In the Spring & Summer Issue

by ZYZZYVA

In our newest issue, we gather contributors past and recent: Rebecca Solnit’s “Grandmother Spider”: A meditation on the paintings of Ana Teresa Fernandez and the ways women are made to disappear from history. Daniel Handler’s “I Hate You”: The story of a souring young man at a birthday dinner with old friends in Oakland. (The party is over.) Elizabeth Tallent’s “Mendocino Fire”: The peripatetic life of a young female tree-sitter, raised, and perhaps forsaken, in the wilds of the forest. Katie Crouch’s “To Bloom, to Burst, to Blaze”: An essay on Sylvia Plath, and a haunting failure of friendship set […]

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Reckoning With Seeing What We Want to See: Walter Kirn’s ‘Blood Will Out’

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In 1998, author Walter Kirn (Thumbsucker, Up in the Air) agreed to drive a crippled Gordon setter from Montana to New York and deliver the dog to Clark Rockefeller. Kirn’s new memoir, Blood Will Out (Liveright, 272 pages) details his fifteen-year friendship with a man he long thought to be a Rockefeller, but turned out to be a wanted murderer. After the delivery of the dog, Kirn and Rockefeller maintain a long-distance friendship, with Kirn making one additional visit to the East Coast in 2002. But when Clark kidnaps his own daughter in 2008, Kirn, along with the rest of […]

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The Need to Keep Maintaining Balance in Whom We Publish: ZYZZYVA’s VIDA Count

by editor

This week, VIDA, Women in Literary Arts, released its 2013 count results. Since 2010, the annual count compares the number of women to men published in major and respected national publications; importantly, the count also looks at the distribution of books by female and male authors that are reviewed, as well as the number of female versus male book reviewers. Equality is ideal, not only for its own sake, but also for the sake of publishing the best journal possible. In every sense, it serves ZYZZYVA as much as any other journal to maintain a balance between male and female […]

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Translating Horror: Hassan Blasim’s ‘The Corpse Exhibition and Other Stories of Iraq’

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To translate may be “to turn from one language into another.” But there is another meaning—to “remove from one place to another”—the underlying current being that the felicitous translation is not merely one of technical and semantic moves. Translation, as Borges’ “Pierre Menard, Author of the Quixote” purports as much as lampoons, is an act of rewriting for a culture with a wholly different epistemic, lexical, and historical foundation. Those things that revolve around and jut forth through the translated text— from editorial interjections and the frameworks of the material book to a culture’s sensibilities and history—render the text as a protean […]

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Pushing Against the Constraints of Circumstance: Q&A with Kate Milliken

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Kate Milliken is a graduate of the Bennington College Writing Seminars and recipient of fellowships from the Vermont Studio Center and the Tin House summer writing workshops. She has recently published her first collection of short fiction, If I’d Known You Were Coming (University of Iowa Press, 134 pages), for which she was awarded the 2013 John Simmons Short Fiction Award. Stories from this collection have appeared in a variety of publications, including Fiction, New Orleans Review, and Santa Monica Review. Her story, “A Matter of Time,” was published in ZYZZYVA’s Fall 2013 issue. Told in the intimate details of […]

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Her Charming Passion: Wendy Lesser’s ‘Why I Read: The Serious Pleasure of Books’

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I was a bit suspicious as I approached Wendy Lesser’s Why I Read: The Serious Pleasure of Books (Farrar, Straus and Giroux; 212 pages). It’s not that Ms. Lesser—founder and editor of The Threepenny Review, author of nine previous books (including one novel, The Pagoda in the Garden), and a prolific literary critic herself—lacks the credentials to write a long, meditative study of the passion she has made her career. (Quite the contrary; I can imagine few more qualified than her.) Rather, I was worried that, by virtue of her position vis-a-vis books and the Professional Writing Life, such a […]

