Deb Olin Unferth Archives

‘Barn 8’ by Deb Olin Unferth: A Comically Extreme Heist

by Zack Ravas

March 20, 2020

Posted on March 20, 2020 (March 19, 2020) by Zack Ravas

The premise of Deb Olin Unferth’s latest novel, Barn 8 (252 pages; Graywolf Press), involves the heist of a comically extreme number of chickens—yet to label the novel a mere comedy would be tantamount to calling Kurt Vonnegut a “humor writer.” Sure, the book is funny, quite funny, but it is much more. Unferth is tackling, with great wit and technical skill, topics as pressing as Big Agriculture, the humane treatment of animals, and the impossibility of maintaining ideological purity in any social movement. The reality is that Americans love eggs: free range or not, we will eat as many […]

Fearless Ballet: Q&A with Deb Olin Unferth

by Hayden Robel

April 21, 2017

Posted on April 21, 2017 (April 19, 2017) by me

Wickedly funny and utterly relatable in its depiction of human plights and personal tragedies, Wait Till You See Me Dance (200 pages; Graywolf Press) marks the return of Deb Olin Unferth to the world of short stories. From the banal life of an adjunct professor harboring an unrequited love in the titular story to a man held prisoner by his phobia in “Fear of Trees” (published in ZYZZYVA No. 108 along with three other pieces), each story within the collection is imbued with Unferth’s wit and dark humor, capturing the spectrum of human drama with a tinge of believable absurdity. […]

Bumbling Along, But Full of Heart: ‘Wait Till You See Me Dance’ by Deb Olin Unferth

by Alexandria Liston

March 21, 2017

Posted on March 21, 2017 (August 14, 2018) by me

Wait Till You See Me Dance (Graywolf Press, 186 pages) marks Deb Olin Unferth’s second collection of stories, following Minor Robberies (2007). The author of the novel Vacation and the memoir Revolution: The Year I Fell in Love and Went to Join the Sandinistas, Unferth displays a smart and snappy application of the short-short form in this volume of 39 stories—29 of which are fewer than three pages long (and four of which appeared in ZYZZYVA No. 108). Wait Till You See Me Dance is filled with concise, meaningful sentiments that both entertain and engage the reader in commentary surrounding […]

Deb Olin Unferth’s ‘Revolution’ and the Costs of Memoir

by Jacob Silverman

April 28, 2011

Posted on April 28, 2011 (April 28, 2011) by editor

Save some long-mothballed, early twentieth-century avant-garde movements, memoir may be the only literary genre requiring a statement of principles. This applies to readers and writers alike. Do you expect a memoirist to show perfect recall, to reconstruct a past with vividly described environments, clear dialogue, and novelistic scenes? Or do you want a memoirist to admit the fallibility of her memory? Perhaps in an introductory preface, and to confess that some scenes, characters, and timelines may be elided, compressed, combined — i.e., do you mind if she makes things up, as long as it’s in the service of a good […]