Who’s Afraid of ‘Khirbet Khizeh’?

by

A few years ago, blogging for another consonant-heavy literary magazine, I put my Comparative Literature degree to use in compiling a series of reading lists (Readings for Revolution and Readings for the Next Intifada, for example) composed to serve as introductions to various countries and conflicts in the Middle East. Since then, I’ve done my best to keep up with recent trends in Hebrew and Arabic literature and have discovered a couple writers who might merit a revision of said lists (the Libyan novelist Hisham Matar, for example). But it has been a long time since I came across a […]

Continue Reading

The Great (and Good) Cross-Pollination of American Literature

by

It was the first day of my first Advanced Fiction workshop. Everyone was fiddling with their pens and eyeing each other across the long oak table. As she handed out syllabi, our professor extolled the virtues of experimentation and articulated a staunchly ecumenical approach to writing. With one exception, of course. If any of us were interested in writing science fiction, fantasy, or mystery, she would be happy to introduce us to her dear friend over at MIT, who knew everything there was to know about genre fiction. The implication was loud and clear: some of her best friends wrote […]

Continue Reading

Appealing More and More to the Ear: Literature and Audio Books

by

Dear reader, I did not intend to get the audio book. When I walked into the Berkeley Public Library a few months ago, looking for a copy of Alan Hollinghurst’s first novel, The Swimming Pool Library, I don’t think I had intentions toward any particular format. If pressed at the time to reveal my implicit biases, I would probably have said I was looking for a physical, bound paper-and-cloth book, a book-book. (For the sake of simplicity, I will refer to such objects as “books”). Unfortunately, The Swimming Pool Library and The Line of Beauty—Hollinghurst’s Booker prize-winning fourth novel—were both […]

Continue Reading

Luis Alberto Urrea and the Power of a Captivating Reading

by

Luis Alberto Urrea is an amazing writer. The beloved, multi-prize winning author of novels, nonfiction, and poetry, Urrea’s most recent book, Queen of America, is (as I wrote in a review that appeared in yesterday’s San Francisco Chronicle) “at once magical and corporeal, grounding and transporting. … The compelling true story of a young woman caught between worlds, between her childhood in Mexico and her adulthood in the United States, between the spiritual world and the material world.” But here I want to discuss Urrea’s reading, his ability to transfix an audience through the spoken word. The first time I […]

Continue Reading

Beyond Moses and Cosell: Julie Otsuka’s ‘The Buddha in the Attic’

by

A few weeks back The New York Times book critic Dwight Garner wrote an essay for the Riff section of the magazine titled “Dear Important Novelists: Be Less Like Moses and More Like Howard Cosell.” Essentially, Garner wants important novelists to write faster, to be less like Moses “handing down the granite tablets every decade or so to a bemused and stooped populace” and more like “color commentators, sifting through the emotional, sexual and intellectual detritus of how we live today.” The essay ends with a warning to these important novelists: “If you and your peers wish to regain a […]

Continue Reading