Display Format: Prose

The main prose format for posts.

Everyone Has a Dead Father

by Matthew Zapruder

Posted on by Zack Ravas

The road from Chicago to Iowa City is straight, about three and a half hours due west. In 2004, I was on my way from a reading at a bookstore in Chicago to one in Iowa City, the famed Prairie Lights. About halfway there, I pulled into a rest stop and saw I had missed

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‘Customs’ by Solmaz Sharif: The Complicity of Speech

by Ray Levy Uyeda

Posted on by Zack Ravas

Solmaz Sharif’s second collection of poetry, Customs (104 pages; Graywolf Press), interrogates the English language and its role in shaping America. English was the language used to write the U.S. Constitution, enslave kidnapped West Africans, and free enslaved African Americans; it’s the language used to go to war and used to achieve liberation. Customs inspects language itself as a device for colonization and country-making, which in this land is the same. The collection, split into three sections, begins with a poem called “America.” Eighteen lines composed of 12 sentences, each sentence three words long, the poem appears almost like a […]

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Shelter

by Kate Folk

Posted on by Zack Ravas

In the basement of the house in Iowa that Reese and Mark were renting for summer, there was a concrete vault, eight-by-five-feet, presumably built as a storm shelter. Reese stored the house’s Shop-Vac there, along with a box of Carr’s rosemary crackers and a crate of wine shipped from their friends’ vineyard in Sonoma. Beyond

Subscribers only: to access this content, you must be a member of ZYZZYVA Studio. Membership is included with any subscription. Subscribe today, or if you are already a subscriber, log in to continue reading. (Read our FAQ for more details, and contact us if you have any trouble logging in.)

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‘Tell Me I’m Worthless’ by Alison Rumfitt: A Necessary Resistance

by Supriya Saxena

Posted on by Zack Ravas

Powerful and disturbing in equal measure, Alison Rumfitt’s first novel, Tell Me I’m Worthless (260 pages; Cipher Press), uses a story about a haunted house (known as the House) to investigate the rise of fascist movements in current-day Britain and the trauma they inflict. The novel, which was published in the U.K. last October but is available to order online, examines the “gender-critical feminist” transphobic hate movement in Britain, the ways in which young people are recruited to fascist movements, and the deep-seated hypocrisy of many who consider themselves progressive—all while spinning a chilling horror tale.  Alice and Ila were […]

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Six Authors in Search of a Character: Part 4—Mickey Spillane

by Sean Gill

Posted on by Zack Ravas

1963 Mickey Spillane is “Mike Hammer”             “When you sit at home comfortably folded up in a chair beside a fire, have you ever thought about what goes on outside there? Probably not. You pick up a book, reading about things and stuff, getting a vicarious kick from people and events that never happened. You’re doing it now, getting ready to fill in a normal life with the details of someone else’s experiences… But remember this: there are things happening out there. They go on every day and night making Roman holidays look like school picnics… All you have to […]

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‘Dead Winter’ by Matvei Yankelevich: Winter on the Page

by Chiara Bercu

Posted on by Zack Ravas

Matvei Yankelevich’s latest poetry collection, Dead Winter (40 pages; Fonograf Editions), is a wheeling and melancholic address to winter as a mimetic object. “My task, my cross—to reassemble winter’s/ memory,” Yankelevich states in one the earliest of his twenty-seven poems. He meets this attempt to capture winter on the page by mounting an inquiry into the season as a site of recursion, ungovernability, and wasting. Yankelevich pictures winter as an “abandon” forever short of expression. Within “imagined limits,” winter appears to modulate time in an alternately moldering and propulsive manner: “Of/ course, one can look out a window, one/ can […]

