Zsuzsi Gartner’s new story collection, Better Living Through Plastic Explosives (Pintail, 224 pages), is a fun book in the best sense: a treasure of tears, laughs, sighs, and smiles. From her opening story, “Summer of the Flesh Eater,” to the title story that closes the collection, Gartner takes us on a creative and bizzare ride in and around British Columbia, awakening us to the marvels of the ordinary. Houses are swallowed up by the earth, recovering terrorists sweat over backyard gardens, a couple speaks the language of Swedish furniture, angels go to high school, and a group of adopted Chinese […]
Category: Book Reviews
The Weight of Her Husband’s Long Friendship: Joan Frank’s ‘Make It Stay’
by Christopher Connor
As love connects us to our closest friends, these friends can’t help but define us as we grow older. Over time, even the lovers and other friends of these people we hold close become intertwined in our lives. Joan Frank’s fifth book of fiction, her new novel, Make It Stay (The Permanent Press, 160 pages), examines the close friendship between two men, and how their love grows in the face of old age, spouses, children, and tragedy. Neil, a Scottish immigrant, finds his way to the quiet Northern California town of Mira Flores. He meets Mike, the boisterous owner of […]
History Repeats and Repeats and Repeats: Will Self’s ‘Umbrella’
by Christopher Connor
Will Self’s new novel, Umbrella (Grove Press, 397 pages), is a whirlwind journey through the lives of four characters living in three different eras. A Modernist novel featuring frenetic stream of consciousness writing, Self defies convention and digs deep into the social issues plaguing the 20th century. Audrey Death matures in London at the turn of the century, when underground railroads and automobiles were changing the landscape of the city. Following World War I, which splits Audrey from her brothers Albert and Stanley, she suffers a mental breakdown. Later diagnosed with encephalities lethargica, Audrey is stashed away in Friern Mental […]
Coming Out of ‘Sleep’ and Back with ‘Rage’: Q&A with Adam Mansbach
by Jonathan Kiefer
As a novelist, Adam Mansbach had been doing all right. His Angry Black White Boy (Broadway) was named a best book of 2005 by the San Francisco Chronicle, and The End of the Jews (Spiegel & Grau) won a 2008 California Book Award. And although Mansbach now considers it among the fond embarrassments of his youth, even his 2002 debut, Shackling Water (Anchor), was good enough for Library Journal to liken him to James Baldwin. So it seemed like the last thing Mansbach needed to do was swerve into new literary territory, particularly the limited realm of children’s books which […]
Two Half-Lives That Make Up a Single Identity : Zubair Ahmed’s ‘City of Rivers’
by Jerome Blanco
Zubair Ahmed’s first poetry collection City of Rivers (McSweeney’s, 96 pages) captures the reader’s heart from its first line to its last. These poems are reminders of poetry’s power to leave us breathless after immersing us in truths, both wonderful and painful. Ahmed, who was born and raised in Bangladesh and moved to the United States in 2005, explores memory and identity with a sincere voice steeped in genuine experience. These are dense poems, carrying the story of an individual, of a family, and of Bangladesh itself. City of Rivers opens with “Measuring the Strength of a Sparrow’s Thigh” and […]
Dignity at the Mercy of a Ruined Economy: Hans Keilson’s ‘Life Goes On’
by Jerome Blanco
Originally published in 1933, Hans Keilson’s recently translated first novel, Life Goes On (Farrar, Straus and Giroux; 255 pages; translated by Damion Searls), is a gripping story of a family living in post-World War I Germany. Keilson’s autobiographical novel, which came out when he was only twenty-three, is a striking exploration of struggle, shame, and hope, and what it means to live. Life Goes On follows the lives of the Seldersens as they face the economic turbulence sweeping Germany. Herr Seldersen, a veteran of the Great War, runs a small shop with his wife. Even as they try to make […]
Brazil’s Complex Past, Recounted from a Deathbed: Chico Buarque’s ‘Spilt Milk’
by Lucy Schiller
