In his new book, Guard the Mysteries (126 pages; Wave Books), comprised of five talks presented for the Bagely Wright Lecture Series, Cedar Sigo draws from his experiences as poet, teacher, writer, and thinker to tell us about the life of a poet and the work of his poetry. In the lectures, inward reflections become outward, and what elements start as external (such as a listener’s question) are absorbed into the inside. In other words, poetry is revealed to be a metaphysical, transitive process, always in movement, and always capable of connecting dual sides of a truth. “More and more, […]
Tag: wave books
Resisting Easy Definition: ‘My Private Property’ by Mary Ruefle
by Meryl Natchez
…there is the poem as a unit-like thing, and then there is the poem that pervades existence, which is much more like the wind, and that is the poem everyone senses from time to time, whether they can read or not, whether they ‘care’ about the unit-like thing or not.—Mary Ruefle, from a 2013 interview with Andrew David King in Kenyon Review It’s hard to define a poem these days. But whether you call the short pieces in Mary Ruefle’s new book, My Private Property (128 pages; Wave Books), poetry or prose poems or essays or flash fiction or mediations or whatever, […]
Healing the Phantom Pains Through Poetry: Q&A with Noelle Kocot
by Maggie Millner
I turn to the poems of Noelle Kocot for the same reason I entered corn mazes as a kid: both are pleasurably unpredictable, and both transform everyday places into thrilling twilight zones. Though Kocot’s writing has covered a great deal of formal and conceptual terrain over the course of her seven books, her work has remained whip-smart and darkly playful, consistently carrying off great feats of imagination while orbiting an urgent emotional truth. These hallmarks are present in the restless quatrains of her Levis Poetry Prize-winning first collection, in the unflinching elegies for her late husband in Sunny Wednesday, and, […]
Examining Daily Life with the Care of Ozu: ‘Talkativeness’ by Michael Earl Craig
by Maggie Millner
Like films, the poems in Michael Earl Craig’s Talkativeness (104 pages; Wave Books) juxtapose pedestrian settings with dreamlike events. And like films, these poems appeal mostly to the visual sensibility, with spare, declarative language that gets out of the way of their delicately rendered imagery. There are abrupt “cutaways” between unrelated scenes—particularly in such associative pieces as “I Am Examining A Small Crumb” and “Quarter to Five”—and narrative pauses during which the poet fixates on some peripheral animal or prop, like a cinematographer racking the focus of a shot. Film figures explicitly into many of these poems; while Craig’s domestic […]