A Kafka Gaze: ‘Animal Stories’ by Kate Zambreno

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Standing at the monkey house in Jardin des Plantes, Kate Zambreno and her two-year-old daughter encounter an older woman who, though not an employee, leads them to the enclosure. Crowded by tourists’ flash photography, a newborn orangutan named Java nurses from her mother, Theodora. Zambreno mimes to her daughter—“milky”—in their shared language, and as they take in this special moment of connection with the captive primates, she also feels Theodora’s weariness, and wishes her privacy. The dailiness of the monkey house, she writes, is punctuated by events like these. When do we see ourselves most in zoo animals? During sharp […]

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‘To Write as If Already Dead’ by Kate Zambreno: The Body of the Author

by Alana Frances Baer

Roland Barthes’ 1967 essay “The Death of the Author” saw a challenge, two years later, with Michel Foucault’s lecture “What Is an Author?” Kate Zambreno abbreviates the distinction between these two works: “Barthes wants to kill the author, Foucault wants the author to take on the appearance of a dead man.” Zambreno’s two-part book, To Write as If Already Dead (158 pages; Columbia University Press), meditates on its title throughout, circumscribing death in its consideration of the author as a living and breathing body, flesh behind words. Zambreno is the author of the novel Drifts and a 2021 Guggenheim Fellow […]

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