Our World Without Any Memory of Itself: ‘NK3’ by Michael Tolkin

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Michael Tolkin’s 1988 novel, The Player, remains a note-perfect send-up of late Eighties Hollywood excess, a paranoid neo-noir told from the point-of-view of the murderer himself—a creatively and morally bankrupt Hollywood executive. Now the acclaimed author, screenwriter, and director returns with NK3 (300 pages; Grove), his first novel in more than a decade. Tolkin has long specialized in satire so shrewd and well-observed that it barely registers as satire; NK3, in which a memory-erasing biological weapon creates a power vacuum for the working classes to seize control from the rich and elite, couldn’t have arrived at a more apropos time. […]

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‘Conjectures Based on What You Know About Yourself’: Q&A with Chelsea Martin

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“Being unemployed feels like being in The Sims’ Build Mode, but with less soothing music.” So declares the nameless narrator at the heart of Mickey (200 pages; Curbside Splendor), the new book from Chelsea Martin. As Mickey opens, its main character – a struggling young artist – impulsively breaks up with her long-term boyfriend and is soon fired from her job. These events springboard our hapless protagonist into ruminations on grand existential concerns like the struggle to pay rent, the inherent loneliness of the human condition, and why cheese and crackers are so damn important at gallery showings. Mickey is […]

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A World of TV Eyes: ‘The Continuous Katherine Mortenhoe’ by D.G. Compton

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From Google Glass to drone warfare and genetic modification, it’s fair to say that our contemporary world bears more than a passing resemblance to the science-fiction novels of yesteryear. Originally published in 1974, English writer D.G. Compton’s The Continuous Katherine Mortenhoe, recently reprinted by New York Review Books Classics, is a vintage piece of speculative fiction that feels of the here and now, and startlingly so. Mortenhoe opens on a society that could very well be our own in another fifteen years: a culture rife with economic disparity, where most diseases have been eradicated and the populace is sated by […]

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‘Language to Swarm and Eat’ the Hopelessness: ‘A Bestiary’ by Lily Hoang

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Lily Hoang’s new book, A Bestiary (156 pages; Cleveland State University Poetry Center), proves why a healthy amount of skepticism—at times bordering on distaste—for the self is an undervalued trait in literature. Throughout her collection, Hoang blurs the line between personal essay and prose poetry as she takes stock of her life and often comes to some unflattering conclusions. Reflecting on an unsatisfying, on-and-off-again relationship with her lover, she writes, “I feel like a feminist poser, talking a big game about empowerment but living a reality of passivity and self-contempt.” A Bestiary offers a snapshot of a turbulent time in […]

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The Extremities of Human Experience: Q&A with ‘I Met Someone’ Author Bruce Wagner

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The fact that the dust jacket for Bruce Wagner’s latest novel, I Met Someone (Blue Rider Press; 384 pages), carries blurbs from award-winning author Sherman Alexie as well as acclaimed filmmaker Steven Soderbergh reveals how adroitly Wagner has been able to navigate both the literary scene and the world of Hollywood. Over the last several years, Wagner has been at work on what he calls the Inferno series, starting with 2012’s Dead Stars, a sprawling and densely packed novel about life on the fringes of stardom, which Tom Bissell dubbed “the Ulysses of TMZ culture.” In 2015, David Cronenberg directed […]

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Tweeting Ourselves into Oblivion: ‘I Hate the Internet’ by Jarett Kobek

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The last two years have witnessed several novels lamenting the changing cultural landscape of the Bay Area, setting their sights on the runaway capitalism of the tech industry. But few of these books have actually assimilated the language of tech into their critique. This is part of what makes Jarett Kobek’s novel I Hate the Internet (We Heard You Like Books, 288 pages) so potent. I Hate the Internet is ostensibly the story of Adeline, a middle-aged comic book artist living in San Francisco circa 2013. When Adeline, who purposefully affects a Trans-Atlantic accent a la Audrey Hepburn in Breakfast […]

