This Evening From Far Away

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Dean Young is the critically-acclaimed author of several books of poetry, including Skid (2002), a finalist for the Lenore Marshall Prize, and Elegy on Toy Piano (2005), a finalist for the Pulitzer Prize. He’s been awarded Guggenheim and NEA fellowships, and has taught at the Iowa Writer’s Workshop and is the William Livingston Chair of Poetry at the University of Texas in Austin. And he’s recently had a heart transplant.

At 7 p.m. tonight at the University of California at Berkeley, his peers and his admirers from the Bay Area and farther out will be reading from their work and Dean Young’s at a public fund-raiser. Admission is free, but chances will abound to donate funds for his staggering health care costs.

The following poem is one of many small joys from his new book of poetry, Fall Higher (Copper Canyon Press). Come on out, commune with the literary community, and enjoy more of his wondrous verse.

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Family Moments: Hand2Mouth Theatre’s ‘Everyone Who Looks Like You’

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The first thing to know about Everyone Who Looks Like You, a piece exploring family by the award-winning Hand2Mouth Theatre from Portland, Oregon, is that is has no plot. Written by Alex Huebsch, Marc Friedman, and Maesie Speer, with material provided by Hand2Mouth’s company members, the play is structured around a sequence of monologues, vignettes, music, and dance concerning each member of a fictional family, one composed from anecdotes, surveys, and improvisations – the result of more than a year’s worth of workshops. The resulting performance is a borderline cavalcade of nostalgia and chagrin. Though sometimes anemic from lack of […]

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A New Ocean

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In its Winter 1985 issue, ZYZZYVA published this essay by Blair Fuller. Fuller, who lives in Tomales, California, is the author of the novels A Far Place and Zebina’s Mountain, is an editor emeritus at the Paris Review, and with the late Oakley Hall, co-founded the Squaw Valley Community of Writers.

“A New Ocean” is the story of how, in 1963, Fuller submitted to an experimental LSD treatment in the Bay Area. The descriptions of his altered mental state on the drug are poetic, and could even be called moving. And the coincidence of his treatment happening the day before John F. Kennedy’s assassination in Dallas lends a sadness to the piece — a sadness extending beyond the violent death of the president. As one of the female doctors from that early treatment tells him many years later, it seemed as if a great many things changed with that day, including the “feeling of the possible”

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Heroin

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In its Fall 1985 issue, ZYZZYVA published a piece by Jessica Hagedorn, taken from her novel-in-progress at the time. According to her bio in that issue, Hagedorn, who was born and raised in the Philippines, had lived in San Francisco for 14 years “before banishing herself to New York City.” (She’s now the Parsons Family University Professor of Creative Writing at Long Island University in Brooklyn, and her latest novel, Toxicology, was published in April.)

The story, about a DJ and prostitute named Joey Sands who works in a Manila disco, is a frank look at a predatory world, one revealing the tangled relationship between the Philippines and the United States. The novel-in-progress would be published five years later as Dogeaters, which would received critical praise from the likes of Robert Stone and would go on to become a finalist for the National Book Award in 1990.

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Working the Land, Writing in Your Head: Q&A with Novella Carpenter

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I was in Upstate New York last fall, visiting family, when my aunt thrust a book in my hands. “I saved this for you,” she said. “You have to read it.” The book was Farm City: The Education of an Urban Farmer, by Novella Carpenter (Penguin Press, 2009). I was skeptical. After all, my aunt is as conservative and Catholic as I am liberal and un-churched. But I was immediately sucked into Carpenter’s world, into the unlikely mixture of urban life: the graffiti, the drugs, the lawlessness of a dead-end Oakland street; and the farming life: hives buzzing with happy […]

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Food and Work, Love and Death: Daniel Orozco’s ‘Orientation and Other Stories’

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Back in the mid-‘90s, Story (the late and lamented journal dedicated to short fiction) published an arresting work by Daniel Orozco titled “The Bridge.” A young man joins the veteran crew responsible for maintaining the Golden Gate Bridge. The older guys, all of whom go by nicknames, decide to call the new guy Baby. As Orozco gracefully settles us into this unfamiliar world of risky if unglamorous work, something happens to Baby: “He spots the trouble right away, at the east end, just over his head – a section of hose hung up between the power line and the scaffold […]

