The Voice That Moves You: ‘The Art of Perspective’ by Christopher Castellani

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When readers think of Vladimir Nabokov’s classic novel Lolita, they’re arguably more likely to recall the silver-tongued wordplay of its narrator, Humbert Humbert, than they are of the machinations of the plot, the character’s verbal gymnastics intended to distract from the horrors of his crimes. As Humbert declares, “You can always count on a murderer for a fancy prose style.” One of William Faulkner’s most revered novels, Light in August, utilizes a complex, impressionistic style, even to the point of incorporating made up words like “sootbleakened” and “childtrebling,” to underscore the psychological complexity of its potentially unsympathetic lead, Joe Christmas. […]

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‘The Most Thrilling Terms’: ‘Nabokov in America’ by Robert Roper

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Speaking about what he refused to characterize as his personal fame, Nabokov once told an interviewer, “Lolita is famous, not I. I am an obscure, doubly obscure, novelist with an unpronounceable name.” However, in the face of what the author and his family called “Hurricane Lolita,” Nabokov remained personally obscure only because he was intent on doing so. Yet all the while the near mythical dimension of his persona grew around his unwillingness to appear in public, and because of his pithy, self-orchestrated, and tightly managed interviews, which tantalized but revealed little. Appearing in a candid television interview once (and […]

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