‘Dead Winter’ by Matvei Yankelevich: Winter on the Page

by Chiara Bercu

Matvei Yankelevich’s latest poetry collection, Dead Winter (40 pages; Fonograf Editions), is a wheeling and melancholic address to winter as a mimetic object. “My task, my cross—to reassemble winter’s/ memory,” Yankelevich states in one the earliest of his twenty-seven poems. He meets this attempt to capture winter on the page by mounting an inquiry into the season as a site of recursion, ungovernability, and wasting. Yankelevich pictures winter as an “abandon” forever short of expression. Within “imagined limits,” winter appears to modulate time in an alternately moldering and propulsive manner: “Of/ course, one can look out a window, one/ can […]

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‘Lesser Known Monsters of the 21st Century’ by Kim Fu: Surrealism for Our Times

by Maura Krause

As the planet careens into 2022, surrealism might be the best way to capture our psyche. Kim Fu’s first story collection, Lesser Known Monsters of the 21st Century (220 pages; Tin House Books), makes a convincing argument for such an idea. Without referencing any specific events or cultural moments, the twelve pieces in Fu’s aptly titled fourth book capture a wide swath of modern maladies. In a recent interview with The Rumpus, Fu stated she wanted in her work to take “speculative ideas very seriously and at face value…without a winking eye to metaphor.” Remarkably, she succeeds, avoiding the pitfalls […]

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Six Authors in Search of a Character: Part 3—Irvine Welsh

by Sean Gill

1996 Irvine Welsh is “Mikey Forrester” “I’m playing this drug dealer who’s probably one of the most unsympathetic characters in the book, cause, probably kinda manipulative and nasty and sort of horrible guy so, a lot of people will be saying sort of type-casting again, you know?” —Irvine Welsh, in a video interview from the set of Trainspotting in June 1995 To the strains of Bizet’s Carmen, Renton (Ewan McGregor), a young Edinburger junkie, makes fastidious personal preparations for kicking heroin, the final step of which is obtaining one last hit from his dealer, Mikey Forrester. Mikey appears, smirking like […]

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INTEROFFICE MEMORANDUM 1/3

by Christine Sneed

Date:   January 3rd To:      All Quest Industries Employees From: President Bryan Stokerly, Esq.  Subj:   Welcome Back/In-Office Birthday Celebrations   It’s good to see everyone back in the office again, but it’s obvious very few of us got any better looking in the months we were working from home. Be that as it may, let us hope the year ahead will be an improvement on the last one, which was probably the worst year of my life, but I won’t go into that right now. Today seems an optimal moment to share with you a few preferences regarding in-office […]

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‘The Hungry and the Lost’ by Bethany W. Pope: Succumbing to the Rot

by Supriya Saxena

Bethany W. Pope’s The Hungry and the Lost (326 pages; Parthian Books; available for order online) offers a rich Southern Gothic tale that revels in the beauty and hostility of the Florida swamplands during the early 20th century. Pope’s immersive language draws the reader in early, but it’s the novel’s social commentary and respect for wilderness that leave a lasting impression. The Florida swampland attracts men who make a living from hunting herons, but after the birds stop coming and tuberculosis breaks out, a (fictional) small town near Tampa is deserted by all but two: the late minister’s mentally unsound wife, […]

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‘Horses Drawn with Blue Chalk’ by Rocío Ágreda Piérola: Language as an Unlimited Spectrum

by Chiara Bercu

Translated from the Spanish by Jessica Sequeira, Horses Drawn with Blue Chalk (42 pages; Ugly Duckling Presse) is Bolivian poet Rocío Ágreda Piérola’s first English publication, a bilingual presentation of poems from her 2017 chapbook, Detritus, and prose fragments from her working manuscript Quetiapine 400mg. In her introduction, Sequeira aligns the collection with the work of Argentine poets such as Hugo Mujica and Héctor Viel Temperley, situating Horses Drawn with Blue Chalk at the interstice of “carnality, communion and the word.”  The opening excerpts from Ágreda Piérola’s manuscript make a bid for fragmentation as a means of “reconstructing and vanquishing […]

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Six Authors in Search of a Character: Part 2—Richard Wright

by Sean Gill

1951 Richard Wright is “Bigger Thomas” “I became convinced that if I did not write of Bigger as I saw and felt him, if I did not try to make him a living personality and at the same time a symbol of all the larger things I felt and saw in him, I’d be reacting as Bigger himself reacted: that is, I’d be acting out of fear if I let what I thought whites would say constrict and paralyze me…The writing of it turned into a way of living for me…I kept out of the story as much as possible, […]

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‘Psychros’ by Charlene Elsby: Death as the End of Desire

by Shelby Hinte

“The grand philosophical question is whether suicide makes a choice of death, and the answer is yes.” A bold assertion? Maybe. But it is the conclusion Charlene Elsby’s narrator comes to after her boyfriend commits suicide in Elsby’s latest novel, Psychros (140 pages; Clash Press). Psychros is both a philosophical inquiry into the nature of existence and a psychoanalytical study of a woman looking to quell her grief through sex and violence. The death of her boyfriend causes a series of intellectual dilemmas for the narrator: how do you reconcile who a person was in life with how they are […]

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‘Czesław Miłosz: A California Life’ by Cynthia L. Haven: The West Coast’s Mythic Allure

by Peter Schlachte

Czesław Miłosz: A California Life (256 pages; Heyday) is as much as portrait of a place as it is of a person. Cynthia L. Haven’s biography of the 1980 Nobel winner and towering voice in 20th century literature explores Miłosz’s work not distilled through the lens of his upbringing in Lithuania nor his formative years in Poland, but through his later life, residing on Grizzly Peak in Berkeley and teaching Slavic languages and literatures at UC Berkeley. From the opening pages, Haven writes beautifully of California’s history and landscape. Here she is describing California’s famously balmy weather: “At first, the […]

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Community Plot

by Bryan Washington

I’d started tending the ex’s plot. The lettuce and the garlic and the turnips. It wasn’t my idea, the apartment complex had a community garden, and of course I’d seen you out there but we didn’t have shit to say to each other. We met on the stairs after my guy left, and it was another few weeks before we spoke. I’d seen you around, though. Sometimes I’d catch you staring. Our eyes met, and you’d look away. You were an old man, living alone, always in the same greasy cardigan and the same burnt brown shoes, which was everything […]

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Six Authors in Search of a Character: Part 1—Stephen King

by Sean Gill

Why? Simple self-promotion? For fun? Sheer ego? “Because no one else can?”         To wrest back the measure of control which a solitary typist enjoys? Is it fear of living merely a life of the mind? The need to act out a fantasy? Or is it a public therapy, an exorcism of demons? Typically an author’s on-screen role in an adaptation is that of a background artist: blink and you’ll miss Kurt Vonnegut (a pedestrian in Mother Night), Amy Tan (a house partier in The Joy Luck Club), Chuck Palahniuk (an airline passenger in Choke), or John le Carré (a […]

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‘Search History’ by Eugene Lim: Rewriting the World After Loss

by Shelby Hinte

If the art a society chooses to endorse is a measure of who and what it values, then it is also a measure of who and what it denounces. What is art, and who decides, are central questions in Eugene Lim’s latest novel, Search History (208 pages; Coffee House Press). The book is a metafictional examination of art and identity-making that is part action-packed speculative fiction, part autobiography, and part intellectual banter on all things art, race, technology, and death. Search History feels reminiscent of Douglas Coupland’s Generation X: Tales for an Accelerated Culture and the dialogue-heavy ’90’s films that […]

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