Fleeing from Ruin to Fringes of Barcelona: ‘Street of Thieves’ by Mathias Énard

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Set during the revolts of the Arab Spring and the collapse of Europe’s economy, award-winning French author Mathias Énard’s new novel, Street of Thieves (265 pages; Open Letter, translated by Charlotte Mandell), follows the life of a young Moroccan man living in the lower fringes of society, always working toward a future that remains a bit out of reach. “Men are dogs,” Énard writes at the beginning, “they rub against each other in misery, they roll around in filth and can’t get out of it…”  Amid that grime and grit, we witness the transformation of his narrator, from boy into […]

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On the Novel and the Novella, and Writing About Russia: Q&A with Josh Weil

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Josh Weil, author of the 2009 novella collection The New Valley (Grove Atlantic) and a National Book Foundation “5 under 35” Award recipient, saw his first novel, The Great Glass Sea (Grove Atlantic), published this summer. Moving away from the stark landscape of the Appalachian Mountains valley of his novellas, Weil’s The Great Glass Sea takes place in a near-future Russia, one where giant stretches of farmlands are covered by an ever-expanding greenhouse lit by space mirrors, keeping the crops beneath in perpetual daylight for the sake of productivity in Russia’s new capitalist scheme. In this alienating and unforgiving setting, […]

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What Shall We Do with a Drunken Sailor?: ‘McGlue’ by Ottessa Moshfegh

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At the heart of Ottessa Moshfegh’s first novel, McGlue (122 pages; Fence Books), is a man who dampens life and feeling with drink—a man who is accused of murdering his best friend. Set in the mid-19th century, atop the high seas and throughout New England, the eponymous protagonist awakens aboard a ship, banished to the hold where he languishes drunkenly. As McGlue’s trial for murder approaches, the narrative moves backward in time, through the haze of memory obfuscated by a massive crack to McGlue’s head, which he received falling off a train. Moshfegh, whose stories have been published in The Paris Review, Fence, […]

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The Chemistry of Society Gone Awry: ‘Sweetness #9’ by Stephan Eirik Clark

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Stephan Eirik Clark paints a satirical picture of an American past that remains with us in Sweetness #9 (353 pages; Little, Brown), a vision into the passive life of flavorist-in-training, David Leveraux, whose family eats “stillborn” microwaveable meals and watches personal televisions, which echo to each other down the halls in a sort of Bradburian way. David also carries a secret that has expanded the nation’s waistband even as it has begun to unravel our society’s psychosomatic seams. Full of life after marrying and getting a job at Goldstein, Olivetti, and Dark (Clark is not shy with the acronym), David […]

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A Hard Swim Toward Redemeption: ‘Barracuda’ by Christos Tsiolkas

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In Christos Tsiolkas’ new novel, Barracuda (429 pages; Hogarth Press), we get an enormous book with enormous themes, and a surprising narrative form featuring a protagonist who can be shockingly unlikeable. A contemporary Bildungsroman set amid a vast landscape of social and political issues, Barracuda nonetheless centers around one man—a sports hero—whose personal respect and dignity are what truly are at stake. Danny Kelly is a talented teenage swimmer from a working-class neighborhood outside of Melbourne. His life is uprooted once he enrolls in an elite private school (which he refers to as “Cunts College”) on a swimming scholarship. There […]

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The Twisting Paths of Survival: ‘Wolf in White Van’ by John Darnielle

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Wolf in White Van (224 pages; Farrar, Straus & Giroux) marks a tremendous literary achievement by the artistically and lyrically inclined John Darnielle, guitarist and lead singer of the Mountain Goats. Darnielle is already praised for the writing in his songs, so his fans may not be surprised to see him succeed in his more literary pursuits. But the novel—given its complexity of craft, its deftness, and movement of prose—is not something to be taken for granted by anyone. In Wolf in White Van, we follow the life of Sean Phillips, who lives an isolated life due to an injury […]

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Writing the Novel as He Simultaneously Narrates It: Ben Lerner’s 10:04