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In the Winter Issue

by ZYZZYVA

In our newest issue, time and worlds bend: In Juan Pablo Villalobos’s “Photisms”: A little boy tells his distracted psychiatrist that he sees mysterious green lights and hears a voice telling him, “See you in the non-world.” In Lisa Teasley’s “Full Circle”: The bonds between a couple stretch across eras and genders, forged by incredible loss, rancor, and love. In Monique Wentzel’s “Modern Speedwash”: A struggling woman finds a portal to a universe she’s made different choices and has a comfortable life to show for it. But can she so easily give up the life she knew before? And in […]

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With Mercer Out of the Hospital, ‘Swearing in English’ Finally Has Its Big Night

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Earlier this year, when Oakland actor and author John Mercer was due to take the stage for the opening night of his one-man show drawn from his memoir/essay collection, Swearing in English: Tall Tales at Shotgun, he was otherwise occupied: he was in the hospital with viral encephalitis, a life-threatening illness that would keep him there for 11 days. The advertised shows were cancelled, and the book launch never happened. (You can read more about the memoir here.) Now Mercer, who is a member of the Shotgun Players, has recovered and the show will go on. What was going to […]

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More ZYZZYVA in the Best American Short Stories and Best American Essays 2013

by editor

We announced here earlier in the year the inclusion of two ZYZZYVA pieces in the forthcoming Best American Essays and Best American Short Stories: respectively, Dagoberto Gilb‘s “A Little Bit of Fun Before He Died” (Issue No. 95, Fall 2012) and Karl Taro Greenfeld‘s “Horned Men” (also Issue No. 95). Today we learned ZYZZYVA made the Notable lists for both prestigious anthologies, too. Ron Carlson‘s story “Line From a Movie” (Issue No. 96, Winter 2012) won recognition in BASS, and two nonfiction works were similarly recognized in Best American Essays: Rick Barot‘s “Morandi Sonnet” (No. 96) and Luis Alberto Urrea‘s […]

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In the Fall Issue

by ZYZZYVA

In our newest issue, ZYZZYVA asks: Having kids—what could possibly go wrong? In Eric Puchner’s “Heavenland,” a stalled L.A. artist finds his style—and his relationships—severely cramped after the birth of his son. In Vanessa Hua’s “A River of Stars,” a pregnant mistress in Southern California is cornered by the wishes of her married lover in China. In Nana K. Twumasi’s “Pica,” a widowed father tries to make sense of his young daughter’s troubling eating compulsion. And in Kate Milliken’s “A Matter of Time,” a suburban mother hopes a dinner party with an old and successful friend can salvage her dreams. […]

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Chiapas, the Zapatistas, and the Moral Opportunity: Q&A with Michael Spurgeon

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On January 1, 1994, the Zapatista Army of National Liberation (Ejército Zapatista de Liberación Nacional or EZLN) marched out of the jungles of the Mexican state of Chiapas to occupy its capitol, San Cristóbal de las Casas. Like his protagonist Henry Singer, author Michael Spurgeon had a bird’s-eye view of the occupation from the balcony of his girlfriend’s apartment directly overlooking the city’s main square. In his new novel, Let the Water Hold Me Down (Ad Lumen Press; 372 pages), Spurgeon chronicles how the events surrounding the Zapatista uprising stir Singer out of a state of relative inaction as the […]

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A Best American Short Stories and Best American Essays One-Two Punch (Update: And Now a Pushcart: We Hit the Trifecta)

by editor

It looks like the Fall 2012 ZYZZYVA (No. 95) has some sort of magic working for it. Earlier this year, we were thrilled to learn that a story from that issue, Karl Taro Greenfeld’s “Horned Men,” would be included in the 2013 Best American Short Stories. And today, we received a call informing us that Dagoberto Gilb’s nonfiction piece from the same issue, “A Little Bit of Fun Before He Died,” will be included in the 2013 Best American Essays. We offer our warmest congratulations to Dagoberto Gilb and Karl Taro Greenfeld. And if you don’t have the Fall 2012 […]

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