ZYZZYVA Events
March 7, 2019In Conversation with Carolyn Burke
Location: 7 p.m., City Lights Booksellers, 261 Columbus Ave., San Francisco
Description: Burke discusses her newest book, "Foursome: Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, Rebecca Salsbury" (Knopf), with Managing Editor Oscar Villalon. Free. More info here: https://bit.ly/2GeUNlA
March 28, 2019ZYZZYVA at AWP
Location: 10:30 a.m., Portland Ballroom 253-254, Oregon Convention Center, Level 2
Description: "Behind the Curtain: The Editors Speak!" with Alison Wright, executive editor of VQR; Emily Nemens, editor of The Paris Review; Karissa Chen, editor-in-chief at Hyphen, and Managing Editor Oscar Villalon. Moderated by Christian Kiefer. More info here: https://bit.ly/2HWVUIk
March 30, 2019ZYZZYVA at AWP
Location: 1:30 p.m., E143-144, Oregon Convention Center, Level 1
Description: "The Future of Criticism: A Conversation with Established and Emerging Critics" with Kate Tuttle, Ismail Muhammad, Jane Ciabattari, Hope Wabuke, and Managing Editor Oscar Villalon. More info here: https://bit.ly/2DYEyXz
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Tag Archives: Afghanistan
‘Kabul’ by Fatima Bhutto, ZYZZYVA No. 107, Fall Issue
Fatima Bhutto, photo by Paul Wetherell
Fatima Bhutto is the author of several books, including the memoir Songs of Blood and Sword (Nation Books) and the novel The Shadow of the Crescent Moon (Penguin Press). Her work has also appeared in the New Statesmen, the Daily Beast, the Guardian, and other publications. She lives in Karachi, Pakistan.
Her story “Kabul” appears in the Fall issue. The tale of Sheryar, a feckless young man, and Soraya, his pregnant—and even younger—lover, Bhutto’s story casts a cold (though not unsympathetic) eye on people trapped by circumstances seemingly beyond their power to change. The following is an excerpt from her story, but it can be read in full in our Fall issue, which you can order here.
Brother’s Keeper: T. Geronimo Johnson’s ‘Hold It ‘Til It Hurts’
Upon bringing home his newly adopted son, who is black, to his other son, Achilles (also adopted, also black), the white father in T. Geronimo Johnson’s Hold It ‘Til It Hurts (Coffee House Press, 342 pages) announces, “Don’t need blood to be brothers.” Johnson’s violent first novel, though, effectively proves the opposite, but in a different sense: tearing through Afghanistan and Hurricane Katrina, the morgues of Atlanta and the stilted subdivisions of Maryland, Achilles Conroy finds familial love in the most harrowing situations. If Achilles’s younger brother, Troy, is “fearless and light, like a rock that floats,” Achilles is an …Continue reading