Shop Talk: Troy Jollimore

by ZYZZYVA

Troy Jollimore ZYZZYVA interview

Fans of the films of the Coen Brothers simply must read Troy Jollimore’s essay “The Fixers” from Issue 120, the Technology issue. Through the lens of several of the Coens’ most seminal films, including their 1996 Best Picture nominee Fargo, Jollimore explores how disinformation and conspiracy have grown  dominant in American culture over the last two decades. Be sure to order your copy of Issue 120 so you can read “The Fixers.”

Troy Jollimore is the author of four books of poetry and three books of philosophy, as well as numerous articles, essays, and reviews. His first collection of poetry, Tom Thomson in Purgatory, won the National Book Critics Circle award in poetry for 2006. His poems have appeared in publications including the New Yorker, Poetry Magazine, McSweeney’s, the New England Review, Tin House, and The Best American Poetry 2020. He is currently a Professor in the Philosophy Department at California State University, Chico.

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Q&A with Kelly Cressio-Moeller: ‘Shade of Blue Trees’ and the Presence of the Body

by Alana Frances Baer

Kelly Cressio-Moeller’s debut poetry collection, Shade of Blue Trees (79 pages; Two Sylvias Press), consists of thirty-seven poems, broken into four parts. Cressio-Moeller has long established herself as both a visual artist and writer, with her widely published poetry earning nominations for the Pushcart Prize, Best New Poets, and Best of the Net awards. Having spent most of her life in San José, California, Cressio-Moeller draws heavily from California terrain. She points to the heavy knots of human relationships, reminding us that love comes with grief. And she writes of and from daily life, mapping the jagged edges of relationships […]

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‘Appleseed’ by Matt Bell: From Antiquity to Apocalypse

by Colton Alstatt

From novelist Matt Bell comes his newest book, Appleseed (480 pages; Custom House), a story about the linked fates of three Ohioans: a malformed brother in pre-colonial America hunting the Tree of Forgetting, hoping to forget pasts he does and does not know; a near-future ecoterrorist resisting his former lover’s corporate dystopia across an abandoned United States; and a haunted cyborg crossing an icy, post-human purgatory to re-cultivate the Earth, which, despite lacking the vocabulary or Keatsian tradition, he instinctually knows is beautiful. Sentence-level epics form on every page, the prose floating between beatific and elegiac: This overripe abundance all […]

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‘Everyone in This Room Will Someday Be Dead’ by Emily Austin: Return to Dust

by Oriana Christ

Life is, as some are already too aware, absurdly fragile and relatively meaningless. This certitude saturates nearly every page of Emily Austin’s debut novel, Everyone in This Room Will Someday Be Dead (243 pages; Atria Books). Though the book’s title makes it fairly clear what is to follow, its cover, with its delicate cursive lettering and pastel bunnies, might mislead one to expect an ultimately lighthearted or uplifting story. This is not the case. Readers should go in with a few warnings: the novel is fundamentally about severe anxiety and thus severely anxiety-inducing; it contains heavy suicidal ideation and is […]

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‘Low Budget Movie’ by Kendra DeColo & Tyler Mills: Pushing Back Against The Norm

by Anna DeNelsky

In her famous essay, “The Laugh of Medusa,” French literary critic, poet, playwright, and philosopher Hélène Cixous discusses the role of feminism in authorship: “Woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies–for the same reasons, by the same law, with the same fatal goal.” Kendra DeColo and Tyler Mills harness Cixous’ sentiment, tapping their experiences bringing women to writing in their poetry collection Low Budget Movie (40 pages; Diode Editions). Through the voice of a singular speaker, the authors traverse the […]

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‘Ghost Forest’ by Pik-Shuen Fung: What We Say to the Dying

by Ray Levy Uyeda

In Ghost Forest (251 pages; Random House), the novel’s title is also the name of a painting created by the protagonist, an unnamed daughter of immigrants from Hong Kong. As an adult, the narrator takes her father, who throughout her childhood split his time between Hong Kong and Vancouver, to see her painting in a juried show. “In the painting, I am riding a brown bird,” she describes. “We are soaring above tree after tree, and each one is white and translucent. I washed white watercolor on gray rice paper to create that effect.” Her father’s reaction is not what […]

