Category: Book Reviews

Broken Home: ‘Archipelago,’ by Laila Malik

by Zoe Binder

Posted on by John McMurtrie

            From the first piece in her debut poetry collection, Archipelago (86 pages; Book*hug Press), Laila Malik ponders the complexity and impermanence of home, a concept that sometimes stretches across continents. The metaphorical loss of place through multigenerational migration and the literal loss of land through climate change are connected in each of the collection’s four sections (“precambrian”; “petroleum by-products”; “half-life of exile”; and “kufic”).             Many of the pieces in Archipelago are written in the second person, interspersed with the expanded first-person perspective “we,” transforming a collection of personal reflections into a subtle set of instructions. Malik’s poems carry […]

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World-Building: ‘The Nature Book,’ by Tom Comitta

by Zoe Binder

Posted on by John McMurtrie

In Tom Comitta’s new work of fiction, The Nature Book (272 pages; Coffee House Press), we never encounter a human being. Taking the form of a literary “supercut” that pieces together words from over 300 novels, Comitta’s collage redirects our attention to the life force that pulses through land, water, time, and outer space. Comitta (they/them) uses ornate prose to describe how time moves across seasons to paint a fresh picture of the world and how all nonhuman life fits into it. A standard fast-paced plot is replaced with a gentle rise and fall in action that decentralizes any characters—wolves, […]

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L.A. stories: ‘Boom Times for the End of the World,’ by Scott Timberg

by Marius Sosnowski

Posted on by John McMurtrie

Value is everything. You can tell a lot about a society by what it values. In America, things that move tenaciously with the bravura of a cha-ching—like buildings, prescription pills, and personal data—are big business, practically a national pastime. But what about the arts? The arts are trickier. Art is messy, it’s too human, and by virtue of provoking thought and reflection, too ambiguous (although the market for fine art makes capital use of ambiguity). How do you judge art? What’s it worth? What does it mean? Where’s it from? Who cares? Scott Timberg, former arts reporter for the Los […]

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‘Trace Evidence’ by Charif Shanahan: Worlds Apart

by Valerie Braylovskiy

Posted on by Zack Ravas

Trace Evidence (93 pages; Tin House Press) is the second collection of poetry by Charif Shanahan, author of Into Each Room We Enter Without Knowing. These poems use language and form to peel back elements of Shanahan’s identity and show how markers like nationality, race, and sexuality intersect within one’s lived experience. The poems feel deeply personal yet rooted in the universal as Shanahan raises profound questions about human nature and what it means to feel displaced in the world. Born in the Bronx to an Irish American father and Moroccan mother, Shanahan— a professor at Northwestern University— discusses his […]

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‘Meltwater’ by Claire Wahmanholm: Mother, Earth

by Zoe Binder

Posted on by Zack Ravas

Claire Wahmanholm’s latest poetry collection, Meltwater (128 pages; Milkweed Editions), is both a lament for the Earth as it suffers the harmful effects of climate change and a poignant reminder of the joys that make life worthwhile despite this loss. Wahmanholm centers the collection on two recurring series of poems—“Glacier” and “Meltwater”—that follow the anxieties of a person raising children on our threatened planet. In “Glacier,” the speaker battles feelings of grief at the sight of a calving glacier—and guilt at the thought of children experiencing a world without these geological formations: I am trying to say it’s too late […]

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‘Feast’ by Ina Cariño: Food for Thought

by Gus Berg

Posted on by Zack Ravas

Ina Cariño, the recipient of a 2022 Whiting Award and a 2021 Alice James Award, is a Filipinix American poet whose work draws heavily on intergenerational nourishment and transformation in marginalized communities. Feast (100 pages; Alice James Books), their first book of poetry, is an enriching collection that satisfies a primal hunger for fulfillment while questioning the social conditions that leave people of color deprived. One of the most disarming things about Feast is the bone-deep rawness of this poet’s voice. Even as they veer away from the realm of possibility, the poems feel real because the speaker’s voice remains […]

