‘First Person Singular’ by Haruki Murakami: More than Meets the ‘I’

by Colton Alstatt

Superstar author Haruki Murakami has published twenty-three books (in English) since beginning his career as a novelist in 1978. In his strictly upward trajectory, full of merits and awards, he has not had much space for rumination. However, in his new story collection, First Person Singular (256 pages; Knopf), he channels 72 years of writing prowess into a series of mystery-dipped stories about youth, memory, and identity. Each begins with a distinct memory, an arresting one. “A dimly lit hallway in a high school, a beautiful girl, the hem of her skirt swirling, [holding] With the Beatles.” The speaker tunnels […]

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Chorizo

by Jaime Cortez

The dogs are melting. Lobo is lying on the porch with his pink tongue hanging out. Chiquita is hiding under the car with her ears down. Everybody is hiding from the sun except for me. I’m riding my bicycle, so I can feel some wind when I pedal. It’s not working too good. Past the

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‘Land of Big Numbers’ by Te-Ping Chen: Mirror to the Nation

by Kyubin Kim

To the rest of the world, China often looks like a monolithic, vast “land of big numbers,” where its people are eclipsed by the country’s monstrous economic influence and the Communist Party. But in her first story collection, Land of Big Numbers (255 pages; Mariner Books), journalist and fiction writer Te-Ping Chen gives breath and form to those who may be overlooked. Written during Chen’s time as a China correspondent for The Wall Street Journal, Land of Big Numbers is a literary simulacrum of modern China and the agency of its people. Here, each fictional story holds a mirror to […]

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‘Mona’ by Pola Oloixarac: Life in Translation

by Owen Torrey

“The festivals are the real novels!” shouts the protagonist of Mona (192 pages; FSG Books), a new novel by Argentinian author Pola Oloixarac. Mona is one-whiskey-deep, standing in a pub in Sweden with a crowd of writers. Across the bar, a Latvian poet grabs a Finnish author, striking up a conga line. Mona orders a second whiskey and surveys the crowd. “They come to places like these thinking they’re writers,” she continues, “and end up leaving as characters.” The occasion for this evening’s celebration, as well as the novel as a whole, is the ceremony for the Basske-Wortz Prize: a […]

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‘Summerwater’ by Sarah Moss: Mortality, Regret, and a Rained-Out Vacation

by Rayna Carey

Staying at a tourist campsite at a loch in Scotland, the different families of Sarah Moss’s Summerwater (203 pages; Farrar, Straus, and Giroux) have to contend with a day of heavy summer rain. Even though relatively little action occurs for most of Moss’s humorous and poetic novel, Summerwater’s narrative is driven by its various characters’ contemplations during the rainstorm. From frustrated teenage siblings to a little girl taunting a stranger to an elderly couple silently wrestling with the past, the diverse characters reveal themselves through their internal stream-of-consciousness dialogue as they contemplate mortality, regret, and marriage, as well as their […]

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In the Black, With Jessica

by Christian Kiefer

The sound of a car gearing up the ashen road. Chuck thought at first that it had to be someone from Cal Fire or another crew but then the radio crackled and Bob told him it was a civilian. “Copy,” he said, and then, after releasing the button: “Fuck.” No part of him that was

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‘My Heart’ by Semezdin Mehmedinović: Matters of Life and Death

by CJ Green

People say that when you have a child, it’s like your heart has left your body and begins walking around on its own. This idea came to mind reading Semezdin Mehmedinović’s novel My Heart (225 pages; Catapult; translated by Celia Hawkesworth). It begins with a heart attack that sends the protagonist into an eloquent, existential spiral, after which his priorities become increasingly clear to him. “Since I passed fifty,” he explains, “I know that everyone dies young.” The overall effect is of a camera sharpening: the background noise gives way to a crisp foreground, the local details of love and […]

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Q&A WITH KATE MILLIKEN: ‘KEPT ANIMALS’ AND WRITING A TREACHEROUS LANDSCAPE

by K.L. Browne

In Kate Milliken’s first novel, Kept Animals (350 pages; Scribner), Topanga Canyon of the early ‘90s is an isolated, wild place, beautiful but vulnerable to the destruction and chaos of wildfire. Two teenage girls suffer loss one summer in this rugged canyon nestled beside a Los Angeles of wealth and celebrity. As they seek solace in one another, their connection ripples through the small community with dangerous consequences. Milliken’s clear-eyed telling weaves their story with that of Charlie, a young woman who two decades later searches into the mystery of this relationship and the fire that swept through Topanga. The […]

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‘You Will Never Be Forgotten’ by Mary South: Life in Front of the Screen

by Zack Ravas

Under typical circumstances, it’s likely the literary community would be celebrating the release of Mary South’s first book, You Will Never Be Forgotten (240 pages; FSG Originals), a collection of ten dark and crystalline stories that announces the arrival of a distinct voice in contemporary fiction. But these are not normal circumstances, and it’s difficult for any author to garner attention right now, let alone one making their debut. Yet the mordant wit and biting irony in You Will Never Be Forgotten, and its complex understanding of reality’s often cruel reversals, resonates with launching the book when the world is […]

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‘Born Slippy’ by Tom Lutz: Unchecked by Moral Scrutiny

by Michelle Latiolais

Tom Lutz novel Born Slippy

With great guilty pleasure I left off reading A Journal Of The Plague Year by Daniel Defoe and picked up Born Slippy (310 pages; Repeater Books) by the critic and scholar Tom Lutz. This is Lutz’s first novel, and on show are the wild and woolly qualities of the best first novels, I am happy to report. There is no bubonic plague to drive the narrative and to provide the agar within which we observe human behavior, no. Instead, there is in Born Slippy a character named Dmitry, a one-man plague. Frank, the novel’s central intelligence, regrets many, many times […]

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‘Here I Am!’ by Pauline Holdstock: The Messenger of an Urgent Truth

by Alecsander Zapata

Pauline Holdstock novel Here I Am!

The past years have seen a renewed interest in capturing the adolescent perspective. In shows like Netflix’s Stranger Things and films like Taika Waititi’s Jojo Rabbit,  the earnestness of a child’s voice in a period when everyone in the audience seems to have something to say seems both timely and necessary. Pauline Holdstock’s latest novel Here I Am! (292 pages; Biblioasis) embraces this trend, shining its narrative spotlight on Frankie Walters, an incredibly intelligent six-year-old with Avoidant Personality Disorder. When his mother dies while his father is out of town, Frankie is left alone; the young boy attempts to tell […]

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‘Track Changes’ by Sayed Kashua: A Loss that Reverberates

by Alicia Long

Sayed Kashua’s fourth novel, Track Changes (240 pages; Grove Press; translated by Mitch Ginsburg), is a haunting exploration of the unplaceable loss that reverberates through one man’s memory. Saeed, an Arab-Israeli man hailing from the small Palestinian village of Tira, has long maintained a passion for writing, and he develops a career of ghost-authoring other people’s life stories. As he learns to craft memoirs, drawing out stories and observations from taped interviews with his subjects, he finds that his true power lies in editing. At first, he transcribes the stories precisely as they are relayed to him, but he comes […]

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