ZYZZYVA EventsJune 16, 2017
ZYZZYVA Big Dance Party & Annual Fundraiser
Location: 7 p.m., Make Out Room, 3225 22nd St, San Francisco
Description: A night of '80s & '90s dance music, emceed by Daniel Handler, and featuring DJ Teemoney. Silent auction, specially priced drinks, & special guests Caille Millner, Paul Yamazaki, and Ruth Madievsky. For tickets: http://zyzzyvadanceparty.brownpapertickets.com/July 15, 2017
Master Class Mixer: Literary Magazines with Laura Cogan
Location: 1 p.m., Mechanics Institute Board Room, 57 Post St., 4th Floor, San Francisco
Description: Three-hour class (sponsored by Litquake) with ZYZZYVA's editor covering the various aspects of getting work published in literary journals. Seating limited to 15 students, and concludes with reception. For ticket info: http://bit.ly/2pIsH9I
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Monthly Archives: October 2016
When my best friend read Charles Burns’s graphic novel Black Hole at age eleven, her parents assumed it was a harmless comic book. They were sorely mistaken, and, in her own words, Black Hole messed her up. How bad could it be,? I thought, flipping through the weighty twelve-issue collection. Black Hole is set in Seattle during the mid-1970s, when a horrific STD plagues a small suburb. Only teenagers can contract “the bug,” and like the AIDS epidemic, the town is initially unsure of how it spreads. The disease manifests itself in a variety of disturbing ways. Adolescence is already …Continue reading
Vanessa Hua (whose stories “The Third Daughter” and “River of Stars” appeared in ZYZZYVA No. 91 and No. 98, respectively) is the author of the story collection Deceit and Other Possibilities, named a “searing debut” by O, The Oprah Magazine. Her fiction has appeared in the Atlantic, Guernica, and elsewhere, and for nearly two decades she has been writing about Asia and the diaspora, filing stories from China, Burma, South Korea, Panama, Abu Dhabi, and Ecuador. A Visiting Editor in Creative Nonfiction at Saint Mary’s College this fall, she is also a columnist at the San Francisco Chronicle. Hua spoke to …Continue reading
“This is really a drag—and a bore,’’ the doomed jazzster Chet Baker tells director Bruce Weber in Let’s Get Lost, in response to (sympathetic) inquiries about his drug habits. The same could be said of the recent controversy over the decision to award the Nobel Prize in Literature to Bob Dylan. In a certain sense, it all makes sense: the high-minded indignation from select members of the literary Establishment (though, some, like Salman Rushdie and Joyce Carol Oates, welcomed the decision), and disgusted repudiation of boomer nostalgia (we get it, Irvine Welsh) in other quarters. It’s of a piece with the kind …Continue reading
Originally from south New Jersey, Earle McCartney is a San Francisco writer. The recipient of the Joseph Henry Jackson Award in 2013, his stories “Sawmill” and “Rhizomes” appeared in ZYZZYVA Issues No. 96 and No. 101, respectively. His newest story, “Artificial Islands,” can be found in the Fall issue.
As with McCartney’s last two stories in ZYZZYVA, “Artificial Islands” beautifully captures people in close relationship to the natural world—in this case, it’s the ocean, as an adolescent girl goes fishing for sharks with her older brother, her father, and a family friend. The following is an excerpt from the story. You can read in its entirety by getting a copy here. (Note: Earle McCartney will be part of the lineup for our ZYZZYVA Fall All-Stars event at Litcrawl.)
…there is the poem as a unit-like thing, and then there is the poem that pervades existence, which is much more like the wind, and that is the poem everyone senses from time to time, whether they can read or not, whether they ‘care’ about the unit-like thing or not.—Mary Ruefle, from a 2013 interview with Andrew David King in Kenyon Review It’s hard to define a poem these days. But whether you call the short pieces in Mary Ruefle’s new book, My Private Property (128 pages; Wave Books), poetry or prose poems or essays or flash fiction or mediations or whatever, …Continue reading
Fatima Bhutto is the author of several books, including the memoir Songs of Blood and Sword (Nation Books) and the novel The Shadow of the Crescent Moon (Penguin Press). Her work has also appeared in the New Statesmen, the Daily Beast, the Guardian, and other publications. She lives in Karachi, Pakistan.
Her story “Kabul” appears in the Fall issue. The tale of Sheryar, a feckless young man, and Soraya, his pregnant—and even younger—lover, Bhutto’s story casts a cold (though not unsympathetic) eye on people trapped by circumstances seemingly beyond their power to change. The following is an excerpt from her story, but it can be read in full in our Fall issue, which you can order here.
Sjon’s latest novel, Moonstone: The Boy Who Never Was (Farrar, Straus, and Giroux Books, 145 pages), set in Reykjavik in 1918, is the story of sixteen-year-old Máni Steinn (a.k.a. Moonstone). The boy’s guardian is “the old lady”—his grandmother’s sister who took him in after his mother died when he was just six. They live with “the landlord,” a man she raised as a nanny and who lets them stay in his garret space rent-free. To the concern of the old lady, Máni is “such a loner that rather than go out and play with his classmates he preferred to hang …Continue reading