She says Namaste even when not in yoga class, whereas I will not say om under any circumstances. She says she doesn’t resent the younger generation, that they are completely of a world that we made, that to hate the young is to hate ourselves. She says that guys on dating apps indicate their marriage suitability by listing their hobbies as ‘hiking’ and ‘rock climbing.’ Her hobbies include cocaine and gambling, but she leaves those off her profile. Somedays she doesn’t feel like getting out of bed, but if I say I want to get coffee she will walk with […]
April 13. Almost midnight. Through the worn twill curtains, a viscous light was flowing into the apartment like amber. Park washed his face in the bathroom, took his meds, and sat down on the sofa with the remote. One click, and the blue light of the TV mingled with the sodium yellow of the room. He flipped through the channels. Game shows. Contestants competing for money, for marriage. The women are showing off, swiveling their hips and winking at the camera, and then they’re ranked by the amount of applause they receive. People awwing over tiny puppies. Slow, close-up shots […]
Fans of the films of the Coen Brothers simply must read Troy Jollimore’s essay “The Fixers” from Issue 120, the Technology issue. Through the lens of several of the Coens’ most seminal films, including their 1996 Best Picture nominee Fargo, Jollimore explores how disinformation and conspiracy have grown dominant in American culture over the last two decades. Be sure to order your copy of Issue 120 so you can read “The Fixers.”
Troy Jollimore is the author of four books of poetry and three books of philosophy, as well as numerous articles, essays, and reviews. His first collection of poetry, Tom Thomson in Purgatory, won the National Book Critics Circle award in poetry for 2006. His poems have appeared in publications including the New Yorker, Poetry Magazine, McSweeney’s, the New England Review, Tin House, and The Best American Poetry 2020. He is currently a Professor in the Philosophy Department at California State University, Chico.
Lee Conell’s story “My One and Only Very Incredible Amazing Love” appears in Issue 120, the Technology issue. In this bitterly funny and keenly insightful piece, Conell tracks the outsized influence that social media and reality TV have on the fragile friendship shared by two young women. Which reminds us: be sure to order your copy of Issue 120 if you haven’t already.
Lee Conell is the author of the novel The Party Upstairs, which was awarded the Wallant Award and was named a Best Book of the Year by the New York Post, as well as the story collection Subcortical, which was awarded The Story Prize Spotlight Award. Her writing appears in the Oxford American, ZYZZYVA, the Paris Review Daily, Kenyon Review online, Glimmer Train, and elsewhere; her stories have been shortlisted in Best American Short Stories and the Pushcart Prize anthology. She spoke to Editor Laura Cogan about “My One and Only Very Incredible Amazing Love” and its sardonic commentary on our social media age.
What do an iPhone and a lyric poem have in common? It’s a question that animates the work of writer and technologist Benjamin Voigt, whose poems forge nimble, unexpected connections between the poetic and the digital. In Voigt’s new poem, “Walden Two”—which appears in our Technology-themed Issue 120—we encounter a speaker sorting through layered circuitry of memory, thought, and language. “I’ve held onto that last line for a long time,” Voigt reflects, mid-poem, “and don’t know if I’ve used it right, / or if this is a glitch / in my programming I’m still debugging.” We recently spoke with Voigt […]
As a poet originally from a former steel-town outside of Pittsburgh, I have a thirst for stories and writers coming out of the area, especially Appalachia and what is known, by turns accurately and inaccurately, as the “Rust Belt.” I am most interested in the writers from this part of the country that have been writing essential books that highlight the personal experiences of working-class communities. I’m thinking of presses like Belt Publishing and West Virginia University Press, not to mention the dozens of books from other small and university presses that seek to give writers from these areas platforms […]
Michael Jaime-Becerra’s story “Omar, March 1987,” about a boy named Omar who discovers his mother’s affair while skateboarding in the neighborhood, originally appeared in Issue 102. The story evokes the sights and sounds of Omar’s streets, its homes and storefronts, with these details grounding the story as Jaime-Becerra builds to Omar’s emotional devastation. It can be read in its entirety in Issue 102.
Michael Jaime-Becerra currently teaches creative writing at University of California, Riverside. His story collection, Every Night Is Ladies’ Night, was named one of the best of the year by The Washington Post and the San Francisco Chronicle. It was awarded a California Book Award, the Silver Medal for a First Work of Fiction. He spoke to Managing Editor Oscar Villalon about “Omar, March 1987” and his use of distinct sensory details.
In case you missed it: you can now watch our Virtual Reading event with The Booksmith from last week! This event celebrated the launch of Issue 120, the Technology Issue. Enjoy readings by contributors Juhea Kim, Troy Jollimore, Lee Conell, and William Brewer, and a reading by Alex Torres of Anthony Veasna So’s story “Generational Differences,” which also appears in the issue. The event was emceed by Zyzzyva’s Managing Editor, Oscar Villalon. You can watch it via the embedded video below. […]
Kate Reed Petty’s story “Mr. Pink,” about a disgraced screenwriter’s attempt to manage the online response to his public scandal, is featured in Issue 120. With its focus on social media platforms like Twitter and the way we use film to help interpret our experiences, “Mr. Pink” was perfectly suited for inclusion in The Technology Issue.
Kate Reed Petty’s first novel, True Story, was published by Viking in 2020. Her fiction has appeared in Electric Literature, American Short Fiction, and elsewhere. She spoke to Editorial Assistant Zack Ravas about “Mr. Pink” and the themes prevalent in her work.