If a diner had to ask, for escargot tongs, or for the tiny fork for prizing out the snail, for a napkin, or more of the delicious butter from Normandy, we had failed. To be asked to bring the pepper mill…but a table already had their dinner salads…hmm, no. One brought the pepper mill to the table beneath one’s arm, salads balanced along wrists and forearms. What course came next, what items would be needed for the consumption of that course, these were first laid down, ready to be put to use, the bone dish for the trout, the deep […]
The Rough Beast Takes a Painting Class
by Alexandra Teague
The surface of American society is covered with a layer of democratic paint, but from time to time one can see the old aristocratic colours breaking through. —Alexis de Tocqueville, Democracy in America / The teacher says white is not truly a color, / containing as it does, all wavelengths of visible light. / She says the Rough Beast’s claws might be useful later / for scraffito—to scratch back through to what’s beneath: / cyan and magenta; Goldman-Sachs and Donald Trump. / The teacher says Trump is not a color. But everyone knows […]
ZYZZYVA Recommends December 2019: What to Read, Watch, & Listen to
by ZYZZYVA Staff
2019 has nearly come to a close. But before the curtain drops, we’re offering one last Staff Recommends to end the year: so here’s a roundup of the works we’ve been reading, watching, and listening to. Enjoy! […]
‘A Little More Red Sun on the Human’ by Gillian Conoley: New Universals for a Secular World
by Gabriel Weiss
Gillian Conoley’s new book, A Little More Red Sun on the Human (320 pages; Nightboat Press) is a collection of selected poems from throughout her career. Conoley uses new forms of linguistic constructions to tackle the spiritual adversity of the modern age and to redefine the standard of poetic consciousness. Conoley was born in Austin, Texas in 1955, and the farming community she grew up in inspired the narratives of her early works, in which she recalled her childhood in the South. Her youthful reminiscence later evolved into an interest in the natural world, and became a tool for her […]
‘Suicide Woods’ by Benjamin Percy: A Horror that’s Close to Home
by Zack Ravas
Benjamin Percy is a writer who understands that, in the twenty-first century, the scariest thing to many readers is not the supernatural or threats from beyond the grave, but something altogether closer to home: real estate. His latest release, Suicide Woods (192 pages; Graywolf Press), collects a variety of stories culled from the last decade of Percy’s career. The book covers a number of subjects and genres, including the uncanny, from “The Dummy’s” tale of a wrestling practice dummy that may or may not be imbued with life, to the titular story’s account of a group of depressed individuals who […]
Q&A with Daniel Handler: ‘Bottle Grove’ and a Changing San Francisco
by Oscar Villalon
In Daniel Handler’s seventh novel, Bottle Grove (227 pages; Bloomsbury), which was published in the fall, San Francisco gets both a kiss on the cheek and a flick to the ear. For those who have lived in the city for two or more decades, the novel has a magnetism perhaps unfelt by others who’ve only known the place in its most recent incarnation—as that of a giant Lego set, one pulled apart and restacked according to the heedless whims of the tech industry. Handler, a longtime San Franciscan, evokes the city in its beloved pre-boom familiarity, but because he’s telling […]
‘Space Invaders’ by Nona Fernández: Mutations of Reality
by Lindsey Pannor
To replicate child-like bewilderment rather than to simply retell it is an enviable feat—one that Nona Fernández masters in Space Invaders (88 pages; Graywolf Press; translated by Natasha Wimmer). Bordering on autofiction, the short novel calls upon Fernández’s childhood in Chilé in the ’80s during the turmoil surrounding dictator Pinochet’s unseating, and looks at how those times pervade the lives of the fifth-graders who center the story, and manifest in unexpected and devastating ways. The young community faces police brutality and various other traumas, culminating in the disappearance of Estrella—a well-loved peer who vanishes without explanation. The story is primarily […]
Session Drummer
by Tommy Orange
I’m on a train and it’s Saturday so I don’t have to work, but when I’m not working Saturday I’m usually working. I mean it’s work only because I get paid and need the money, but it’s playing drums—like a drum set in a studio. I’m a sometimes session drummer working mainly at this studio in West Oakland where people know me as a good enough drummer to call when they need a good enough drummer for a usually mediocre album project. What I do for a living, as they say, is to wash windows. I wash building windows no […]
The Bay Area Issue: Editor’s Note
by Laura Cogan
One day in July I ran into a colleague on my way to lunch. We commiserated about the state of the world, briefly, and then he asked me if I’d been to the Flower Piano program at the San Francisco Botanical Garden yet. He said he’d just been, and that after one of the professional performers finished her set, a few of the people milling around took turns playing. One played David Bowie’s “Life on Mars,” singing softly under his breath. Another, a child of about ten, played a classical sonata, with astonishing beauty. There’s still art here, he said […]
ZYZZYVA Recommends November 2019: What to Read, Watch, & Listen to
by ZYZZYVA Staff
With Thanksgiving nearly upon us, we thought we’d add a special wrinkle to our Staff Recommends this month: alongside our usual selection of films, books, and music, we’re including Thanksgiving recipes (or drink pairings) you might want to give a try this holiday. Enjoy! […]
‘On Valencia Street: Poems & Ephemera’ by Jack Micheline: A Return to San Francisco’s Core
by Lindsey Pannor
“The art world is so fucking boring it could make your heart cry,” writes the late Jack Micheline in On Valencia Street: Poems & Ephemera (133 pages; Lithic Press; edited by Tate Swindell), and it’s a phrase that neatly captures the vibrancy of Micheline’s gut-wrenching artistic project. On Valencia Street contains an array of unpublished work by the honorary Beat (Micheline purportedly derided the label of “Beat poet” as a “product of media hustle), as well as varying pieces of memorabilia, including drawings of a Basquiat-Johnston lovechild, posters for live readings, and nearly illegible notes written on napkins. Micheline’s aesthetic […]
‘We, the Survivors’ by Tash Aw: A Grim Portrait of Life Under Late Capitalism
by Zack Ravas
The latest novel by Man Booker long-listed author Tash Aw offers a grim portrait of contemporary Asia under late capitalism. We, the Survivors (336 pages; FSG) traces the life of Ah Hock, a Malaysian-born citizen of Chinese heritage living a quiet life of solitude on the other side of a murder sentence. Ah Hock relays his story to a young journalist looking to shed light on the circumstances that led to Ah Hock’s violent crime, a crime he himself doesn’t quite understand. The murder is ultimately connected to Ah Hock’s former career as second-in-command at a local fish farm, as […]