Model Citizen (336 pages; Farrar, Straus and Giroux) is Joshua Mohr’s memoir on addiction, sobriety, and fatherhood. It’s a brutally sincere addition to his repertoire that includes the previous memoir Sirens and five novels. Told in a series of non-chronological vignettes, Model Citizens begins with Mohr’s jagged path to recovery in episodes of self-destruction and regret. We’re pulled so viscerally into San Francisco bars where one drink turns into a blacked-out night that we feel like the gears in Mohr’s brain, trying to make sense of how we got here. We also experience the anguish of recovery and relapse, drawn […]
Category: Interviews
Interviews with current and past contributors, as well as other writers, poets, and artists
Q&A with Zhanna Slor: ‘At the End of the World, Turn Left’ and the Struggle with Identity
by Christine Sneed
Zhanna Slor’s debut novel, At the End of the World, Turn Left (304 pages; Agora Books), is informed by a fine balance of comedy and drama. Set in Milwaukee in the late aughts, the novel’s two point-of-view characters, sisters Masha and Anna, alternately cast their ironic, sometimes bemused gazes on their family’s Russian Jewish immigrant circumstance, while also chafing strenuously at the limitations and the fear informing their parents’ and grandparents’ choices in America. Both sisters are progressive, adventurous, often funny young women who have no patience for their elders’ stern refusal to indulge their curiosity—especially Anna’s. When the novel opens, […]
Q&A with Christine Hume: ‘Saturation Project’ and Resisting the Myth
by Lily Nilipour
Christine Hume’s Saturation Project (192 pages; Solid Objects) is a boldly ambitious piece of experimental nonfiction that defies easy categorization. The book is split into three parts, and in each one we witness the story of a life, and hear the sounds that underlie it, whether it’s the “hum” that grants its name to the middle section of the book or the wind that commands much of Hume’s attention in the third section. Whatever this current might be, it rushes beneath her words like subterranean rivers moving undetected until they either emerge gradually from the depths. Hume spoke with ZYZZYVA […]
The Ever-Evolving Condition of Emigrating: Q&A with ‘Infinite Country’ Author Patricia Engel
by Oscar Villalon
In Patricia Engel’s new novel, Infinite Country (208 pages; Avid Reader Press/Simon & Schuster), the acclaimed author of Vida and The Veins of the Ocean explores a desolating aspect of the immigrant experience in the United States: the bifurcation of the heart, split between yearning for a better future and longing for the towns and cities left behind. As her protagonists contend with an immigration status that leaves them terribly vulnerable, and leads to a dreadful family separation—far from each other and from the places they still think of as home—the weight of loss is ever felt. It’s an emotion […]
Q&A with R.O. Kwon and Kim Fu: Challenging the Narrative with ‘Kink: Stories’
by Corinne Leong
Sex in literature is the backdrop of the volta, of awakening. Sex represents the moment in which the character most deeply occupies their body, is most aware of their being, whether the experience incites joy or regret. But for all of the artful depictions of sex present in contemporary literature and other media, sexual kink has been largely neglected. The few representations of kink that do exist have assumed an exoticizing, alienating gaze, framing kink as something to be gawked at, commodified, rather than experienced. Editors R.O. Kwon, author of The Incendiaries, and Garth Greenwell, who released his novel Cleanness […]
Q&A with Bryan Washington: Making a ‘Memorial’
by Colton Alstatt
Memorial (320 pages; Riverhead Books) is author Bryan Washington’s first novel and currently in development as an television series from acclaimed production house A24. The book centers on the relationship between Mike and his partner, Benson, as the former departs for Osaka, Japan to locate his ailing father, leaving Benson behind to contend with Mike’s mother in their shared Houston apartment. Washington tells a tightly-woven story about a young, mixed-race, queer couple comprehending their febrile love in the oppressive contexts of a larger world. Washington, whose story “Community Plot” appeared in our 35th Anniversary Issue, spoke to ZYZZYVA about the […]
Q&A with Nina Revoyr: Looking back on ‘Postcard from L.A., April’
by Corinne Leong
Our recent Los Angeles Issue (No. 119) featured an essay by novelist Nina Revoyr titled “Postcard from L.A., April,” a meditation on mortality, privilege, and mindfulness during the early days of the COVID-19 pandemic. In it, Revoyr reflects on her past encounters with illness and other threats to life—severe lung damage following chemical exposure, a cancer scare, plummeting sixty feet down the face of Mt. Shasta—in order to contextualize her experiences of the pandemic as they occurred in April 2020 in Los Angeles. Having intimately faced her mortality, Revoyr recognizes certain comforts that accompany L.A.’s stay-at-home orders. While she acknowledges […]
Of Girls and Golems: An Interview with Riva Lehrer
by Christine Sneed
Artist, activist, writer, and professor Riva Lehrer’s debut memoir, Golem Girl (448 pages; One World), is a book defined by its author’s witty and confiding voice and the numerous paintings and photographs populating its pages. It is at once a work of serious literature and an artist’s book: a beautifully produced physical object. And it was recently named as one of the finalists for the National Book Critics Circle Awards in Autobiography. Lehrer, born with spina bifida in Cincinnati in 1958, spent the first two years of her life in the hospital and would have been forced to stay […]
The Manuscript in the Corner: A Conversation with Wendy C. Ortiz
by David L. Ulin
Wendy C. Ortiz and I met when she was an MFA student and I became her graduate mentor. She was working on the first draft of the manuscript that would eventually become Excavation (Future Tense; 2014), and even then, it was clear that this was remarkable work. Ruthless, self-interrogating, resolute in its unwillingness to look
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An Interview with John Marx: Balance, Beauty, and Burning Man
by Colton Alstatt
ZYZZYVA: The poetics of études are compelling. The poems within play with open space, linework, and non-invasive markings to texture and guide the flow of reading. In their verbal substance, the pregnant subtlety of some poems remind me of Master Basho’s enigmatic haikus. What were some influences on the spatial, serene nature of your writing? JOHN MARX: There are two parts to this. First is my background in the visual arts, specifically architecture and photography. Within these there is a quest for a spareness and economy of form, alongside an emphasis on compositional clarity and dynamic flow. The internal spacing […]
Q&A With Designer Josh Korwin
by Laura Cogan
We talked to designer Josh Korwin about all the work that went in to producing the Los Angeles Issue, and in doing so, we hope to show you the general thought process that goes into creating the look and feel of the journal. […]
Q&A with Rachel Swearingen: ‘How to Walk on Water and Other Stories’
by Christine Sneed
One of the best story collections I’ve read in the last several years, Rachel Swearingen’s How To Walk on Water and Other Stories (182 pages; New American Press), winner of the New American Press Fiction Prize, is defined in no small part by its author’s ability to immerse her readers in the complex and varied interior lives of the characters who populate her stories. Whether Swearingen is describing a graduate student’s attempt not to be driven to murder and madness by rude undergraduate neighbors or is offering us an intimate and highly specific view of a widower still grieving over […]