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‘Novelist as Vocation’ by Haruki Murakami: Persistence as Key

by Danielle Shi

Posted on by Zack Ravas

Novelist as a Vocation (224 pages; Knopf; translated by Philip Gabriel and Ted Goossen) is Japanese literary icon Haruki Murakami’s comprehensive look at his expansive and prolific career, a collection of thoughts on the process, substance, and form of novel writing, as well as the habits that make for a successful novelist. The autobiographical essays chart his path as an author over thirty-five years, spanning from his first novel, Hear the Wind Sing, to more layered and formally complex works such as Killing Commendatore. As a whole, the pieces provide a glimpse into the mind and career of a man […]

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‘Cinema Speculation’ by Quentin Tarantino: Talking Trash

by Paul Wilner

Posted on by Zack Ravas

Cinema Speculation (400 pages; Harper), billed as Quentin Tarantino’s “first work of nonfiction,” could easily fall into the category of a quickie volume sold on the basis of the Pulp Fiction auteur’s brand value. So it’s a welcome surprise that this book is entertaining, smart, and vivid. Tarantino hasn’t been making the talk-show circuit as much as the pre-streaming old days (for a while, he was a fixture with the now-discredited Charlie Rose), but he brings the same feisty, movie-mad energy to his prose as he did to his early breakthrough films.             Even his book’s title seems like a […]

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‘Auto/Body’ by Vickie Vértiz: Driving Force

by Gus Berg

Posted on by Zack Ravas

The title of Vickie Vértiz’s latest poetry collection, Auto/Body (90 pages; University of Notre Dame Press), suggests the inner workings of cars, but its focus has to do with the harnessing and distribution of power, personally and societally. Sometimes fueled by rage, sometimes by desire, this power serves as the driving force behind this collection. Vértiz is a Mexican American poet who teaches at UC Santa Barbara. She divides her book, which won the Ernest Sandeen Prize in Poetry, into three sections: Alternator, Distributor, and Transmission. The first section sets the tone with its sense of righteous anger. In an […]

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Carrying On: ‘Afterglow: Climate Fiction for Future Ancestors,’ Edited by Grist

by Zoe Binder

Posted on by Zack Ravas

The twelve stories in the anthology Afterglow: Climate Fiction for Future Ancestors (223 pages; The New Press) take readers into the future and across the globe to witness how humanity has persevered in the face of climate-crisis-induced destruction. Across its pages, readers are treated to exhilarating inventiveness, as the various contributors imagine science-fiction concepts like AI pollinators and plastic-eaters, a program that can translate the thoughts and emotions of animals, and suits that allow humans to wield the distinct strengths of insects like spiders and termites. However, the collection doesn’t simply present imagined solutions to climate change. Many of the […]

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‘An Ordinary Life’ by B.H. Fairchild: The Winding Road of Grief

by Gus Berg

Posted on by Zack Ravas

In his latest poetry collection, An Ordinary Life (67 pages; W. W. Norton), B.H. Fairchild, winner of the National Book Critics Circle Award and the author of the collections The Art of the Lathe (1998) and Early Occult Memory Systems of the Lower Midwest (2002) , doesn’t flinch from the foxholes remembered secondhand in “My Father, Fighting the Fascists in WWII” or from images of a Korean War veteran bagging canned goods without fingers in “Groceries.” Fairchild offers succinct commentary with discrete but vivid imagery, honoring the beauty of small-town scenes with artistry and exactitude, transforming even a Walmart on […]

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‘Dr. No’ By Percival Everett: Bond Upended

by Charlie Barton

Posted on by Zack Ravas

A black, autistic mathematician, Wala Kitu is not James Bond—but he is the hero of Percival Everett’s anti-Bond, Bond novel, Dr. No (262 pages; Graywolf Press). The book, now a National Book Critics Circle award finalist, is very much a spy thriller—filled with sports cars, hench-people, secret submarines, and hidden shark traps—even though Everett radically subverts the classic 007 formula. Wala’s love interest is another autistic mathematician, Eigen Victor, a specialist in topology with a tendency to state the obvious. And the nefarious super-villain is John Sill, a self-made Black billionaire whose sole purpose is to destroy America, to exact […]

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