Marital Dis: ‘Liars’ by Sarah Manguso

by

Married women often provide more care and invisible labor out of love. But it’s the expectation that they will provide it, and the cultural moralism associated with how they do it, that informs Sarah Manguso’s newest tour de force, Liars (256 pages; Hogarth). Coming out at a time when the genre of divorce books is ever-expanding (Leslie Jamison’s memoir Splinters, Lyz Lenz’s This American Ex-Wife, and Miranda July’s All Fours), Manguso’s novel explores the subject of abuse (including self-abuse) and presents marriage as a patriarchal institution inextricable from it. As Mary Beard wrote in Women & Power, “You can’t easily […]

Continue Reading

‘Trace Evidence’ by Charif Shanahan: Worlds Apart

by Valerie Braylovskiy

Trace Evidence (93 pages; Tin House Press) is the second collection of poetry by Charif Shanahan, author of Into Each Room We Enter Without Knowing. These poems use language and form to peel back elements of Shanahan’s identity and show how markers like nationality, race, and sexuality intersect within one’s lived experience. The poems feel deeply personal yet rooted in the universal as Shanahan raises profound questions about human nature and what it means to feel displaced in the world. Born in the Bronx to an Irish American father and Moroccan mother, Shanahan— a professor at Northwestern University— discusses his […]

Continue Reading

‘Meltwater’ by Claire Wahmanholm: Mother, Earth

by Zoe Binder

Claire Wahmanholm’s latest poetry collection, Meltwater (128 pages; Milkweed Editions), is both a lament for the Earth as it suffers the harmful effects of climate change and a poignant reminder of the joys that make life worthwhile despite this loss. Wahmanholm centers the collection on two recurring series of poems—“Glacier” and “Meltwater”—that follow the anxieties of a person raising children on our threatened planet. In “Glacier,” the speaker battles feelings of grief at the sight of a calving glacier—and guilt at the thought of children experiencing a world without these geological formations: I am trying to say it’s too late […]

Continue Reading

‘Feast’ by Ina Cariño: Food for Thought

by Gus Berg

Ina Cariño, the recipient of a 2022 Whiting Award and a 2021 Alice James Award, is a Filipinix American poet whose work draws heavily on intergenerational nourishment and transformation in marginalized communities. Feast (100 pages; Alice James Books), their first book of poetry, is an enriching collection that satisfies a primal hunger for fulfillment while questioning the social conditions that leave people of color deprived. One of the most disarming things about Feast is the bone-deep rawness of this poet’s voice. Even as they veer away from the realm of possibility, the poems feel real because the speaker’s voice remains […]

Continue Reading

‘Novelist as Vocation’ by Haruki Murakami: Persistence as Key

by Danielle Shi

Novelist as a Vocation (224 pages; Knopf; translated by Philip Gabriel and Ted Goossen) is Japanese literary icon Haruki Murakami’s comprehensive look at his expansive and prolific career, a collection of thoughts on the process, substance, and form of novel writing, as well as the habits that make for a successful novelist. The autobiographical essays chart his path as an author over thirty-five years, spanning from his first novel, Hear the Wind Sing, to more layered and formally complex works such as Killing Commendatore. As a whole, the pieces provide a glimpse into the mind and career of a man […]

Continue Reading

‘Cinema Speculation’ by Quentin Tarantino: Talking Trash

by Paul Wilner

Cinema Speculation (400 pages; Harper), billed as Quentin Tarantino’s “first work of nonfiction,” could easily fall into the category of a quickie volume sold on the basis of the Pulp Fiction auteur’s brand value. So it’s a welcome surprise that this book is entertaining, smart, and vivid. Tarantino hasn’t been making the talk-show circuit as much as the pre-streaming old days (for a while, he was a fixture with the now-discredited Charlie Rose), but he brings the same feisty, movie-mad energy to his prose as he did to his early breakthrough films.             Even his book’s title seems like a […]

