My faith in reading — shattered by texting, an increasingly illiterate America, and The Real Housewives of Beverly Hills — has been restored by a book about a walk in the park. Sergio Chejfec‘s My Two Worlds (Open Letter Books; 120 pages), translated by Margaret B. Carson, concerns itself with one walk in one park: a green expanse in the unnamed Brazilian town where Chefjec, a visiting Argentine academic, is attending a literary festival where he imagines himself looking “like a fugitive trying to blend in.” Consulting a map, seeing that green spot, he feels his heart race: “For me […]
Approaching the Omega Point: Aron Meynell and Erik Otto at White Walls
by Andrew David King
The work of San Francisco artist Aron Meynell doesn’t immediately command attention. His tones are muted—“somber” is how White Walls gallery owner and curator Justin Giarla put it—and his subject matter that which might be swiftly passed over in the work of a less-skilled artist: trees, animals, the occasional person. But to round down the quietude of these pieces to silence would be an underestimation of their power. Instead of choosing to shock or scream, the carefully constructed landscape studies comprising Meynell’s first solo show hum along almost inaudibly, their worlds not quite plausible but not easily rejected as fantasy. […]
Postcards from the Fringe: ‘Alvin Sputnik: Deep Sea Diver’ and ‘Swamp Juice’
by Marianne Moore
Alvin Sputnik: Deep Sea Explorer, showing through August 28 at the Underbelly as part of the Edinburgh Fringe Festival, takes place sometime in the near future. Global warming has caused sea levels to massively rise, and the remaining humans live in rickety stilt houses perched atop skyscrapers. The performance’s opening sequence shows our hero, Alvin Sputnik, at the bedside of his love, Elena. He sings her a simple song on his ukulele as her soul (a point of light) flies out the window and into the ocean. Alvin is despondent, until he sees an ad on television calling for volunteers […]
Editor’s Note #92
by Laura Cogan
Dear Readers, Welcome to the new ZYZZYVA. After 26 years we’ve given the journal a new look, even a new heft. Over the past months we’ve worked on a redesign with Three Steps Ahead, the same California firm behind our new website. ZYZZYVA’s original print design, created with care by Thomas Ingalls & Associates in 1985, was elegant and restrained. We kept in mind the clarity and the spare beauty of their vision as we sought to add other elements speaking to the pleasures of print, to the craft of bookmaking, and to the stimulating quietude of reading. We considered […]
Gin
by Philip Levine
With news that Philip Levine is the new Poet Laureate of the United States, we bring to you this poem that ran in the Spring 1991 issue of ZYZZYVA. (At the time, Levine was a professor of English at California State University, Fresno. He now divides his time between Fresno and Brooklyn.)
Focused on a bunch of boys experimenting with booze, as common a rite of adolescence as can be, “Gin” is funny and tender, as it shows the kids puzzling over the merits of drinking. But the poem unsheathes a sharp line at the end. “Any wonder we were trying gin,” Levine writes, after detailing all the travails — personal and political — life will hold for the underage drinkers.
[…]
Postcards from the Fringe: Blind Summit Theatre’s ‘The Table’
by Marianne Moore
At Blind Summit Theatre’s The Table, showing at Pleasance Dome through August 28 as part of the Edinburgh Fringe Festival, a puppet explains the basic principles of Japanese tabletop puppetry. Pacing back and forth on the white table serving as his stage — as his entire world—the nameless puppet demonstrates, and everyone can see, how he is operated by three puppeteers—one for head and left hand (Mark Down, who also performs the voice), one for rump and right hand (Sean Garratt), and one for the feet (Nick Barnes). All three are on stage, fully visible, dressed in unassuming black. There […]
Between Possibilities: Stephen Dunn’s ‘Here and Now’
by Andrew David King
Whenever a poet as preeminent as Stephen Dunn releases a new corpus of material, the potential for failure can’t help but manifest itself. Some might fear that the book, having come from an author who has already attained a pinnacle of critical achievement (Dunn won the Pulitzer Prize in 2001 for Different Hours), will turn out to be a footnote compared to the works that preceded it. Still others might stifle an otherwise solid book with narrow expectations or preconceptions. Yet Dunn’s most recent publication, Here and Now (Norton; 112 pages), is anything but stillborn, an object all its own—rather […]
Just Follow the Train of Her Perceptions: “Gertrude Stein’s Reality”
by Alexander Bigman
Gertrude Stein’s legacy today is strangely cleft. While her work continues to earn the reverence of a strong academic cohort, most everyone else – even much of the literary community – encounters her most often as the butt of jokes, made at the expense of both her uniquely inaccessible way with words and her eccentric celebrity personage. Take, for example, Ben Greenman’s “Gertrude Stein Gets Her New iPhone,” or Kathy Bates’ portrayal of her (this actor-role pairing is itself something of a joke) as the brusquely opinionated but unerring cultural sage in Woody Allen’s recent “Midnight in Paris.” These are […]
Other Voices, Other Rooms
by editor
Longtime editor and former bookstore owner Philip Turner has an essay on getting William Styron interested in a book he was editing, Dead Run: The Shocking Story of Dennis Stockton and Life on Death Row in America (1999). The core of the piece is really how editors become passionate about a manuscript and do all they can to get a book to succeed. As Turner writes: “As a person, I am not overly concerned about what people seem to think of me, nor do I crave lots of personal validation from others. Yet it’s an occupational hazard of the book […]
You Don’t Want to Know
by Anneli Rufus
Anneli Rufus is the award-winning author of several books, including Party of One: The Loner’s Manifesto, California Babylon: A Guide to Scandal, Mayhem, and Celluloid in the Golden State, and The Farewell Chronicles: How We Really Respond to Death. Her work has appeared in East Bay Express, the San Francisco Chronicle, Salon.com and Psychology Today. She lives in Berkeley.
“You Don’t Want to Know” is an original essay for ZYZZYVA’s website. It’s one of a group of connected essays Anneli Rufus has been working on. “The basic theme,” she writes, “is the darkness and hilarity of life with paralytically low self-esteem.”
[…]
The Same Anxieties: Contemporary Irish Art Group Show ‘this little bag of dreams …’
by Alexander Bigman
There seems to be nothing particularly “Irish” about the show this little bag of dreams … at the Catharine Clark Gallery, other than the nationality of its seven featured artists. The art does not overtly perform, assert or attempt to define “Irishness” in a way we might expect, especially when the work is presented under a banner like “Imagine Ireland,” Culture Ireland’s yearlong transatlantic outreach program (and the show’s sponsor). As though to definitively dispel any residual expectations of a culture-on-exhibit show, Mediterranean food was served at Saturday’s opening reception. Guinness was available, but so was Sierra Nevada. In fact, […]
A Wandering Artist: Philip L. Fradkin’s ‘Everett Ruess: His Short Life, Mysterious Death, and Astonishing Afterlife’
by Julie Foster
I first heard about Everett Ruess, a 20-year-old wander and fledging artist who disappeared in southern Utah 75 years ago, when I lived in Santa Fe, New Mexico, during the ‘80s. His story – a longstanding mystery — was one you eventually got to know if you spent anytime roaming around the backcountry of the high desert. Many years later, on April 30, 2009, the New York Times published an article titled “A Mystery of the West Is Solved.” The article explained that researchers at the University of Colorado, using DNA analysis, claimed to have identified human remains found in […]