There are a few different types of ignorance at work in Geoff Dyer’s new book, White Sands: Experiences from the Outside World, a collection of essays that combine travel writing and art criticism. One kind is artificial ignorance as an interpretative tool. Often, when he is ignoring information, sloughing off context on which another critic might lean all his weight, Dyer (or the genre-bending author’s narrator whom I will call Dyer) is at his sharpest. In “Space in Time,” the author travels to Quemado, New Mexico, to see Walter De Maria’s The Lightning Field, but he holds off telling us […]
Jim Krusoe’s short but powerful “Traffic” is the second essay from Issue No. 101 to receive a Notable—in this case, from the 2015 Best American Essays anthology. In only four or so pages, Krusoe lays out a childhood memory and takes it apart, seeing clearly a truth about his parents (and a car accident involving a child) that he sensed but hadn’t articulated before.
Krusoe, who lives in Southern California, is the author of the novels “Parsifal” (Tin House), “Girl Factory” (Tin House) and “Iceland” (Dalkey Archive), as well as books of poetry and story collections. He is the recipient of fellowships from the National Endowment for the Arts and the Lila Wallace Reader’s Digest Fund. The following is “Traffic” in its entirety.
“Write what you know” is a common phrase in the writing world. Daniel A Olivas’s new book, Things We Do Not Talk About: Exploring Latino/a Literature Through Essays and Interviews (202 pages; San Diego State University Press), raises and discusses questions with himself and other authors about what it means to be a Latino writer and how that may (or may not) influences their writings. Olivas, the author of seven books (The Book of Want, Latinos in Lotusland), doesn’t claim, though, that this collection of various Latino authors’ ideas and thoughts on their cultural lineages and their work (as captured […]
Poet and critic Wayne Koestenbaum’s newest book, My 1980s & Other Essays (320 pages; Farrar, Straus, and Giroux), brings together a wide range of enthralling and intellectually daring texts, ranging from rigorous critical explorations of Susan Sontag and John Ashbery to a diary-style look at the life and work of Lana Turner. The essays vary wildly in length and subject, but are grouped together, vaguely, by theme: the first section contains the closest thing to traditional “personal essays”; the second section tends toward literary critique; the third one toward cinema, celebrity, sex; and so on. Each section feels like a […]
For some reason—the imperative-sounding title, perhaps?—it’s easy to imagine a would-be poet leafing through What Poets Are Like: Up and Down With the Writing Life (Sasquatch Books; 236 pages), in expectation of a how-to guide. Such ventures will be somewhat disappointed, at least at first. Gary Soto’s collection of short, autobiographical essays are highly particular and personal, specific to Soto himself. And Soto’s wry, occasionally self-deprecating sense of humor means that, far from extolling the virtues of leading a writer’s life, many of the pieces contained in this collection point out its travails, its small indignities for anyone less of […]
There’s a matter-of-factness about Chloe Caldwell’s sexually uninhibited, confessional essays, Legs Get Led Astray (Future Tense Books). “I am the type of person who will give anything to anyone I feel I could love, ” Caldwell writes at one point. Caldwell is young—her work reflects that—but that is not to say the writing is immaterial or inchoate. It’s what I would call a greedy, ugly kind of “young,” the kind that makes you wonder if we are most alive, in a monstrous way, when we’re being hideous and awful. We spoke to her over Facebook about her frank and voracious […]