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The Voice That Moves You: ‘The Art of Perspective’ by Christopher Castellani

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When readers think of Vladimir Nabokov’s classic novel Lolita, they’re arguably more likely to recall the silver-tongued wordplay of its narrator, Humbert Humbert, than they are of the machinations of the plot, the character’s verbal gymnastics intended to distract from the horrors of his crimes. As Humbert declares, “You can always count on a murderer for a fancy prose style.” One of William Faulkner’s most revered novels, Light in August, utilizes a complex, impressionistic style, even to the point of incorporating made up words like “sootbleakened” and “childtrebling,” to underscore the psychological complexity of its potentially unsympathetic lead, Joe Christmas. […]

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A ‘Dirty Old Man’s’ Defiant Stories: ‘The Bell Tolls for No One’ by Charles Bukowski

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Early on in the Charles Bukowski compilation The Bell Tolls For No One, a narrator named Bukowski pulls his car over to the side of the road to stop and marvel at a hideous-looking farm animal. “When one ugly admires another,” he muses, “there is a transgression of sorts, a touching and exchanging of souls, if you will.” It could be said that much of Charles Bukowski’s writing is devoted to this moment when two imperfect forces collide – whether it’s drunken lovers helping each other endure a cold night or a downtrodden man recognizing a kindred spirit in the […]

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This Land Is Your Land: Jonathon Keats’s ‘Pangea Optima’ at Modernism

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Our Earth has never been more divided. Tensions between the United States and other major powers like Russia and China, as well as conflict in the Middle East, cast a shadow over a planet threatened by climate change. Not to mention that the current run-up to the 2016 presidential election has begun to seem less like a political race and more like a professional wrestling match. But what if there was a way to heal our world’s divide–both figuratively and literally? Through a revolutionary geo-engineering process, the Political Tectonics Lab–pioneered by experimental philosopher Jonathon Keats–is proposing a plan to direct […]

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Beyond the Macabre: ‘Henri Duchemin and His Shadows’ by Emmanuel Bove

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French author Emmanuel Bove wrote novels and short stories that combined the psychological insight of Fyodor Dostoevsky with Edgar Allan Poe’s penchant for the macabre. His fiction shed a light on young men dangling precariously above disaster, men whose neurotic impulses frequently led to their ruin. Born in 1898, Bove’s own life proved as strange and fortuitous as that of his downtrodden characters. The author spent many of his earliest years living in abject poverty until his father’s second marriage introduced him to a world of wealth and privilege. The outbreak of World War I once again dashed the family […]

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Short Story Master Rediscovered: ‘A Manual for Cleaning Women’ by Lucia Berlin

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By any estimation, writer Lucia Berlin led a full life. As a small child growing up in 1940s Texas, she fended for herself against an abusive grandfather while her mother remained a distant figure. Her glamorous teen years were spent in Chile among wealthy expatriates, attending dances and other high society functions after her father struck it rich in the mining industry. As an adult, Berlin frequently moved across the United States and Mexico, including a lengthy stay in the Bay Area. Along the way, she married three husbands, mothered four sons, and held an array of  jobs–from cleaning woman […]

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The Self-Deceptions of Nostalgia and Addiction: ‘Black Hole’ by Bucky Sinister

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“The moment you buy your drugs, they start to run out.” Such is the dilemma of Chuck, the middle-aged, rundown narrator of Bucky Sinister’s first novel, Black Hole (Soft Skull Press; 181 pages). Perpetually strung out on all manner of narcotic, former punk rocker Chuck is dismayed to find himself “the freak in the corner” at parties where everyone is half his age. He inhabits a San Francisco much like our own—rapidly changing, driven by a booming tech industry—but ever so off-kilter. Bucky Sinister draws influence from the work of visionary science-fiction author Phillip K. Dick in crafting an alternate […]

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