ZYZZYVA EventsJuly 24, 2019
In Conversation with Peter Orner
Location: 7:30 p.m., The Bindery, 1727 Haight St., San Francisco
Description: Orner, the author of the novel "Love and Shame and Love" and a contributor to ZYZZYVA, will discuss his new story collection, "Maggie Brown & Others" (Little, Brown), with Managing Editor Oscar Villalon. Free. More info here: https://www.booksmith.com/event/bindery-peter-orner-maggie-brown-and-others-stories
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In an age of instant reactions and hair-trigger controversy, Peter Orner is a writer who slows things down, living up to Susan Sontag’s admonition that “the writer’s first job is not to have opinions but to tell the truth…and refuse to be an accomplice of lies and misinformation.’’ Born in Chicago, he graduated from the University of Michigan and the University of Iowa Writer’s Workshop. A former professor and department chair at San Francisco State University, he is now a Professor of English and Creative Writing at Dartmouth. Orner’s eclectic body of work includes the novels The Second Coming of …Continue reading
“I don’t know,’’ my father used to say when I offered the conversational tic, an adolescent affectation. He liked to put people on the spot. When they said they loved reading he’d ask, “What was the last book you read?’’ Uncomfortable silences ensued, he rather enjoyed it. Or if we were sitting around at dinner and referred to him in third person, the matriarchal duet, my mom and sister emotionally outweighing the two of us. I had divided loyalties at best, anyway. “Who’s he?’’ my dad would say, countering the implied lack of respect, deference. He wasn’t a martinet, or …Continue reading
The Rape Guy approaches the podium, with practiced confidence, Jimmy Stewart smiles. He knows the ropes, been through this drill before. He lives around the corner from my brother-in-law, who says he doesn’t know him but his wife is “delightful.’’ I’m delighted. Aren’t you? Who wouldn’t be? Just a drunken grope and grab, lurch and lock, his Irish Catholic pal always ready to turn up the noise, set the stage. Dominis vobiscum, the Latin Mass is still the best. Closeted libido, directed who knows where, Three in the room. Three’s a crowd, three’s company. Company man. It’s all good. Ask …Continue reading
Published earlier this year to respectful notices, Zachary Lazar’s painstakingly crafted novel Vengeance (272 pages; Catapult) takes on the complicated issues of race, the socially constructed questions of guilt or innocence in late stage capitalism, cultural appropriation and redemption. “What ‘Vengeance’ really attempts to unravel is the problem of injustice, although it is not a protest novel,’’ Katy Waldman noted in The New Yorker. Prison reform has been in the air—just ask Kim Kardashian—but news cycles come and go. Regardless, Vengeance merits a more sustained look. The novel was inspired by the author’s visit to Angola, a Louisiana State Penitentiary (and former …Continue reading
guns and roses, money, honey, what’s the point. raise, hold, stay, fold, left out standing in the cold. If I had a thought, I’d tell you, bow my head if there’s a prayer. no such luck, no such mercy i am waiting, I am old. give us this day our daily bread, maybe we’ll feed it to the dead. Paul Wilner’s work has appeared in The Paris Review, the San Francisco Chronicle, and elsewhere. You can read more of his writing in ZYZZYVA No. 106 and No. 109.
Some say the world will end in fire, Some say Vanilla Ice From what I’ve tasted of desire, I’m thinking of a funeral pyre. But if you had to ask me twice, I’d throw the dice. Bring Kid Rock over for a round or two, Burn one or two or three or four, Look out for lice. Watch the backyard Barbecue glow. Orange in the night. Let’s do it twice.
Ann Beattie’s career began, auspiciously, 40 years ago with the joint publication of her first novel, Chilly Scenes of Winter, and Distortions, a short story collection. It was an almost unheard of debut for a writer whose career had previously consisted largely of short stories in The New Yorker and a few other publications. But she immediately captured critical attention with her pitch-perfect depiction of the lives of her contemporaries, shellshocked by political changes, struggling with the problems of dysfunctional relationships and trying to find a way to make sense of the senseless. It didn’t hurt that she was also …Continue reading