‘On Valencia Street: Poems & Ephemera’ by Jack Micheline: A Return to San Francisco’s Core

by Lindsey Pannor

“The art world is so fucking boring it could make your heart cry,” writes the late Jack Micheline in On Valencia Street: Poems & Ephemera (133 pages; Lithic Press; edited by Tate Swindell), and it’s a phrase that neatly captures the vibrancy of Micheline’s gut-wrenching artistic project. On Valencia Street contains an array of unpublished work by the honorary Beat (Micheline purportedly derided the label of “Beat poet” as a “product of media hustle), as well as varying pieces of memorabilia, including drawings of a Basquiat-Johnston lovechild, posters for live readings, and nearly illegible notes written on napkins. Micheline’s aesthetic […]

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Shig Murao: The Enigmatic Soul of City Lights and the San Francisco Beat Scene

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On October 3, 1957, a judge ruled that Allen Ginsberg’s Howl and Other Poems was not obscene. It was a decision that would pave the way for publication of works from Henry Miller, D.H. Lawrence, William Burroughs, and others. A key  figure from the Howl trial was Shig Murao. His life and legacy has been documented in a website that launches today, www.shigmurao.org. This essay is adapted from a much longer biography with multiple supporting documents published on the website created by Richard Reynolds, a longtime friend of Murao’s. Shig Murao was the clerk who on June 3, 1957, was […]

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