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Stories of Sex and Intrigue: Robert Gottlieb’s ‘Lives and Letters’

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While a good number of undying cultural giants (Harry Houdini, Judy Garland, Charles Dickens) receive coverage in Lives and Letters (Farrar, Straus and Giroux, 426 pages), Robert Gottlieb’s collection of biographical profiles largely takes up the lives of once household names and worldwide phenomena who, for one reason or another, failed to achieve lasting impact beyond their generation. Douglas Fairbanks, Minou Drouet, anyone? Indeed, many generations have passed since the heyday of most of Gottlieb’s subjects (the median cultural peak is somewhere around 1930, with Princess Diana and Scott Peterson being the only real “household names” of the 21st century). […]

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What to Make of Memories? Pig Iron Theatre’s ‘Chekhov Lizardbrain’

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It’s easy to see why Pig Iron’s Chekhov Lizardbrain, running for a very limited time this weekend in San Francisco at Z Space, was named one of the New York Times’ top theater events of 2008. The performance vivisects a human mind (no small feat) while drawing the audience into a strange and gripping voyage through the “menagerie of human possibility.” Successfully experimenting with style and substance while retaining heart, Lizardbrain leaves one wandering out of the theater feeling transformed. The play, devised by Robert Quillen Camp and the entire Pig Iron production team, concerns Demitri, an autistic man who […]

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Poetry and Its Public: One Conversation Within A Long-Running Discussion

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The debate on poetry’s responsibility, or lack thereof, to an audience is undoubtedly as old as the art itself. Recent movements have taken noted stances on the “for” and “against” poles, from hermetic aesthetic-worship to cries for accessibility. Critic and author David Orr took up the debate via a review of several new books in Poetry’s April issue — and continued the discussion by responding to my Letter to the Editor in the June issue regarding his essay. Using releases by Thomas Sayers Ellis, Timothy Donnelly, C.D. Wright, and Eleanor Wilner as points of departure, Orr’s original piece, “Public poetry?”, […]

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Strange Transformation: Shotgun Players’ ‘Care of Trees’

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How do you tell the story of a woman’s transformation into a tree? What does that even look like, especially on stage? Does it happen by degrees — does she begin by becoming something more pliable, like a strand of ivy or a sapling, or an artichoke? Playwright E. Hunter Spreen, in Care of Trees (at Shotgun Players’ Ashby Stage through June 26), tells the story of budding arboriform Georgia Swift (Liz Sklar) by showing the distance Georgia must travel from her partner, Travis Dekalb (Patrick Russell), in order to fulfill her destiny. Illness becomes the metaphor (or the medium) […]

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From a Treasured Vase to a Cutout: Stephanie Syjuco’s Solo Show ‘Raiders’

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  On the back wall of the Catharine Clark Gallery hangs one of the more baffling works from “Raiders,” Stephanie Syjuco’s solo show: a photograph of a pixilated jungle wedged between two patterned linen lumps. Bed sheets cum tropical mountain terrain? They’re Syjuco’s pillows, and in the valley between them is an image of her birthplace, the Philippines, that the San Francisco artist snatched from a quick Google search and turned into a cutout. The terrain of that country, her dreamscape of a piece leads us to recognize, is only immediately available to her in digital form. The predominant themes […]

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A Beautiful Excuse for Rumination: César Aira’s ‘The Seamstress and the Wind’

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César Aira’s The Seamstress and the Wind (New Directions; 144 pages), translated by Rosalie Knecht, is simultaneously minimalist and epic. Aira’s voice is clear, his characters are palpable, and his ideas — elucidations on literary theory, existential ruminations, and thought experiments — are evocative and infectious. The story, which concerns a seamstress and her husband who travel the Patagonia desert in pursuit of their accidentally kidnapped son, careens with each chapter at dizzying speed. Seamstress might be thought confusing and possibly incomplete, because the story’s inciting incident — the kidnapped child — goes completely unresolved, even forgotten by the seamstress […]

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