Tag: fiction

‘Night Train’ by A.L. Snijders: Blooming Within Constraints

by Chiara Bercu

Posted on by Zack Ravas

When she began translating contemporary Dutch micro-fiction writer A.L. Snijders’s work, Lydia Davis had only a passing familiarity with the language. Night Train (128 pages; New Directions) presents 91 of Snijders’s more than 3,000 stories, or what he called his zkv’s (zeer korte verhalen: “very short stories”). The collection is a long-tended-to anthology of these writings—“autobiographical mini-fables,” as Davis calls them—whose translations she parsed and reasoned-through using what she knew of German and French, and with the consult of Snijders’s Dutch publisher, Paul Abels. Many of the pieces parallel the tone and form of some of Davis’s own vignettes: stories […]

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Wool

by Mark Labowskie

Posted on by Zack Ravas

Martin exits I-89 before he needs to and progresses town by town. He keeps pulling over to eyeball a fiery spruce or an outcropping of mica, admire quaint inns with ivy wreathed around their VACANCY signs and crumbling breweries offering hard apple cider tastings. He’s eager to reach Tunbridge, but knows anticipation is the greatest pleasure. He stops to buy a mason jar of corn whiskey from a sweet old man on a porch, thinking how happy he’ll be once he reaches Lola and Dot’s barn. Then, realizing his spirits are at that peak where they’re in danger of toppling […]

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Q&A with Robin McLean: ‘Pity the Beast’ and Living in Wild Places

by Peter Schlachte

Posted on by Zack Ravas

Robin McLean’s first novel Pity the Beast (384 pages; And Other Stories), has all the trappings of a traditional Western—the grime and the guts, the hard people amid an austere, extraordinary landscape—but McLean isn’t satisfied with the traditional. The novel revolves around Ginny, a rancher in the American west who cheats on her husband Dan and is gang-raped in a flurry of vengeance and violence. Ginny, left for dead, escapes into the mountains and is pursued by a posse of five townsfolk: her husband, her sister Ella and Ella’s husband Saul, a tracker named Bowman, and a mule-driver named Maul. […]

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‘Win Me Something’ by Kyle Lucia Wu: An Outsider in the World of Privilege

by Supriya Saxena

Posted on by Zack Ravas

Reading Kyle Lucia Wu’s first novel, Win Me Something (257 pages; Tin House), feels like listening to a friend tell you about her life straightforward and true. The main character, Willa Chen, a 23-year-old working-class Brooklynite who thinks her life has lost direction, proves immediately relatable. The first-person narration seems to come from her very soul, yet this directness belies a beautifully understated poignancy contained in Willa herself: though she may seem unremarkable at first, she is a deeply scarred, isolated individual. Willa lives in Crown Heights in a tiny apartment with a roommate who is more often than not […]

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‘Intimacies’ by Katie Kitamura: Truth, Doubt, and Intimacy

by Meryl Natchez

Posted on by Zack Ravas

As soon as I finished Katie Kitamura’s newest book, Intimacies (238 pages; Riverhead), I immediately got copies of all her previous novels. Perhaps just quoting the first paragraph of this nuanced, intriguing novel will be enough for you to understand why: It is never easy to move to a new country, but in truth I was happy to be away from New York. That city had become disorienting to me, after my father’s death and my mother’s sudden retreat to Singapore. For the first time, I understood how much my parents had anchored me to this place none of us […]

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‘Runaways: A Writer’s Dilemma’ by Michael J. Seidlinger: The Perils of the Blank Page

by Shelby Hinte

Posted on by Zack Ravas

“A writer, a little bit lonely and a whole lot desperate, signed into social media. They didn’t know what they were looking for. That was kind of the problem. They were having trouble getting started.” These are the opening lines to Michael J. Seidlinger’s novella Runaways: A Writer’s Dilemma (100 pages; Future Tense Books). In many ways, Seidlinger’s book asks an age-old question: how does a writer face a blank page? The modifier here is: how does one do this in the age of the internet—particularly in a time when dopamine-producing distractions are more abundant than ever? These questions are […]

