Tag: Joshua Mohr

The Boy Is a Time Bomb: ‘Saint the Terrifying’ by Joshua Mohr

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I live a quiet life. Wife, family, gym membership—the whole catastrophe. But Joshua Mohr’s latest, Saint the Terrifying (290 pages; The Unnamed Press) offers me—and you, Dear Reader—a day-pass to a world of pain, glory, lust, and limitlessness. It’s a picaresque account of a West Oakland punk rocker on a mission from God (make that Scandinavian deities) to find out who’s been stealing the gear from his starving musician buddies and make them pay for their sins, bigly. At story’s outset, the one-eyed title character is recovering from the death of his alcoholic mother, who had a habit of dancing […]

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Q&A with Joshua Mohr: ‘Model Citizen’ and Pointing Out the Frictions

by Kyubin Kim

Posted on by Zack Ravas

Model Citizen (336 pages; Farrar, Straus and Giroux) is Joshua Mohr’s memoir on addiction, sobriety, and fatherhood. It’s a brutally sincere addition to his repertoire that includes the previous memoir Sirens and five novels. Told in a series of non-chronological vignettes, Model Citizens begins with Mohr’s jagged path to recovery in episodes of self-destruction and regret. We’re pulled so viscerally into San Francisco bars where one drink turns into a blacked-out night that we feel like the gears in Mohr’s brain, trying to make sense of how we got here. We also experience the anguish of recovery and relapse, drawn […]

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A Selection of the Writing You’ll Find in our Spring Issue No. 112

by ZYZZYVA Staff

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Here’s a sampling of some of the writing in Issue No. 112, which you can get today with a subscription to ZYZZYVA: San Francisco Loved Us Once, an essay by JOSHUA MOHR: We stampeded to this magnificent speck known as San Francisco because we were too queer, too punk, too arty. We were the wrong color or born with the wrong genitalia. We were too fat or too tattooed or too sick or our own family simply despised us. Other places, we were easy targets. We were gristle trapped in a bully’s teeth. So we flocked here because it called to us, San […]

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Peering through the Haze of Digital Commotion: ‘All This Life’ by Joshua Mohr

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Is loneliness the de facto spiritual condition of the Information Age? This is the central question that seems to loom over All This Life (Soft Skull Press; 294 pages), the latest novel from Bay Area author Joshua Mohr. In the book, Mohr trains a scathing lens upon our 21st century culture, one that craves personal connection and yet seems to have forgotten the value of face-to-face interactions, opting instead for a constant stream of YouTube videos, live Tweets, and Facebook status updates. “All that matters is content. New content. More content.” The setting is San Francisco circa 2013, a city […]

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Getting Out from the Daily Rut: Joshua Mohr’s ‘Fight Song’

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Suburban harmony is under attack in Joshua Mohr’s new novel, Fight Song (Soft Skull Press, 272 pages). The book is a humorous ride through one week in the life of a middle age man who is going off the rails. But it’s also a critical look at how suburbia has been taken over by gadgets and corporations, as well as the stasis that traps people inside their jobs and within their gated communities. Bob Coffen is one of those people. When we meet him, he’s just trying to bike from his job to his boring home. He’s been working at […]

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Embedding the Reader in Places He May Not Want to Be: Q&A with Joshua Mohr

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Critics have compared the writing of Joshua Mohr to that of Dostoevsky and Bukowski’s for the imagination with which he depicts grimy people clawing through a downward spiral. Following suit, Joshua Mohr’s third and most recent book, Damascus (Two Dollar Radio, 208 pages), rolls out a sooty cast of compelling characters including a Santa suit-wearing bartender, a memory haunted ex-Marine, a controversial performance artist looking to hit it big, and Shambles, “the patron saint of hand jobs.” They all struggle with emotional scars, addictions, and a litany of pathological neurosis. As in all three of Mohr’s books, what elevates Damascus […]

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