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‘Lesser Known Monsters of the 21st Century’ by Kim Fu: Surrealism for Our Times

by Maura Krause

Posted on by Zack Ravas

As the planet careens into 2022, surrealism might be the best way to capture our psyche. Kim Fu’s first story collection, Lesser Known Monsters of the 21st Century (220 pages; Tin House Books), makes a convincing argument for such an idea. Without referencing any specific events or cultural moments, the twelve pieces in Fu’s aptly titled fourth book capture a wide swath of modern maladies. In a recent interview with The Rumpus, Fu stated she wanted in her work to take “speculative ideas very seriously and at face value…without a winking eye to metaphor.” Remarkably, she succeeds, avoiding the pitfalls […]

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Six Authors in Search of a Character: Part 3—Irvine Welsh

by Sean Gill

Posted on by Zack Ravas

1996 Irvine Welsh is “Mikey Forrester” “I’m playing this drug dealer who’s probably one of the most unsympathetic characters in the book, cause, probably kinda manipulative and nasty and sort of horrible guy so, a lot of people will be saying sort of type-casting again, you know?” —Irvine Welsh, in a video interview from the set of Trainspotting in June 1995 To the strains of Bizet’s Carmen, Renton (Ewan McGregor), a young Edinburger junkie, makes fastidious personal preparations for kicking heroin, the final step of which is obtaining one last hit from his dealer, Mikey Forrester. Mikey appears, smirking like […]

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INTEROFFICE MEMORANDUM 1/3

by Christine Sneed

Posted on by Zack Ravas

Date:   January 3rd To:      All Quest Industries Employees From: President Bryan Stokerly, Esq.  Subj:   Welcome Back/In-Office Birthday Celebrations   It’s good to see everyone back in the office again, but it’s obvious very few of us got any better looking in the months we were working from home. Be that as it may, let us hope the year ahead will be an improvement on the last one, which was probably the worst year of my life, but I won’t go into that right now. Today seems an optimal moment to share with you a few preferences regarding in-office […]

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‘The Hungry and the Lost’ by Bethany W. Pope: Succumbing to the Rot

by Supriya Saxena

Posted on by Zack Ravas

Bethany W. Pope’s The Hungry and the Lost (326 pages; Parthian Books; available for order online) offers a rich Southern Gothic tale that revels in the beauty and hostility of the Florida swamplands during the early 20th century. Pope’s immersive language draws the reader in early, but it’s the novel’s social commentary and respect for wilderness that leave a lasting impression. The Florida swampland attracts men who make a living from hunting herons, but after the birds stop coming and tuberculosis breaks out, a (fictional) small town near Tampa is deserted by all but two: the late minister’s mentally unsound wife, […]

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‘Horses Drawn with Blue Chalk’ by Rocío Ágreda Piérola: Language as an Unlimited Spectrum

by Chiara Bercu

Posted on by Zack Ravas

Translated from the Spanish by Jessica Sequeira, Horses Drawn with Blue Chalk (42 pages; Ugly Duckling Presse) is Bolivian poet Rocío Ágreda Piérola’s first English publication, a bilingual presentation of poems from her 2017 chapbook, Detritus, and prose fragments from her working manuscript Quetiapine 400mg. In her introduction, Sequeira aligns the collection with the work of Argentine poets such as Hugo Mujica and Héctor Viel Temperley, situating Horses Drawn with Blue Chalk at the interstice of “carnality, communion and the word.”  The opening excerpts from Ágreda Piérola’s manuscript make a bid for fragmentation as a means of “reconstructing and vanquishing […]

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Six Authors in Search of a Character: Part 2—Richard Wright

by Sean Gill

Posted on by Zack Ravas

1951 Richard Wright is “Bigger Thomas” “I became convinced that if I did not write of Bigger as I saw and felt him, if I did not try to make him a living personality and at the same time a symbol of all the larger things I felt and saw in him, I’d be reacting as Bigger himself reacted: that is, I’d be acting out of fear if I let what I thought whites would say constrict and paralyze me…The writing of it turned into a way of living for me…I kept out of the story as much as possible, […]

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