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‘Leave Society’ by Tao Lin: Our 21st Century Malady

by Zack Ravas

Posted on by Zack Ravas

If part of the success of any novel involves timing, Tao Lin perhaps couldn’t have chosen a better moment for Leave Society (352 pages; Vintage) to have come out than during an extended pandemic. Though the story takes place over several years prior to 2020, its main character maintains a hermetic lifestyle many of us can relate to at present, whether we’d like to or not: “… isolating himself in his apartment in Manhattan, replacing pills and friends and most of culture with cannabis and books, and finding new interests…” Leave Society continues Tao Lin’s tendency for autofiction by following […]

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Q&A with Jackson Bliss: ‘Counterfactual Love Stories and Other Experiments’ & The Rules You’re Allowed to Break

by Peter Schlachte

Posted on by Zack Ravas

Jackson Bliss’s debut book of fiction, Counterfactual Love Stories and Other Experiments (200 pages; Noemi Press), is exactly what the title claims—a collection of exciting, bold experiments that stretch the notion of what a story can be. Of the thirteen stories in it, no two share the same form. Yet underneath the narrative invention, the genre-bending fireworks, and the speculative characters, Bliss’s stories are meditations on classic themes: time, autonomy, race, and, of course, love. Bliss is the winner of the 2020 Noemi Prize in Prose, holds an MFA in Creative Writing from the University of Notre Dame, and a […]

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‘The Savage Kind’ by John Copenhaver: Seeking Agency By Any Means Possible

by Supriya Saxena

Posted on by Zack Ravas

The femme fatale of classic detective fiction and noir films rarely offers a kind portrayal of women. Mysterious and alluring, she commits all sorts of devious and despicable acts for her own gain, and the narrative invariably punishes her in the end. As misogynistic as this archetype is, the concept of a woman who seeks independence and agency through lethal means is certainly an intriguing one. It is easy to understand why John Copenhaver chose to reimagine the femme fatale in his coming-of-age mystery novel The Savage Kind (384 pages; Pegasus Crime). This dark, captivating novel follows two teenage girls […]

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‘Dante’s Indiana’ by Randy Boyagoda: A Severe Satire

by Shelby Hinte

Posted on by Zack Ravas

We are living in an era of instant gratification—information accessible via our fingertips in a matter of seconds, food delivered to our doorsteps without so much as having to talk to another human being, fast-track degree programs, and attaining inner peace through a single weekend meditation retreat—not to mention the omnipresence of quick-fix drugs that can calm your nerves, kill your pain, eliminate excess weight, liven your libido, grant you access to euphoria, and, in general, make life a little less miserable. Randy Boyagoda’s newest novel, Dante’s Indiana (224 pages; Biblioasis), a standalone sequel to his novel Original Prin, is […]

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‘I Wished’ by Dennis Cooper: Serving Witness

by Zack Ravas

Posted on by Zack Ravas

George Miles. To the average reader, it’s not a name that necessarily conjures associations; but for followers of underground literary icon Dennis Cooper, it’s a name that has loomed large since the publication of Cooper’s first novel, Closer, in 1989. That book marked the beginning of Cooper’s most enduring body of a work, a five-novel series collectively known as the George Miles Cycle. The novels form a loosely connected narrative that, by Cooper’s own admission, represent his attempts to process his relationship with Miles, an enigmatic young man suffering from mental illness and a general difficulty at articulating himself. Unbeknown […]

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‘Cloud Cuckoo Land’ by Anthony Doerr: Across Time and Space

by Mike Berry

Posted on by Zack Ravas

Anthony Doerr thinks big. His latest novel, the follow-up to the Pulitzer Prize-winning All the Light We Cannot See, not only clocks in at more than 600 pages, but follows five major protagonists across three meticulously detailed timelines. Added to that, it focuses attention on a lost, resurrected manuscript that exemplifies the power of literature and of librarians by envisioning a magical place between Earth and Heaven. Cloud Cuckoo Land (628 pages; Scribner) is set in 15th-century Constantinople, contemporary Idaho, and aboard a generational starship in the not-too-distant future. The cast of characters includes a teenage ox driver, a young […]

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