Continue Reading

‘An Ordinary Life’ by B.H. Fairchild: The Winding Road of Grief

by Gus Berg

In his latest poetry collection, An Ordinary Life (67 pages; W. W. Norton), B.H. Fairchild, winner of the National Book Critics Circle Award and the author of the collections The Art of the Lathe (1998) and Early Occult Memory Systems of the Lower Midwest (2002) , doesn’t flinch from the foxholes remembered secondhand in “My Father, Fighting the Fascists in WWII” or from images of a Korean War veteran bagging canned goods without fingers in “Groceries.” Fairchild offers succinct commentary with discrete but vivid imagery, honoring the beauty of small-town scenes with artistry and exactitude, transforming even a Walmart on […]

Continue Reading

‘It Must Be a Misunderstanding’ by Coral Bracho: Adding Color and Depth to One of Life’s Hardships

by Meryl Natchez

Anyone who has experienced a loved one’s trajectory through Alzheimer’s might wonder how a book of poetry focused on that harrowing experience could be uplifting. But Coral Bracho’s It Must Be a Misunderstanding (New Directions; 135 pages), translated by Forrest Gander, is not only tender and compassionate, but leaves the reader suffused in the mystery of being. The book is dedicated to Bracho’s mother, who died in 2012 from complications of Alzheimer’s. A short book of fragmentary lyrics, it builds through its sections like a concerto, adding color and depth as it goes. The themes of Intuitions, Observations, and various […]

Continue Reading

‘Tell Me the Truth About Love’ by Erik Tarloff: A Bump in the Road to Romance

by Paul Wilner

Erik Tarloff’s new novel, Tell Me the Truth About Love (Rare Bird Books; 360 pages), is at once a comedy of manners about the not-so-smart set of San Francisco society, a sex farce complete with a mistaken identity subplot that could have come out of A Funny Thing Happened on the Way To The Forum, and a deeply serious examination of just how rocky the road to romance can be. Toby Lindeman makes an inherently undignified living as fundraiser for the San Francisco Opera, which helps him support his ex-wife and teenage daughter. But a chance meeting with Amy Baldwin, […]

Continue Reading

‘The Hungry and the Lost’ by Bethany W. Pope: Succumbing to the Rot

by Supriya Saxena

Bethany W. Pope’s The Hungry and the Lost (326 pages; Parthian Books; available for order online) offers a rich Southern Gothic tale that revels in the beauty and hostility of the Florida swamplands during the early 20th century. Pope’s immersive language draws the reader in early, but it’s the novel’s social commentary and respect for wilderness that leave a lasting impression. The Florida swampland attracts men who make a living from hunting herons, but after the birds stop coming and tuberculosis breaks out, a (fictional) small town near Tampa is deserted by all but two: the late minister’s mentally unsound wife, […]

Continue Reading

The Escape Artist: Bill Vollmann’s Remarkable Retreat into the Real

by Paul Wilner

An interview is by definition a species of performance: by the subject, struggling for definition, or invasion; and by the interlocutor, finding his or her own path in a journalistic enterprise perilously akin to speed dating. Conversations with William T. Vollmann (252 pages; University of Mississippi Press), edited by Daniel Lukes as part of the publisher’s “Literary Conversations” series, fulfills both functions. The incorrigibly ambitious Vollmann is the author of myriad explorations into Western mythologies, European history and literary journalistic inquiries into the roots of violence and environmental dystopia. His latest novel, The Lucky Star, returns to the Tenderloin underbelly […]

Continue Reading

‘A Little More Red Sun on the Human’ by Gillian Conoley: New Universals for a Secular World

by Gabriel Weiss

Gillian Conoley’s new book, A Little More Red Sun on the Human (320 pages; Nightboat Press) is a collection of selected poems from throughout her career. Conoley uses new forms of linguistic constructions to tackle the spiritual adversity of the modern age and to redefine the standard of poetic consciousness. Conoley was born in Austin, Texas in 1955, and the farming community she grew up in inspired the narratives of her early works, in which she recalled her childhood in the South. Her youthful reminiscence later evolved into an interest in the natural world, and became a tool for her […]

Continue Reading