Has there ever been a more appropriate time for a chronicle of writers’ individual experiences with the state of being alone than now, in the midst of an isolating and prolonged global pandemic? The Lonely Stories (240 pages; Catupult), edited by Natalie Eve Garrett, gathers essays from a diverse set of acclaimed authors—including Jhumpa Lahiri, Anthony Doerr, Lena Dunham, Maggie Shipstead, and Lev Grossman—and examines everything from struggles with personal demons such as addiction, failed marriages, and the loneliness of being an immigrant facing racial discrimination to the sense of liberation and creative stimulation that a solitary existence can provide—particularly […]
Tag: Catapult
‘The Manningtree Witches’ by A.K. Blakemore: Compelled to Torture
by Supriya Saxena
The Manningtree Witches (320 pages; Catapult) is about all the ugliness that comes with being a woman in a society in which they are oppressed and deemed inferior. Set in the small English town of Manningtree, A. K. Blakemore’s first novel illustrates the anti-witch hysteria sweeping the townspeople as related by Rebecca West, a young woman who lives in Manningtree with her widowed mother. It is a picture both vivid and ugly, and though the book is set in the 17th century it feels relevant to our present day. Rebecca makes for an insightful protagonist, describing the extraordinary and horrific […]
‘Low Country’ by J. Nicole Jones: Lost Dreams, Anger, and Ghosts
by Ray Levy Uyeda
In every family there is an archivist. Someone to keep track of lost things, tales of victory and heartbreak, someone who can recall nearly-forgotten names. In author J. Nicole Jones’ family, that person was her grandmother, a woman who could fluidly weave a tale of home—Horry County, South Carolina. With her memoir, Low Country (230 pages; Catapult), Jones has succeeded in the role of family archivist, imploring us to see that the story of the Jones family is the story of South Carolina, and the story of J. Nicole Jones is the story of the women who preceded her. Low […]
‘My Heart’ by Semezdin Mehmedinović: Matters of Life and Death
by CJ Green
People say that when you have a child, it’s like your heart has left your body and begins walking around on its own. This idea came to mind reading Semezdin Mehmedinović’s novel My Heart (225 pages; Catapult; translated by Celia Hawkesworth). It begins with a heart attack that sends the protagonist into an eloquent, existential spiral, after which his priorities become increasingly clear to him. “Since I passed fifty,” he explains, “I know that everyone dies young.” The overall effect is of a camera sharpening: the background noise gives way to a crisp foreground, the local details of love and […]
‘Love is an Ex-Country’ by Randa Jarrar: An Unexpected Destination
by Kyubin Kim
When we think of the American road trip novel, it’s easy to recall Jack Kerouac’s On the Road and the manic adventures of Sal Paradise and Dean Moriarty, traipsing from New York to San Francisco as carefree and self-destructive as white men in the Fifties were allowed to be. That was America for them. But Randa Jarrar’s road trip memoir, Love Is an Ex-Country (240 pages; Catapult), demands a re-landscaping of America for a queer Arab American woman. The road trip is not a linear starting point-to-destination; it’s an evolving struggle to claim and inhabit a home in a place […]
The Loves We Leave Behind: ‘Pages for Her’ by Sylvia Brownrigg
by Melissa Halabe
It’s not easy to write a love story devoid of the usual clichés such as the “meet cute” or unrealistically idealized physical descriptions, but author Sylvia Brownrigg does just that in her new novel, Pages for Her (373 pages; Counterpoint). The book is a sequel to 2001’s critically acclaimed Pages for You, in which the young and timid Flannery Jensen falls for her confident and much older professor, Anne Arden. Told in three parts, Pages for Her offers readers the chance to return to Flannery and Anne’s ardent, but lost, connection twenty years after their separation. While the time jump […]
In a Lonely Place, a Teen Boy Searches for Solace: ‘Montpelier Parade’ by Karl Geary
by Samara Michaelson
Karl Geary’s first novel, Montpelier Parade (217 pages; Catapult), presents us with the fraught experience of first love, told in beautifully doleful prose that sometimes exhibits Salinger-esque sparseness. Referring to his protagonist, Sonny, as “you,” Geary draws the reader into a hypnotic and haunting intimacy. The directness of the second-person point of view demands both Sonny and the reader are left weary by the cloudy Dublin skies and by the “howl of feeling.” It’s a delicate work that treats its subject with great sensitivity, ensuring we experience that same tenderness of feeling that Sonny does, and hear the words on […]
The Human Creature, Closely Observed: ‘Large Animals’ by Jess Arndt
by Hayden Robel
Jess Arndt’s Large Animals (131 pages; Catapult) traps its characters in self-constructed cages and puts them on display, presenting a bevy of cultural concerns about identity, sex, and the human body. Ranging from the 19th century to contemporary San Francisco and New York, the twelve stories in Arndt’s first book prove startling in their variety and verisimilitude, and challenge our notions of gender and the binary divides that too often fail to define us. In “Beside Myself,” we witness the austere life of a woman attempting to impregnate her wife by using her brother’s sperm. Here, as in many of […]
‘Pain and Loneliness in Equal Measure’: Q&A with Peter Orner
by Will Howard
Peter Orner’s Am I Alone Here? Notes on Living to Read and Reading to Live (316 pages, Catapult)—which concerns Orner’s favorite stories, the lives of their authors as well as Orner’s own—has a modest subtitle. It suggests the essays in the collection, which was recently named a finalist for a National Book Critics Circle Award, are rough, unfinished. (One of the essays in the collection, “Since the Beginning of Time,” appeared in ZYZZYVA No. 107.) Because Orner maintains this Midwestern-like self-deprecating tone throughout the book, his intellectual rigor might catch you off guard. He takes stories—telling them, reading them—very seriously. […]
Outside and Inside the Revolution All at Once: ‘Mrs. Engels’ by Gavin McCrea
by Allison Rodriguez
In his first novel, Gavin McCrea accesses the intricacies of Marx and Engel’s Communist revolution through the ordinary magic of fiction. Mrs. Engels (Catapult; 368 pages) explores the subtleties of a historic movement through the vantage of Lizzie Burns, Frederick Engels’ longtime companion and eventual wife. Lizzie, an illiterate Irish woman, is both an outsider and part of Frederick’s inner circle in London—at once the closest to the proletariat and the furthest from Marx and Engels’ ideals. Her position allows the story’s perspective to refreshingly shift from observing Engels and Marx’s work life and ideals to registering the domestic decorum […]
In the Face of Absurdity, Macro & Micro: ‘Cries for Help, Various’ by Padgett Powell
by Sam Shuler
Of the various genres travestied by the entertainment industry, perhaps comedy has become the most befouled. With a few notable exceptions, inane millennial hi-jinx, “awkward” situations and encounters, and mundanely quirky characters flit across American television and computer screens with an unsurprising steadiness. In the face of this, a writer like Padgett Powell is of the greatest importance, as reminder of what comedy, specifically literary comedy, can be. Wry, strange, and with a sense of tragedy only partially concealed by the stories’ peculiar and surrealistic narratives, Cries for Help, Various (200 pages; Catapult) exhibit’s a comedy which is still in […]