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Ben Lerner’s new novel, 10:04 (244 page; Faber and Faber), is at once nonfiction, fiction, and poetry, a rumination on the relation of the three, a work flickering in the liminal spaces among these forms. It asks of its readers that they allow the traditional structure of the novel—including the presence of plot—to momentarily leave center stage and that they make room for a form perhaps more engaging, one that sings “existential crisis!” Lerner, who is first and foremost a poet, is a writer’s writer. His first novel, Leaving the Atocha Station, came out to great acclaim in 2011. He […]

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Mystery Mapped Across Backs: Geoff Nicholson’s ‘The City Under the Skin’

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Geoff Nicholson’s newest novel, The City Under the Skin (Farrar, Straus, and Giroux; 272 pages), takes place in an unnamed city where women are kidnapped, then released back into the streets, now bearing poorly tattooed maps across their backs. Told from various points of view, the winding story follows a handful of characters—Wrobleski, a professional killer who begins to collect these tattooed women; Billy Moore, a criminal trying to turn his life around but who agrees to one more job; Zak, who happens to work at a map shop and is unwillingly dragged into the mystery, and Marilyn, who’s obsessed […]

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Of Hope and Devastation: Michael Cunningham’s ‘The Snow Queen’

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“A celestial light appeared to Barrett Meeks in the sky over Central Park, four days after Barrett had been mauled, once again, by love.” So begins The Snow Queen (Farrar, Straus and Giroux, 256 pages), the latest novel from Pulitzer Prize-winning author Michael Cunningham. Like his previous novels, The Hours and By Nightfall, Cunningham combines delicate prose with poignant subject matter, exploring the themes of love and mortality through the relationships of his characters. Beginning in 2004 on the eve of the U.S. presidential election, The Snow Queen tells the story of a group of friends across a span of […]

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Books, Not Just the Characters, Are the Point: Rodrigo Rey Rosa’s ‘Severina’

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In his introduction to Rodrigo Rey Rosa’s Severina (Yale University Press, 112 pages), poet and translator Chris Andrews writes that for readers expecting the “baroque exuberance” of fellow Guatemalan writer Miguel Angel Asturias, Rey Rosa’s fiction will come as a surprise. Not only does Rey Rosa eschew the colorful language of his predecessor for more restrained and economical prose, he allows dreams, fantasies, and hallucinations to regularly puncture his character’s worlds. In this respect, Andrews observes, the writer who Rey Rosa remains the most in debt to is Jorge Luis Borges. Reading Severina—only the fifth of Rey Rosa’s many works […]

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The Whole of the Iceberg: Rabih Alameddine’s ‘An Unnecessary Woman’

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In his fifth book, An Unnecessary Woman (Grove Press, 304 pages), San Francisco author Rabih Alameddine examines the past and present life of a 72-year-old Lebanese divorcee and translator, Aaliyah, who has distanced herself from family and lost her only two friends. As she holes up in her spacious Beirut apartment and braces for bombs during the Lebanese Civil War or wanders the streets of her city decades later, Alameddine’s novel stays lodged within the confines of Aaliyah’s erudite mind, where she bounces effortlessly between Fernando Pessoa and Bruno Schultz. Literature is her only salve. For sticking with Aaliyah, the […]

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A Transgendered Youth’s Search for Self: Kim Fu’s ‘For Today I Am a Boy’

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Over the past several years, the transgender perspective—once a marginal voice even within the LGBT community—has gradually emerged into the mainstream. In 2003, Jeffrey Eugenides’ novel Middlesex helped raise awareness of gender identity issues when it was awarded the Pulitzer Prize. Elsewhere, transgender actress Laverne Cox has found acclaim on a popular show, and actor Jared Leto recently won an Oscar for his depiction of a transgender woman.  Recognition is not tantamount to acceptance—for this, a long road still lies ahead—but Kim Fu has chosen an auspicious time for her first novel, For Today I Am a Boy (Houghton Mifflin […]

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