editor John Freeman since (and I’m guessing here) 1998. At the time I was the deputy book editor at the San Francisco Chronicle, and Freeman was one of many freelance critics working for the paper’s Sunday Book Review section (which, thankfully, and perhaps miraculously, continues). Freeman is probably the most prolific freelancer with whom I’ve ever worked. (The book critic Martin Rubin would be a close second.) Month after month, it seemed as if his reviews and author interviews appeared in just about every periodical in the country that did any sort of book …Continue reading →

Posted in Interviews | Tagged contributing editor, David Foster Wallace, Doris Lessing, Granta, Haruki Murakami, How to Read a Novelist, Jack Kerouac, John Freeman, Nadine Gordimer | 1 Comment

Big in Japan: Q&A with Ted Goossen and Motoyuki Shibata of “Monkey Business”

Posted on September 7, 2012 by editor

Published annually, the nascent literary journal Monkey Business connects an English-reading public—whose familiarity with modern Japanese literature may be limited to Haruki Murakami, Yukio Mishima, and Keiji Nakazawa—to a wide range of contemporary if not as well known Japanese writers. The journal, supported by the Nippon Foundation and A Public Space, is the international offshoot of the same-name publication started in Tokyo in 2008. The second issue was published earlier this year, and just like the first volume, it is a delight. Translations of major authors and rising talents share space with work from established U.S. writers (Stuart Dybek, Rebecca Brown, …Continue reading →