Tag Archives: Blood on the Tracks

“This is really a drag—and a bore,’’ the doomed jazzster Chet Baker tells director Bruce Weber in Let’s Get Lost, in response to (sympathetic) inquiries about his drug habits. The same could be said of the recent controversy over the decision to award the Nobel Prize in Literature to Bob Dylan. In a certain sense, it all makes sense: the high-minded indignation from select members of the literary Establishment (though, some, like Salman Rushdie and Joyce Carol Oates, welcomed the decision), and disgusted repudiation of boomer nostalgia (we get it, Irvine Welsh) in other quarters. It’s of a piece with the kind …Continue reading →