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Shop Talk: Lee Conell

by ZYZZYVA

ZYZZYVA Shop Talk: Lee Conell

Lee Conell’s story “My One and Only Very Incredible Amazing Love” appears in Issue 120, the Technology issue. In this bitterly funny and keenly insightful piece, Conell tracks the outsized influence that social media and reality TV have on the fragile friendship shared by two young women. Which reminds us: be sure to order your copy of Issue 120 if you haven’t already.

Lee Conell is the author of the novel The Party Upstairs, which was awarded the Wallant Award and was named a Best Book of the Year by the New York Post, as well as the story collection Subcortical, which was awarded The Story Prize Spotlight Award. Her writing appears in the Oxford American, ZYZZYVA, the Paris Review Daily, Kenyon Review online, Glimmer Train, and elsewhere; her stories have been shortlisted in Best American Short Stories and the Pushcart Prize anthology. She spoke to Editor Laura Cogan about “My One and Only Very Incredible Amazing Love” and its sardonic commentary on our social media age.

Subscribers only: to access this content, you must be a member of ZYZZYVA Studio. Membership is included with any subscription. Subscribe today, or if you are already a subscriber, log in to continue reading. (Read our FAQ for more details, and contact us if you have any trouble logging in.)

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‘The Five Wounds’ by Kirstin Valdez Quade: No Such Thing as Sacred Performance

by CJ Green

Amadeo Padilla is preparing for his starring role as Jesus in a Good Friday procession when his estranged 15-year-old daughter, Angel, shows up on his doorstep—eight months pregnant. So begins Kirstin Valdez Quade’s exceptional first novel, The Five Wounds (416 pages; Norton), which she arranges in three sections according to the Church calendar: “Holy Week,” “Ordinary Time,” and “Lent.” We begin in Holy Week, with Amadeo, adrift. He and his daughter have been estranged, and we learn that for weeks at a time, he has forgotten that he has a daughter at all. He is in his thirties, unemployed, lives […]

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The Street Sweep

by Meron Hadero

ZYZZYVA Volume 34, #3, Winter 2018

Getu stood in front of his mirror struggling to perfect a Windsor knot. He pulled the thick end of his tie through the loop, but the knot unraveled in his hands. He tried again, and again he failed. Did he really need the tie? He guessed it would probably be easier to persuade the guards

Subscribers only: to access this content, you must be a member of ZYZZYVA Studio. Membership is included with any subscription. Subscribe today, or if you are already a subscriber, log in to continue reading. (Read our FAQ for more details, and contact us if you have any trouble logging in.)

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ZYZZYVA Staff Recommends July 2021: What to Read, Watch, & Listen To

by ZYZZYVA Staff

Ray Levy Uyeda, Intern: A couple years ago, when I first started writing seriously in an attempt to develop my craft, I wanted for a community of writers and creatives, and a space, both emotional and physical, where all my questions about creating would be held with tenderness, as one would a small bird or child, or even the very dreams of being a writer (whatever that means). I craved location where conversations on craft—how it can be both integral to my health and so goddamn difficult—were happening without the shame of appearing superfluous.  I found The Creative Independent, a […]

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‘Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California’ by Matthew Specktor: Blood Sports

by Paul Wilner

As the Beat poet Lew Welch pithily put it, “More people know you than you know. Fame.” Welch was someone who knew whereof he spoke. He disappeared from his friend Gary Snyder’s house into a nearby mountain range in May 1971, leaving behind a cryptic farewell note that read, in part: “I had great visions but could never bring them together with reality. I used it all up. It’s gone.’’ Matthew Specktor explores the pulls—and perils—of chasing success in Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California (300 pages; Tin House), an eloquent account of […]

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