‘Rabbit Island’ by Elvira Navarro: Masterful and Strange

by Lily Nilipour

In “Strychnine,” the second story of Elvira Navarro’s collection, Rabbit Island (164 pages; Two Lines Press; translated by Christina MacSweeney), an unnamed narrator wanders an unnamed city while struggling to write a story—her story. The only thing she can decide on is a style: “She wants to enter this aura of serene iciness she has just imagined, which is also the tone she wants for her text.” But the narrator’s project becomes hindered by the growth of a strange protrusion from her right ear–a paw with toes that have small mouths. The paw hangs painfully from her earlobe, garnering sideways […]

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National Poetry Month: Invitation

by Al Young

In memory of Papa Jo Jones & Philly Joe Jones There’ll be all the requisites & O how exquisite the presence of night blooming jazzmen & women, flowering in aurora borealis like all the rounded midnights & Moscow nights and New Delhi dawns you ever wanted to drop in on or sit in with or pencil into your calendar of unscheduled delights. There’ll be love in all its liquid power, rhythmic & brassy; mellifluous forms, flashing flesh & the slippery glittering skin of your teeth; enchantment, male & female; the orchid chords of hothouse scat as pop song, as darkness […]

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Q&A with Zhanna Slor: ‘At the End of the World, Turn Left’ and the Struggle with Identity

by Christine Sneed

Zhanna Slor’s debut novel, At the End of the World, Turn Left (304 pages; Agora Books), is informed by a fine balance of comedy and drama. Set in Milwaukee in the late aughts, the novel’s two point-of-view characters, sisters Masha and Anna, alternately cast their ironic, sometimes bemused gazes on their family’s Russian Jewish immigrant circumstance, while also chafing strenuously at the limitations and the fear informing their parents’ and grandparents’ choices in America. Both sisters are progressive, adventurous, often funny young women who have no patience for their elders’ stern refusal to indulge their curiosity—especially Anna’s.  When the novel opens, […]

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In the Black, With Jessica

by Christian Kiefer

The sound of a car gearing up the ashen road. Chuck thought at first that it had to be someone from Cal Fire or another crew but then the radio crackled and Bob told him it was a civilian. “Copy,” he said, and then, after releasing the button: “Fuck.”No part of him that was not

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‘Festival Days’ by Jo Ann Beard: Bright Illuminations

by Michelle Latiolais

Consciousness. One of science’s big questions. What is consciousness? But we have been writing consciousness for thousands of years now, and one of America’s most miraculous writers has just given us a second collection of essays so brilliantly perceptual that the writing is—for all intents and purposes—neurological. The visual tapestry is so vivid, so rich, one forgets one is in the medium of language. Take almost any image or detail in a Jo Ann Beard piece and follow its pathways, its firings, its bright illuminations, its quieting into a kind of shade thrown across the entire essay—it is a map […]

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National Poetry Month: Twenty-Seven Objects of Explicit Wonder

by L.A. Johnson

1. house with lawn gone yellow 2. no matter which direction, the wind 3. swimming pools and dreams of pools 4. coyotes that shriek like children 5. naked intruders 6. scent of honeysuckle through a sunroof 7. dish, broken, never thrown away 8. half-lidded sentences that ramble on 9. swimsuits drying on balconies 10. water even a seahorse would swim in 11. the clear circles a hawk makes in the air 12. reservoir, with a lover’s name 13. confessions heard over the ocean’s waves 14. two eggs cracked, each with two yokes 15. fingerprints on mirrors 16. fire danger warning: […]

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On the Art of Jonathon Keats

by Alla Efimova

Is Jonathon Keats an artist? I have never doubted this over my nearly twenty years of working with him on various projects, even while Keats himself has often resisted and resists such a definition, preferring the title of an experimental philosopher. Keats is represented by an art gallery (Modernism, Inc.) in San Francisco and has had exhibitions and installations in many art museums and galleries internationally. And yet, while his projects are widely covered in the press—both specialized and general-interest—art publications shy away from giving him coverage. Keats purposefully operates on the margins of the art world, seeing it as […]

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Paragraphs on Ice: Episode 2

by ZYZZYVA

Paragraphs on Ice: Andrew Sean Greer & Daniel Handler

How do certain sentences work on us as readers? What can we say about the beauty found in select pieces of prose? Daniel Handler and Andrew Sean Greer—best-selling authors and friends—take you along with them as they delightfully explore their favorite passages of writing in their video series for ZYZZYVA Studio.

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‘Why to These Rocks: Fifty Years of Poems from the Community of Writers’: In Touch With the World

by Meryl Natchez

When I applied to the Community of Writers Poetry Workshop in 1987, I had no idea what I was letting myself in for, or that this unique summer program would become my poetry home. I had just read The Gold Cell, and saw an ad in Poetry Flash that mentioned Sharon Olds was teaching at the workshop. I blush to say that I’d never heard of Galway Kinnell or Robert Hass at that period of my life; with four children and full-time work, I was out of touch with the world of poetry. When I arrived in Olympic Valley that […]

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‘My Heart’ by Semezdin Mehmedinović: Matters of Life and Death

by CJ Green

People say that when you have a child, it’s like your heart has left your body and begins walking around on its own. This idea came to mind reading Semezdin Mehmedinović’s novel My Heart (225 pages; Catapult; translated by Celia Hawkesworth). It begins with a heart attack that sends the protagonist into an eloquent, existential spiral, after which his priorities become increasingly clear to him. “Since I passed fifty,” he explains, “I know that everyone dies young.” The overall effect is of a camera sharpening: the background noise gives way to a crisp foreground, the local details of love and […]

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National Poetry Month: In Love With a Woman

by Lady Nestor Gomez

I should die in miscommunication breed fantasies unregulated, losses innumerable Mejor hablar español o componerme en nahuat I could speak and not offend I would stop a symphony and find closure erase bus stops and listen to my sister, the violent rain waiting for your seven days This isn’t a poem of love or hate but our days traveling in gray sand black night beaches and post-birthdays to speak to you I could hide and not love die in anonymity vanish in the ’80s with the rest of my ghosts but I can’t stop searching engines for your name our […]

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‘A Swim in a Pond in the Rain’ by George Saunders: An Impassioned Introduction

by Colton Alstatt

George Saunders’ A Swim in a Pond in the Rain (432 pages; Random House) is a warm introduction to the Russian masters of literature—warm as a house party: “Reader, meet my friends Tolstoy, Chekov, Gogol, Turgenev. Russian masters, meet my reader.” Using his experience teaching stories by these authors, Saunders is a generous guide inspired by his love of the short story, whether masterful or imperfect. As he scans the seven stories included in his book, Saunders has fun as he works for ways a prospective writer might create similarly enigmatic stories. Neither inefficient nor blocky, these discussions are the […]

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