Tag Archives: book review

Heart Pangs: ‘Night Beast and Other Stories’ by Ruth Joffre

“I think part of me has always believed love should be like this — painful and hidden, only making itself known when you least expect it and are unprepared for the damage it can do,” confesses Gemma in the titular story of Ruth Joffre’s Night Beast and Other Stories (190 pages; Grove Press). Many of the characters in this collection share Gemma’s belief, which is perhaps why they ultimately resign themselves to finding comfort in a lack of fulfillment, to being abandoned, to having their affections go unreciprocated — after all, love not only must be, but should be like …Continue reading

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Babylon Burning: ‘High Life’ by Matthew Stokoe

When Matthew Stokoe’s gritty noir High Life (380 pages; matthewstokoe.com) was published by noted indie Akashic Books in 2002, the book, which received very little coverage, managed to attract a fan base, thanks partly to Stokoe’s fearless depictions of upper-crust society at its worst. His novel eventually went out of print, but now that the rights to High Life are back with Stokoe, he has self-published his own edition of his hard-to-find book. In High Life, Stokoe takes readers on a nocturnal tour of the seediest parts of late ‘90s Los Angeles, while gleefully subverting noir’s most ingrained tropes: there’s …Continue reading

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An Inner Life Exposed: ‘Wait, Blink’ by Gunnhild Øyehaug

A jolt of elation always strikes when coming across a passage that perfectly captures one’s private thoughts, and with Gunnhild Øyehaug’s novel Wait, Blink: A Perfect Picture of Inner Life (translated by Kari Dickinson; 288 pages; FSG), I frequently found myself electrified. Page after page of passages artfully dissect our most subliminal mental processes. Utilizing the character of Sigrid and her sense of detachment in front of the computer screen, the author makes a fluid allusion to the novel’s subtitle: “She identifies with the cursor! Waiting, blinking, and without any real existence in the world, just on and off between …Continue reading

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A Balance Between Cultures: ‘How to Write an Autobiographical Novel’ by Alexander Chee

In his first nonfiction collection, award-winning novelist, poet, and journalist Alexander Chee offers a reflective look at his life in How to Write an Autobiographical Novel (288 pages; Mariner Books). From his time in Mexico learning high school-level Spanish to his undergrad days at Wesleyan, and later the Iowa Writer’s Workshop, as well as his AIDs activism in San Francisco, the book is a well-orchestrated chronicle of a life well-lived. Growing up as a Korean American, Chee often struggled with his identity and felt awkward in public, as when his long hair caused him to be mistaken as a girl, …Continue reading

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A Legacy Lost and Recovered: ‘Memento Park’ by Mark Sarvas

A decade after the publication of his first novel, Harry, Revised, Mark Sarvas returns with Memento Park (288 pages; FSG), the chronicle of one first-generation Hungarian American’s journey to retrieve a family painting believed to have been looted by the Nazis. The protagonist, Matt Santos, is an aspiring actor and current background extra living in L.A. at the tail-end of his thirties when he receives a strange call from the Australian Embassy concerning a painting from their database of unclaimed war paintings: the fictional “Budapest Street Scene” by tortured artist Erwin Kàlmàn. The piece belonged to Matt’s family in Hungary during the …Continue reading

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The Psychic Toll: ‘Moon Brow’ by Shahriar Mandanipour

A quick summary of Moon Brow (464 pages; Restless Books; translated by Sara Khalili), Shahriar Mandanipour’s newest novel to be translated into English, reads like the stuff of fable. Our main character, Amir Yamini, returns from the Iran-Iraq War saddled with amnesia and bereft of his left arm. Ostracized from his family and community as a head case, crippled by shrapnel, he is repeatedly haunted by the image and piecemeal memories of a beloved. With the help of his sister, Reyhaneh, he searches Tehran for signs of his past, and potentially for the love he no longer recalls, save only in his …Continue reading

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Takeoffs and Landings: ‘Blue Self-Portrait’ by Noémi Lefebvre

Air travel has long been depicted in fiction as a venue for potential transition and transformation (even if only metaphorical); we take off from one place and land in another, and there is no guarantee we will be the same person upon our arrival—no telling what chance encounter may occur on our flight or what dreamy epiphany those long hours might inspire. Blue Self–Portrait (143 pages; translated by Sophia Lewis; Transit Books), a 2009 first novel by French author Noémi Lefebvre, occupies this same liminal space; the entire book unfolds during a plane trip from Berlin to Paris, as our unnamed …Continue reading

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Catching Up with Good Things: ‘The Luck of Friendship—The Letters of Tennessee Willams and James Laughlin’

“The past is never dead,’’ as Faulkner memorably put it. “It’s not even past.’’ But the mutability of literary fashion continues to be regrettable. A new collection, The Luck of Friendship—The Letters of Tennessee Willams and James Laughlin (392 pages; Norton), reminds us of the importance of respecting the Muse (regardless of reviews), the seeming bygone virtues of literary mentorship, and the need to cast aside judgement to make way for love. Tactfully edited by Peggy Fox and Thomas Keith, Laughlin’s longtime associates at New Directions, the avant-garde publishing house he founded, it presents a little-seen side of the playwright. …Continue reading

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A Culling of Foxes: ‘Happiness’ by Aminatta Forna

In Happiness (368 pages; Atlantic Monthly Press), novelist and memoirist Aminatta Forna takes the reader into a caravan of events that starts in contemporary London, where Attila, a Ghanian psychologist whose field study specializes in war refugees, in between “going to see plays and eating in fine restaurants,” feels as if he’s living on “a stage set, whose denizens enacted their lives against its magnificent backdrop. A theatre of delights, where nothing surely could go wrong, and if it did, all would be put right by the end of the third act.” On Waterloo Bridge one day, he bumps into …Continue reading

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A Salve for Our Grief: ‘Lincoln in the Bardo’ by George Saunders

George Saunders’s Lincoln in the Bardo (350 pages; Penguin Random House), recently released in paperback, continues to offer the salve we need. This exceptional novel, which went on to win the Man Booker Prize ––making Saunders the second American (in a row at that) to win the prize –– has the kind of sensibility necessary for national healing; as The Atlantic noted, “In a year in which writers and artists have wrestled with the question of how to tackle the increasing prominence of hate in the political sphere, the Man Booker judges seemed to respond to Saunders’s humanizing portrait of …Continue reading

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Faith in the Void: ‘Fire Sermon’ by Jamie Quatro

T.S. Eliot once stated, “The last thing I would wish for would be the existence of two literatures, one for Christian consumption and the other for the pagan world,” a status quo which has more or less come to pass. (It seems as though one could count on both hands the number of mainstream contemporary novels that grapple with the Christian faith.) As such, Jamie Quatro’s first novel, Fire Sermon (208 pages; Grove Press), which references the above T.S. Eliot quote, often registers as something different and exciting. Here is a smart novel for adults that deals honestly with the …Continue reading

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This Shifting Web: ‘Stream System and ‘Border Districts’ by Gerald Murnane

“The writers of the present century have lost respect for the invisible,” says one of the narrators of Stream System: The Collected Short Fiction of Gerald Murnane (560 pages; FSG). “They have tried to describe what they had better have left unreported.” Perhaps we are fortunate, then, that Gerald Murnane has not lost this connection, for his writing is unlike anything being published today. It could be the way Murnane works his prose, filling it with repetitions and pulling out commas so the syntax shines like glass; or it could be something about all these nameless men and boys walking …Continue reading

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