Boxing

by John Freeman

In the waning daysof those years in LondonI took up boxing. I didn’twant to unload on someunsuspecting soul so Ifound a sparring partner.She turned up, necktatted, face pierced, dred-locked and strong as hell.A Turkish woman withEast London stenciledon her left forearm. Beforeboxing she trained horsesin dressage and beforethat was trying not todrown herself in drink.After

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Worries

by Edward Derby

Hungers, germs, personal emailgone to SPAM,lost postcards that explained everything,what to do about the weeds in the gravel,catalytic converter theft,a blood stain in a library book (page 17),sock holes, black holes, global warming,automatic subscription renewals,bankruptcy, asteroids,air quality,a helicopter circling the neighborhood,eviction,sagging underwear elastic,the panel van parkedon the street, not knowing neighbors,drinking toomuch, being spellbound,fate vs.

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‘Horses Drawn with Blue Chalk’ by Rocío Ágreda Piérola: Language as an Unlimited Spectrum

by Chiara Bercu

Translated from the Spanish by Jessica Sequeira, Horses Drawn with Blue Chalk (42 pages; Ugly Duckling Presse) is Bolivian poet Rocío Ágreda Piérola’s first English publication, a bilingual presentation of poems from her 2017 chapbook, Detritus, and prose fragments from her working manuscript Quetiapine 400mg. In her introduction, Sequeira aligns the collection with the work of Argentine poets such as Hugo Mujica and Héctor Viel Temperley, situating Horses Drawn with Blue Chalk at the interstice of “carnality, communion and the word.”  The opening excerpts from Ágreda Piérola’s manuscript make a bid for fragmentation as a means of “reconstructing and vanquishing […]

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Friend

by Dominica Phetteplace

She says Namaste even when not in yoga class, whereas I will not say om under any circumstances. She says she doesn’t resent the younger generation, that they are completely of a world that we made, that to hate the young is to hate ourselves. She says that guys on dating apps indicate their marriage suitability by listing their hobbies as ‘hiking’ and ‘rock climbing.’ Her hobbies include cocaine and gambling, but she leaves those off her profile. Somedays she doesn’t feel like getting out of bed, but if I say I want to get coffee she will walk with […]

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‘Lightning Falls in Love’ by Laura Kasischke: A Series of Unending Moments

by Chiara Bercu

Laura Kasischke’s latest poetry collection, Lightning Falls in Love (144 pages; Copper Canyon Press), is a charming address to time and the eternities sustained in memory. In fifty-two poems, Kasischke moves multilaterally over the many folds and features of memory, both personal and fantastic. “I was living my life a second time/for the first time/in my life,” she writes, “understanding/that I’d already lived a long time before I realized/that I was old enough by then to have been/my own daughter when my mother died.” What’s assembled in the collection is a swift mélange of the past, equal parts ordinary, death-bound, and […]

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Q&A with Kaveh Akbar: ‘Pilgrim Bell’ and Learning Out of Order

by Ray Levy Uyeda

In his new book of poetry, Pilgrim Bell (Graywolf Press; 80 Pages), Kaveh Akbar plays with the spiritual, familial, and corporeal. The poems meditate on the places of our origins; the land from which we came, the people through which we arrived, and the languages we spoke among and after those places and people. Kaveh is the winner of a 2017 and 2018 Pushcart Prize and is the Poetry Editor at The Nation. ZYZZYVA spoke to Kaveh, whose poems appeared in Issue 107, to discuss the book, God, and miracles. ZYZZYVA: The first and the second to last poem of […]

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Q&A with Kelly Cressio-Moeller: ‘Shade of Blue Trees’ and the Presence of the Body

by Alana Frances Baer

Kelly Cressio-Moeller’s debut poetry collection, Shade of Blue Trees (79 pages; Two Sylvias Press), consists of thirty-seven poems, broken into four parts. Cressio-Moeller has long established herself as both a visual artist and writer, with her widely published poetry earning nominations for the Pushcart Prize, Best New Poets, and Best of the Net awards. Having spent most of her life in San José, California, Cressio-Moeller draws heavily from California terrain. She points to the heavy knots of human relationships, reminding us that love comes with grief. And she writes of and from daily life, mapping the jagged edges of relationships […]

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‘Low Budget Movie’ by Kendra DeColo & Tyler Mills: Pushing Back Against The Norm

by Anna DeNelsky

In her famous essay, “The Laugh of Medusa,” French literary critic, poet, playwright, and philosopher Hélène Cixous discusses the role of feminism in authorship: “Woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies–for the same reasons, by the same law, with the same fatal goal.” Kendra DeColo and Tyler Mills harness Cixous’ sentiment, tapping their experiences bringing women to writing in their poetry collection Low Budget Movie (40 pages; Diode Editions). Through the voice of a singular speaker, the authors traverse the […]

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Spotlight on Issue 120: Q&A with Benjamin Voigt

by Owen Torrey

What do an iPhone and a lyric poem have in common? It’s a question that animates the work of writer and technologist Benjamin Voigt, whose poems forge nimble, unexpected connections between the poetic and the digital. In Voigt’s new poem, “Walden Two”—which appears in our Technology-themed Issue 120—we encounter a speaker sorting through layered circuitry of memory, thought, and language. “I’ve held onto that last line for a long time,” Voigt reflects, mid-poem, “and don’t know if I’ve used it right, / or if this is a glitch / in my programming I’m still debugging.” We recently spoke with Voigt […]

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Spotlight on Issue 120: Q&A with William Brewer

by Chris Carosi

As a poet originally from a former steel-town outside of Pittsburgh, I have a thirst for stories and writers coming out of the area, especially Appalachia and what is known, by turns accurately and inaccurately, as the “Rust Belt.” I am most interested in the writers from this part of the country that have been writing essential books that highlight the personal experiences of working-class communities. I’m thinking of presses like Belt Publishing and West Virginia University Press, not to mention the dozens of books from other small and university presses that seek to give writers from these areas platforms […]

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‘The Joy and the Terror Are Both in the Swallowing’ by Christine Shan Shan Hou: A Sword Down the Throat

by Lily Nilipour

Christine Shan Shan Hou’s poetry collection The Joy and Terror are Both in the Swallowing (92 pages; After Hours Editions) takes its title from a quote by American photographer Diane Arbus. It was a time when Arbus’ marriage was failing—a time when, as Anthony Lane writes in The New Yorker, she “was, like her mother before her, dragged into depression and sucked down, declaring, ‘The thing that sticks most in the throat and hurts the most is how easy it is. The joy and terror are both in the swallowing.’” Ten years later, in 1970, Arbus took a portrait of […]

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‘Post-Mortem’ by Heather Altfeld: The Complexity of Loss

by Meryl Natchez

There is a custom in the Jewish tradition called Kaddish, which includes saying aloud the names of the dead. The idea is that they live again for that brief moment when their name rings in the air. I thought of this while reading Heather Altfeld’s new book, Post-Mortem (100 pages; Orison Books), which details the complexity of loss we all know about but rarely speak of: the death of languages of indigenous peoples, of species, of the earth. Though the tone of the book is elegiac and it’s not light reading, the specificity and detail in these poems often make […]

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