George Saunders’s Lincoln in the Bardo (350 pages; Penguin Random House), recently released in paperback, continues to offer the salve we need. This exceptional novel, which went on to win the Man Booker Prize—making Saunders the second American (in a row at that) to win the prize—has the kind of sensibility necessary for national healing; as The Atlantic noted, “In a year in which writers and artists have wrestled with the question of how to tackle the increasing prominence of hate in the political sphere, the Man Booker judges seemed to respond to Saunders’s humanizing portrait of a leader felled […]
Contributor: Isabel Erickson White
When Art Must Step In: Q&A with ‘Bullets into Bells’ Editor Dean Rader
by Isabel Erickson White
The poetry collection Bullets into Bells (Beacon Press) stands as an innovative response to American gun violence. The work is a collection of poetry, each poem paired with a prose response written by an “activist, political figure, survivor, or concerned individual.” Many of the poems are in response to widely reported shootings, such as Sandy Hook or the murder of Tamir Rice, but there are also several accounts of less publicized shootings. Despite the high coverage of gun violence in the media, reading this book gives the sense that this type of violence is even more pervasive than it seems, and that nearly […]
A Will to Live: ‘Hotel Silence’ by Audur Ava Olafsdóttir
by Isabel Erickson White
Icelandic novelist, playwright, and poet Audur Ava Olafsdóttir offers a bizarrely lighthearted and humorous—yet nonetheless moving—portrayal of suicide and post-war life in her latest novel, Hotel Silence (214 pages; Grove Press; translated by Brian FitzGibbon). After a painful divorce and the discovery that his daughter is not his biological child, the middle-aged narrator, Jonas, determines to commit suicide. His next-door neighbor, a man preoccupied with issues of gender inequality and female suffering, unquestioningly lends him a rifle. But once Jonas realizes his daughter would likely be the one to discover his lifeless body, he instead buys a one-way ticket to […]
A Migration of Spirits: ‘Freshwater’ by Akwaeke Emezi
by Isabel Erickson White
Akwaeke Emezi is a Tamil and Igbo writer from Nigeria who has received recognition for her short stories and creative nonfiction, as well as her work as an experimental video artist. With Freshwater (229 pages; Grove Press), she marks her first novel, an ambitious and original one at that. The book follows Ada, a young girl growing up in Nigeria, as she is both plagued and protected by a host of spirits that cohabitate her body and share her thoughts. Through beautiful and haunting prose, and through the different voices residing in Ada, we get a glimpse into her mind, […]
An Ideal Citizen: ‘The Accusation: Forbidden Stories from Inside North Korea’ by Bandi
by Isabel Erickson White
The cover of The Accusation: Forbidden Stories from Inside North Korea (248 pages; Grove Press) boasts a brightly colored piece of North Korean propaganda featuring six luminous, smiling faces. The seven stories in the collection, however, offer something very different: heart-wrenching accounts of a brutal life inside the country’s borders. The Accusation’s journey to publication is miraculous in itself. Its author, Bandi (a pseudonym meaning “firefly”), smuggled his manuscript out of the country with the help of a defecting family member. For more than four years, he secretly wrote the manuscript, entirely in pencil, and remains in North Korea where […]
Truth in a Glass: ‘The Wine Lover’s Daughter’ by Anne Fadiman
by Isabel Erickson White
In The Wine Lover’s Daughter: A Memoir (272 pages; FSG), Anne Fadiman, the author of Ex Libris, At Large and Small: Familiar Essays, and, most notably, her prize winning work of nonfiction, The Spirit Catches You and You Fall Down, writes about her famous father, Clifton, or Kip, Fadiman. She centers her memoir, her first book in ten years, around her father’s love of wine, a love affair that begins on his first trip to Paris with an inexpensive bottle of white Graves. Although Kip Fadiman’s love of wine was sincere—he found pleasure in the taste and complexities of wine, […]