Tag: knopf

‘Novelist as Vocation’ by Haruki Murakami: Persistence as Key

by Danielle Shi

Posted on by Zack Ravas

Novelist as a Vocation (224 pages; Knopf; translated by Philip Gabriel and Ted Goossen) is Japanese literary icon Haruki Murakami’s comprehensive look at his expansive and prolific career, a collection of thoughts on the process, substance, and form of novel writing, as well as the habits that make for a successful novelist. The autobiographical essays chart his path as an author over thirty-five years, spanning from his first novel, Hear the Wind Sing, to more layered and formally complex works such as Killing Commendatore. As a whole, the pieces provide a glimpse into the mind and career of a man […]

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Q&A with Tayi Tibble

by Craig Santos Perez

Posted on by Zack Ravas

Tayi Tibble, whose first book of poems, Poūkahangatus, was published by Knopf this year, is an exciting and essential voice of the next generation of Pacific Islander authors. Of indigenous Māori descent, Tibble grew up in Porirua, north of Wellington in Aotearoa (New Zealand), where Poūkahangatus was first published by Victoria University Press in 2018. (Her poetry also appeared in ZYZZYVA No. 123.) The concept of whakapapa—the Māori term for genealogy—is an important part of her collection. More than a simple list of names, whakapapa is a core element of mātauranga Māori, or traditional Māori knowledge. It articulates the living […]

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‘Tomorrow, and Tomorrow, and Tomorrow’ by Gabrielle Zevin: Life as a Game

by Emily Garcia

Posted on by Zack Ravas

If ever there were ever a novel that replicates the addictive, multi-level quality of video games, it would be Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow (416 pages; Knopf),an endearing and loving portrait of three friends who start their own video game company. When they’re eleven, Sam and Sadie meet at the hospital. Sadie’s sister, Alice, is recovering from leukemia, and Sam is recovering from a terrible car accident that practically destroys one of his feet, an injury that haunts him throughout his life. As they wait around, they begin to play video games together, developing the bridge of play […]

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‘Nightcrawling’ by Leila Mottley: Oakland on Its Own Terms

by Emily Garcia

Posted on by Zack Ravas

Kiara Johnson, the scrappy protagonist of Leila Mottley’s transfixing first novel, Nightcrawling (288 pages; Knopf), lives in East Oakland, in an apartment complex called the Regal-Hi, where money is sparse and trauma is abundant. Kiara’s father died years before; her mother’s currently in a halfway house following a prison stint; and her older brother, Marcus, who is also her legal guardian (Kiara is seventeen when the novel begins), is pursuing a rap career in lieu of a job that might help pay the rent—which has also recently more than doubled. Beyond her fears of eviction and homelessness, Kiara is pulled […]

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The Immense Presence of the Mist: Q&A with ‘The Red Arrow’ author William Brewer

by Kristen Iskandrian

Posted on by Zack Ravas

It’s probably fitting that I thought often of Keats while reading William Brewer’s The Red Arrow (Knopf; 272 pages), specifically, the odes, all of which seek to create vessels into which the unknowable and unnamable—the “alien corn” of existence—can be contained. Brewer is a poet, after all, whose brilliant collection I Know Your Kind, about

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‘Harrow’ by Joy Williams: Book of Revelations

by Zack Ravas

Posted on by Zack Ravas

Given the popularity of the genre, chances are good you’ve probably read at least one post-apocalyptic novel by now. But have you ever read a post-apocalyptic novel as conceived by Joy Williams? 2015’s The Visiting Privilege cemented Williams’ reputation as one of our finest short story writers, putting her decidedly off-kilter worldview and rich characterization on display in a compilation of many of her best stories alongside new material. Now the author, who divides her time between Arizona and Wyoming, is back with her first novel in over two decades, following the Pulitzer Prize-finalist The Quick and the Dead. Harrow […]

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‘First Person Singular’ by Haruki Murakami: More than Meets the ‘I’

by Colton Alstatt

Posted on by Zack Ravas

Superstar author Haruki Murakami has published twenty-three books (in English) since beginning his career as a novelist in 1978. In his strictly upward trajectory, full of merits and awards, he has not had much space for rumination. However, in his new story collection, First Person Singular (256 pages; Knopf), he channels 72 years of writing prowess into a series of mystery-dipped stories about youth, memory, and identity. Each begins with a distinct memory, an arresting one. “A dimly lit hallway in a high school, a beautiful girl, the hem of her skirt swirling, [holding] With the Beatles.” The speaker tunnels […]

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‘Crying in H Mart’ by Michelle Zauner: If Belief Were Real

by Ray Levy Uyeda

Posted on by Zack Ravas

The chorus of “In Heaven,” the first track on Michelle Zauner’s first album as Japanese Breakfast, goes: Oh do you believe in heaven? / Like you believed in me / Oh it could be such heaven / If you believed it was real. The “you” and the “me” could be anyone, the “heaven” could be any utopia. But as revealed in Zauner’s memoir, Crying in H Mart (239 pages; Knopf), these lyrics were drafted in the aftermath of her mother’s death from pancreatic cancer and formed at a time when she was reckoning with her identity while caring for her […]

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‘Let Me Tell You What I Mean’ by Joan Didion: Telling Things As They Are

by Zack Ravas

Posted on by Zack Ravas

In times of crisis, we often look to the voice that is calm, rational, not prone to high emotion; perhaps it’s fortuitous, then, that a year into the global pandemic we’re receiving a new book from Joan Didion, one of our most controlled stylists—a writer known for her careful, neutral tone, and one who can observe an incident and report her findings with a precision that often belies the extremities of her subject matter. It’s right there in the title of this latest collection: Let Me Tell You What I Mean (149 pages; Knopf)—would readers really expect Didion to do […]

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