Musician and author Chico Buarque came of age with the installment of a brutal military dictatorship in Brazil, one that was to last for more than twenty years until it toppled in 1985. A pioneer and experimenter within bossa nova, Buarque wrote subtle lyrics protesting the regime’s violent suppression of dissidents, songs that made it into his country’s popular consciousness. To this day Buarque is regarded in Brazil as a vital cultural stalwart, an artist who, since the early ‘60s, continues to examine his country and instill large social change. His most recent novel, Spilt Milk (Grove/Atlantic, 177 pages, translated […]
Humanity Bewildered in the Remotest of Places: Erica Olsen’s ‘Recapture’
by Molly Falck
Erica Olsen’s story collection, Recapture (Torrey House Press, 161 pages), presents the American West as a cabinet of curiosities, containing the artifacts, animals, and lonely people abandoned along man’s quest for the coast. These sixteen diverse tales (one of which, “Reverse Archaeology,” originally appeared in ZYZZYVA) emerge from the geography of America’s remaining vacancies, where the civilized go to escape the mess of civilization. Olsen, acting as chief archeologist, presides over these sparsely populated landscapes. With each story, we gain access to unknown physical and emotional territory. […]
Everything Pivots on the Verb: Constance Hale’s ‘Vex, Hex, Smash, Smooch’
by Jerome Blanco
Constance Hale (author of Sin and Syntax: How to Craft Wickedly Effective Prose) has penned another guide to prose writing. Her new book, Vex, Hex, Smash, Smooch (Norton; 400 pages), is a celebration of the verb. “(A)ll serious writers know,” Hale writes, “that verbs act as the pivot point of every sentence. Verbs put action in scenes, show eccentricity in characters, and convey drama in plots. They give poetry its urgency. They make quotes memorable and ads convincing.” In her book, Hale gives readers and writers many views on the life of verbs, from their birth to their evolution to […]
Brother’s Keeper: T. Geronimo Johnson’s ‘Hold It ‘Til It Hurts’
by Lucy Schiller
Upon bringing home his newly adopted son, who is black, to his other son, Achilles (also adopted, also black), the white father in T. Geronimo Johnson’s Hold It ‘Til It Hurts (Coffee House Press, 342 pages) announces, “Don’t need blood to be brothers.” Johnson’s violent first novel, though, effectively proves the opposite, but in a different sense: tearing through Afghanistan and Hurricane Katrina, the morgues of Atlanta and the stilted subdivisions of Maryland, Achilles Conroy finds familial love in the most harrowing situations. If Achilles’s younger brother, Troy, is “fearless and light, like a rock that floats,” Achilles is an […]
A Program for Fulfillment: Scott Hutchins’s ‘A Working Theory of Love’
by Jerome Blanco
Scott Hutchins’s first novel, A Working Theory of Love (The Penguin Press, 328 pages), is a refreshing exploration of how the many relationships every person has can shape who we are. It is a reflection on failure, fear, grief, hope, and, of course, love. Lovers, friends, family, coworkers, and even the city in which one lives: Hutchins demonstrates what these connections can mean in our search for fulfillment. Neill Bassett Jr., a San Franciscan divorcee, is trapped in “the doldrums of physical isolation,” stuck in a dull cycle of unsatisfying bachelor routines and a Silicon Valley job. He works at […]
A Paperboy Finding His Way Out of Bleakness: Per Petterson’s ‘It’s Fine By Me’
by Lucy Schiller
The Norway of Per Petterson’s newly translated 1992 novel, It’s Fine By Me (Graywolf; 199 pages; translated by Don Bartlett), will be familiar to readers of his 2007 bestseller, Out Stealing Horses. It is a country marked by pervasive solitude and backbreaking work, by deeply buried familial troubles and the quiet, occasional help of strangers. In 1970s Oslo, young paperboy Audun Sletten prides himself on his checked pants and ubiquitous sunglasses. The latter provides him distance from the surrounding bleakness: alcoholism runs rampant (most notably evident in Audun’s absent father), and death seems close (his younger brother, we learn, fatally […]