Alexander Yates: Mashing Up the Loud and the Quiet, and the Beauty of ‘Gagamba’

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There is an optical phenomenon that occurs when the moon is at its fullest (or nearly so) in which bright circular spots appear atop a lunar halo.  These “moondogs” give off a little color of their own, but their main source of light stems from the moon’s luminescence.  They do not stray far from the edges of the moon’s glow. Alexander Yates’s new novel, “Moondogs,” is titled after this piece of celestial minutiae, and the naming is apt. The book’s multiple story lines linger around the same, somewhat otherworldly event: the abduction of a wealthy American businessman by a pair […]

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Naomie Kremer: The Vocabulary of Obsession and Obsessiveness

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Naomie Kremer has been described as “a remarkable and innovative colorist, with a subtle mastery of intimating interior meaning.” Her current exhibition, “Multiverse Part I,” at Modernism Gallery in San Francisco through April 23, showcases 12 of her densely layered oil-on-linen paintings, all characterized by Kremer’s sensuous use of color, her energetic and meticulous brushwork, and a complex, detailed sense of structure. Yet her work in black and white is integral to her craft, and equally compelling. ZYZZYVA sat down with the Bay Area artist in her bright and inviting studio in Oakland on a recent stormy day. As the […]

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Philip Connors: Fire Lookouts, Kerouac, and Thinking Like a Mountain

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Fire Season, a first book from Philip Connors, is a memoir of the author’s summers as a fire lookout in New Mexico’s Gila National Forest. During fire season, Connors spends his nights in a Forest Service cabin and his days in a seven-by-seven-foot box atop a steel tower. He hikes, fishes, throws a Frisbee around with his faithful dog, plays endless games of cribbage. His only companions (apart from the musk deer and the occasional long-distance hiker) are literary — Gary Snyder, Jack Kerouac, Edward Abbey, Norman Maclean — all of them veterans of lookoutry. Connors records the day-to-day of […]

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