As a poet originally from a former steel-town outside of Pittsburgh, I have a thirst for stories and writers coming out of the area, especially Appalachia and what is known, by turns accurately and inaccurately, as the “Rust Belt.” I am most interested in the writers from this part of the country that have been writing essential books that highlight the personal experiences of working-class communities. I’m thinking of presses like Belt Publishing and West Virginia University Press, not to mention the dozens of books from other small and university presses that seek to give writers from these areas platforms […]
Michael Jaime-Becerra’s story “Omar, March 1987,” about a boy named Omar who discovers his mother’s affair while skateboarding in the neighborhood, originally appeared in Issue 102. The story evokes the sights and sounds of Omar’s streets, its homes and storefronts, with these details grounding the story as Jaime-Becerra builds to Omar’s emotional devastation. It can be read in its entirety in Issue 102.
Michael Jaime-Becerra currently teaches creative writing at University of California, Riverside. His story collection, Every Night Is Ladies’ Night, was named one of the best of the year by The Washington Post and the San Francisco Chronicle. It was awarded a California Book Award, the Silver Medal for a First Work of Fiction. He spoke to Managing Editor Oscar Villalon about “Omar, March 1987” and his use of distinct sensory details.
Kate Reed Petty’s story “Mr. Pink,” about a disgraced screenwriter’s attempt to manage the online response to his public scandal, is featured in Issue 120. With its focus on social media platforms like Twitter and the way we use film to help interpret our experiences, “Mr. Pink” was perfectly suited for inclusion in The Technology Issue.
Kate Reed Petty’s first novel, True Story, was published by Viking in 2020. Her fiction has appeared in Electric Literature, American Short Fiction, and elsewhere. She spoke to Editorial Assistant Zack Ravas about “Mr. Pink” and the themes prevalent in her work.
Dear Readers, At the beginning of George Dyson’s latest book, Analogia, he describes how, in 1716, Gottfried Wilhelm Leibniz hoped his calculus ratiocinator (an instrument that brilliantly anticipated digital computing) would “work out, by an infallible calculus, the doctrines most useful for life.” With this device, Leibniz imagined, “The human race will have a new kind of instrument which will increase the power of the mind much more than optical lenses strengthen the eyes.” I am struck by the analogy and how well it lends itself to piercing Leibniz’s optimism; for just as vision is not, in itself, perception, information […]