Bending Time and Music: Celebrating ‘Masters of Venice’ at the De Young Museum

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Gerhard Richter’s enormous mural Strontium glowered over Wilsey Court. The mural, made from a collection of blurred photographs representing the atomic structure of strontium titanate (a substance used to make artificial diamonds), might have been interpreted as a bit of a symbolic downer on the festivities, which celebrated both the high and the low fruits of early-Renaissance wealth. Projected on an adjacent wall was the flashier and less demanding 1964 Vincent Price horror flick, Masque of the Red Death. Downstairs, the lauded exhibition, “Masters of Venice: Renaissance Painters of Passion and Power” was open to any partygoer who wanted to […]

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